1. CERULEAN BLUE 00:01:02 AN AMBIENT SOUNDSCAPE CREATED BY IMAGINATIVELY TREATING AND PROCESSING A RECORDING OF A LIVE TRUMPET WITH A BLUESY HARMON MUTE PERFORMED BY ACCLAIMED TRUMPETER SARAH OETEGENN.Ê

2. COBALT BLUE 00:01:02 AN AMBIENT SOUNDSCAPE CREATED BY IMAGINATIVELY TREATING AND PROCESSING A RECORDING OF A LIVE TRUMPET WITH A BLUESY HARMON MUTE PERFORMED BY ACCLAIMED TRUMPETER SARAH OETEGENN.Ê

3. INDANTHRONE BLUE 00:01:34 AN AMBIENT SOUNDSCAPE CREATED BY IMAGINATIVELY TREATING AND PROCESSING A RECORDING OF A LIVE TRUMPET WITH A BLUESY HARMON MUTE PERFORMED BY ACCLAIMED TRUMPETER SARAH OETEGENN.Ê

4. MANGANESE BLUE 00:01:02 AN AMBIENT SOUNDSCAPE CREATED BY IMAGINATIVELY TREATING AND PROCESSING A RECORDING OF A LIVE TRUMPET WITH A BLUESY HARMON MUTE PERFORMED BY ACCLAIMED TRUMPETER SARAH OETEGENN.Ê

5. PHTALO BLUE 00:02:28 AN AMBIENT SOUNDSCAPE CREATED BY IMAGINATIVELY TREATING AND PROCESSING A RECORDING OF A LIVE TRUMPET WITH A BLUESY HARMON MUTE PERFORMED BY ACCLAIMED TRUMPETER SARAH OETEGENN.Ê

6. PRUSSIAN BLUE 00:01:02 AN AMBIENT SOUNDSCAPE CREATED BY IMAGINATIVELY TREATING AND PROCESSING A RECORDING OF A LIVE TRUMPET WITH A BLUESY HARMON MUTE PERFORMED BY ACCLAIMED TRUMPETER SARAH OETEGENN.Ê

7. COBALT VIOLET RIPPLE 00:02:26 A DRONING CUE WITH A REPEATED CHIMING ELEMENT EVOKING A FUTURISTIC SCI-FI FEEL, CREATED USING A MIXTURE OF VOICE, FLUTE AND VIOLONE (A RENAISSANCE PERIOD STRING INSTRUMENT) PASSED THROUGH FILTERS WITH SOME ECHO, DELAY AND PITCH SHIFTING.

8. BROWN PINK PERSISTANT 00:02:22 LAYERS OF ANALOGUE SYNTH COMBINING BREATHY TEXTURES WITH AND INSISTENT OSTINATO PATTERN AND SOME DEEP BASS DRONES

9. DIOXAZINE PURPLE PLUME 00:01:10 A LITTLE TRIBUTE TO THE TECHNIQUES OF THE LATE DELIA DERBYSHIRE. A METAL LAMPSHADE IS STUCK WITH A SOFT TIMPANI BEATER AND TREATED WITH FILTERING, DELAYS AND SPEED MANIPULATION.

10. DIOXAZINE PURPLE PIXELATOR 00:02:22 THE RENAISSANCE VIOLONE PROVIDES A DRONE OVER WHICH LAYERS OF PITCH SHIFTED AND FLANGED HAND DRUMS SET UP GENTLE OSTINATO PATTERNS.

11. BURNT SIENNA BLADERUNNER 00:02:22 A DRONING, CHIMING AND PERCUSSIVE CUE WITH A RENAISSANCE VIOLONE PROVIDING A TREATED DRONE OVER WHICH LAYERS OF PITCH SHIFTED AND FLANGED HAND DRUMS SET UP GENTLE OSTINATO PATTERNS WITH SOME EXTREME FLANGING, PITCH SHIFTING AND REVERBS PLUS SOME TREATED PLUCKS FROM A KOKLE, A LATVIAN STRINGED INSTRUMENT.

12. BURNT SIENNA SLO MO 00:02:22 THE SAME GROUP OF INSTRUMENTS AND TECHNIQUES DEPLOYED IN BURNT SIENNA BLADERUNNER ARE THIS TIME COMBINED WITH SOME GRITTY GUITAR FEEDBACK PASSED THROUGH GRANULAR SYNTHESIS TO CREATE A DARK, UNSETTLING TEXTURE.

13. ALIZARIN CRIMSON DAPPLE 00:02:28 AN INTRIGUING CUE WITH TREATED HAND DRUMS WITH SOME PITCH SHIFTING, REVERB AND ECHO COMBINED WITH AN OSCILLATING DRONE FROM AN ANALOGUE SYNTHESISER.

14. ALIZARIN CRIMSON BURNTHROUGH 00:02:28 ANOTHER INTRIGUING CUE WITH TREATED HAND DRUMS WITH SOME PITCH SHIFTING, REVERB AND ECHO COMBINED WITH AN OSCILLATING DRONE FROM AN ANALOGUE SYNTHESISER WITH AN ADDED LAYER OF VIOLONE DRONES TREATED WITH SOME FILTERING AND REVERB AND COMBINE IT WITH RETRO SYNTH BRASS.

15. ALIZARIN DOPPLER BOUNCE 00:02:22 A FLUTE AND VOICE ARE SLOWED DOWN AND COMBINED WITH A SYNTHESISED BREATH EFFECT. THIS IS LOOPED AND CONTINUALLY PANNED AND FILTERED CREATING A CONSTANTLY SHIFTING SOUND WORLD. A HALF EMPTY WATERING CAN HIT WITH A TIMPANI STICK MAY ALSO ADDS AN UNUSUAL TIMBRE.

16. ALIZARIN SPRINKLER 00:02:28 TREATED VIOLONE DRONES AND HAND PERCUSSION ARE COMBINED WITH FILTERING AND PANNING TECHNIQUES AS WELL AS SOME AIRY SYNTHESISED TEXTURES.

17. TITANIUM WHITE WISPS 00:01:10 GUITAR FEEDBACK IS HERE REVERSED AND DELAYED THEN COMBINED WITH SOME HEAVY REVERB AND LAYERED TO CREATE AND UNSETTLING, GENTLY SHIFTING TEXTURE.

18. BURNT UMBER BOUNCER 00:01:10 SOME OLD-SCHOOL, BURBLING ANALOGUE SYNTH TEXTURES RECALLING THOSE CLASSIC B-MOVIE SCI-FI SOUNDSCAPES WE ALL KNOW AND LOVE.

19. QUINACRIDONE MAGENTA 00:02:06 A SINGLE PLUCKED HARP STRING AND VOICE ARE SATURATED WITH REVERB AND DELAY AND COMBINED WITH SUBTLY SHIFTING POLYPHONIC SYNTH DRONES TO CREATE A DEEP SENSE OF CALM.

20. MANGANESE VIOLET 00:02:42 AN ETHEREAL CHOIR TREATED WITH SHIMMERING ECHOES AND REVERBS GRADUALLY CLIMBING HIGHER BEFORE REACHING A PEACEFUL RESOLUTION.

21. NAPTHOL SCARLET 00:02:16 A DISTORTED SYNTH DRONE PROVIDES A GENTLE OSTINATO OVER WHICH LAYERS OF TREATED LONG NOTES FROM DOUBLE BASS AND VIOLONE PROVIDE A VARIETY OF SOUND EFFECTS LIKE ECHOES AROUND A SUBTERRANEAN CAVERN.

22. PERYLENE RED 00:02:16 ALL ANALOGUE SYNTHS ON THIS ONE. THINK OF THE SORT OF SPACEY SOUNDSCAPE YOU MIGHT FIND IN A CERTAIN BBC SCI-FI (80'S PERIOD) JUST BEFORE SOMETHING HAPPENS.

23. AURELIN COBALT YELLOW 00:02:16 A SYNTH CHORD WITH DELAY SOUND GIVES WAY TO LAYERS OF DRONE FROM THE VIOLONE TREATED WITH FILTERING RECALLING THE SOUND OF THE SARANGI.

24. DAVEY'S GREY RICOCHET 00:01:10 A LAMPSHADE IS HERE TREATED WITH A BIT OF RING MODULATION, SOME EXTREME FILTERING AND REVERSAL TO THE POINT WHERE IT IS ALL BUT UNRECOGNISABLE.

25. HANSA YELLOW SHINE 00:01:14 GUITAR FEEDBACK IS HERE REVERSED AND DELAYED THEN COMBINED WITH SOME HEAVY REVERB PLUS SOME ADDITIONAL LAYERING AND PITCH SHIFTING.

26. GREEN EARTH HUE 00:01:14 ECHOING PLUCKED SOUNDS FROM A KOKLE ARE TREATED WITH DELAYS AND PITCH SHIFTING AND COMBINED WITH DEEP LAYERS OF SOFT SYNTH TEXTURES TO CREATE A GENTLY SHIFTING SOUND WORLD THAT IS SIMULTANEOUSLY QUESTIONING AND CALMING.

27. VIOLET DIOXAZINE 00:02:06 THE TREATED HARP STRING IS COMBINED WITH TREATED VOICE AND SYNTHESISED BREATH EFFECTS WHICH GRADUALLY ELONGATE AS THE TRACK PROGRESSES. AN AMBIENT RECORDING OF THE WIND DOWN A CHIMNEY IS SUBJECTED TO EXTREME NOISE REDUCTION AND FILTERING CREATING A GENTLY FLUTTERING TEXTURE WHICH SIT ON TOP.