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Threat Level KPM 2117 EMI PRODUCTION MUSIC    KPM MAIN SERIES

Threat Level

Pulsing, electronic tension music guaranteed to have you on the edge of your seat
  • 1. FINAL PURSUIT (A) 00:02:58 UNNERVING SUB-BASS CUE SLOWLY RAMPING UP THE TENSION WITH DISTORTED SYNTH, TICKING PERCUSSION, EERIE SYNTH TEXTURES AND DRAMATIC DRUMBEATS

     

    55. FINAL PURSUIT (A 30) 00:00:31 30 SECOND EDIT

     

    73. FINAL PURSUIT (A 60) 00:01:00 60 SECOND EDIT

     

    19. FINAL PURSUIT (B) 00:02:58 ALTERNATIVE VERSION

     

    20. FINAL PURSUIT (C) 00:02:58 ALTERNATIVE VERSION

     

    91. FINAL PURSUIT (STING) 00:00:16 LINK;STING

    BPM
    90
    Tempo
    Medium
    Genre
    Club, Electronica:Electronica, Sound Elements, Atmospheres:Pulses
    Mood
    Abstract:Futuristic, Disturbing:Eerie, Disturbing:Tense, Dramatic:Urgent, Strong:Powerful/Strong, Dramatic:Dangerous
    Style
    Dark, Rough, Edgy, Synthetic, Cinematic
    Instruments
    Tom Toms, Drum Machine, Electronic Drums, SFX (Sound Effects), Synth Bass, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Conor Blake Manning, Jeremy John Stack, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903799
    Tags
    Unnerving sub-bass cue slowly ramping up the tension with distorted synth, ticking percussion, eerie synth textures and dramatic drumbeats
  • 2. THE CLOCK IS TICKING (A) 00:02:30 FOREBODING METRONOMIC PERCUSSION AND TICKING CLOCK CREATE TENSION-FUELLED TRACK, FEATURING UNNERVING PULSES, INTERMITTENT HEAVY DRUM HITS, MENACING SUB-BASS STABS, PITCH RISER AND INDUSTRIAL FX

     

    56. THE CLOCK IS TICKING (A 30) 00:00:31 30 SECOND EDIT

     

    74. THE CLOCK IS TICKING (A 60) 00:01:01 60 SECOND EDIT

     

    21. THE CLOCK IS TICKING (B) 00:02:30 ALTERNATIVE VERSION

     

    22. THE CLOCK IS TICKING (C) 00:02:31 ALTERNATIVE VERSION

     

    92. THE CLOCK IS TICKING (STING) 00:00:17 LINK;STING

    BPM
    120
    Tempo
    Medium
    Genre
    Sound Elements, Atmospheres:Sound Design, Sound Elements, Atmospheres:Pulses
    Mood
    Abstract:Futuristic, Disturbing:Ominous/Threatening, Disturbing:Tense, Dramatic:Urgent, Strong:Mighty
    Style
    Dark, Rough, Edgy, Cinematic
    Instruments
    Tom Toms, Drum Machine, Electronic Drums, SFX (Sound Effects), Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Conor Blake Manning, Jeremy John Stack, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903800
    Tags
    Foreboding metronomic percussion and ticking clock create tension-fuelled track, featuring unnerving pulses, intermittent heavy drum hits, menacing sub-bass stabs, pitch riser and industrial fx
  • 3. ENEMY (A) 00:02:07 FRANTIC SYNTHETIC SUB-BASS WITH PITCH RISER, TICKING PERCUSSION AND UNEASY FX BUILDS AND REBUILDS TOWARDS A TENSE ANTICLIMAX

     

    57. ENEMY (A 30) 00:00:30 30 SECOND EDIT

     

    75. ENEMY (A 60) 00:01:00 60 SECOND EDIT

     

    23. ENEMY (B) 00:02:08 ALTERNATIVE VERSION

     

    24. ENEMY (C) 00:02:07 ALTERNATIVE VERSION

     

    93. ENEMY (STING) 00:00:11 LINK;STING

    BPM
    128
    Tempo
    Medium
    Genre
    Club, Electronica:Electronica
    Mood
    Abstract:Futuristic, Disturbing:Nervous/Hectic, Disturbing:Tense, Dramatic:Urgent, Strong:Powerful/Strong
    Style
    Energetic, Lively, Synthetic
    Instruments
    Drum Machine, Electronic Drums, SFX (Sound Effects), Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Daniel Rodney Tarbuck, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903801
    Tags
    Frantic synthetic sub-bass with pitch riser, ticking percussion and uneasy fx builds and rebuilds towards a tense anticlimax
  • 4. THE ASSAILANT (A) 00:02:30 HOSTILE AND INTENSE SUB-BASS, DRAMATIC DRUM HITS, SCREAMING STRING GLISSANDI AND NOISY PERCUSSION CREATE AN IMPOSING AND THREATENING TRACK

     

    58. THE ASSAILANT (A 30) 00:00:30 30 SECOND EDIT

     

    76. THE ASSAILANT (A 60) 00:00:59 60 SECOND EDIT

     

    25. THE ASSAILANT (B) 00:02:29 ALTERNATIVE VERSION

     

    26. THE ASSAILANT (C) 00:02:31 ALTERNATIVE VERSION

     

    94. THE ASSAILANT (STING) 00:00:14 LINK;STING

    BPM
    120
    Tempo
    Medium
    Genre
    Sound Elements, Atmospheres:Sound Design
    Mood
    Disturbing:Disturbing, Disturbing:Ominous/Threatening, Disturbing:Tense, Dramatic:Aggressive, Dramatic:Intense, Strong:Powerful/Strong
    Style
    Dark, Noisy, Rough, Edgy
    Instruments
    Metal Percussion, String Section, Drum Machine, Electronic Drums, SFX (Sound Effects), Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Matreya, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903802
    Tags
    Hostile and intense sub-bass, dramatic drum hits, screaming string glissandi and noisy percussion create an imposing and threatening track
  • 5. THERE IN THE SHADOWS (A) 00:02:21 NERVOUS CUE WITH PULSATING SYNTHS, SHADOWY BASS, EERIE SYNTH DRONES, INTERMITTENT SILENCES AND REVERBERATING PERCUSSIVE ELEMENTS

     

    59. THERE IN THE SHADOWS (A 30) 00:00:31 30 SECOND EDIT

     

    77. THERE IN THE SHADOWS (A 60) 00:00:59 60 SECOND EDIT

     

    27. THERE IN THE SHADOWS (B) 00:02:22 ALTERNATIVE VERSION

     

    28. THERE IN THE SHADOWS (C) 00:02:21 ALTERNATIVE VERSION

     

    95. THERE IN THE SHADOWS (STING) 00:00:11 LINK;STING

    BPM
    120
    Tempo
    Medium
    Genre
    Club, Electronica:Electronica, Sound Elements, Atmospheres:Pulses
    Mood
    Abstract:Futuristic, Disturbing:Eerie, Disturbing:Nervous/Hectic, Disturbing:Ominous/Threatening, Disturbing:Tense
    Style
    Dark, Rough, Edgy, Synthetic
    Instruments
    Hi-Hat, SFX (Sound Effects), Synth Bass, Synth Pad, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Christopher Edmund Elmslie, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903803
    Tags
    Nervous cue with pulsating synths, shadowy bass, eerie synth drones, intermittent silences and reverberating percussive elements
  • 6. BLACKMAIL (A) 00:02:35 INCREDIBLY TENSE AND DARK TRACK FEATURING MENACING ELECTRIC GUITAR, CRASHING PERCUSSION, PITCH RISERS, AND RAPID AND PULSATING SYNTH TEXTURES

     

    60. BLACKMAIL (A 30) 00:00:30 30 SECOND EDIT

     

    78. BLACKMAIL (A 60) 00:00:59 60 SECOND EDIT

     

    29. BLACKMAIL (B) 00:02:30 ALTERNATIVE VERSION

     

    30. BLACKMAIL (C) 00:02:35 ALTERNATIVE VERSION

     

    96. BLACKMAIL (STING) 00:00:13 LINK;STING

    BPM
    120
    Tempo
    Medium
    Genre
    Rock:Industrial Rock
    Mood
    Disturbing:Disturbing, Disturbing:Ominous/Threatening, Disturbing:Tense, Dramatic:Aggressive, Strong:Powerful/Strong
    Style
    Dark, Hard, Heavy, Rough, Edgy
    Instruments
    Drum Set, Guitar, Distorted Electric, SFX (Sound Effects), Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Matreya, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903804
    Tags
    Incredibly tense and dark track featuring menacing electric guitar, crashing percussion, pitch risers, and rapid and pulsating synth textures
  • 7. DARK WASTELAND (A) 00:02:09 DISTURBINGLY QUIET BEGINNING THAT GRADUALLY BUILDS WITH ADDED LAYERS OF SYNTH DRONES, METALLIC PERCUSSION, AND STEALTHY PIANO THEME AT 1:30

     

    61. DARK WASTELAND (A 30) 00:00:29 30 SECOND EDIT

     

    79. DARK WASTELAND (A 60) 00:01:01 60 SECOND EDIT

     

    31. DARK WASTELAND (B) 00:02:09 ALTERNATIVE VERSION

     

    97. DARK WASTELAND (STING) 00:00:10 LINK;STING

    BPM
    102
    Tempo
    Medium
    Genre
    Sound Elements, Atmospheres:Atmospheres, Sound Elements, Atmospheres:Pulses
    Mood
    Abstract:Ethereal/Spherical, Disturbing:Depressing/Bleak, Disturbing:Disturbing, Disturbing:Ominous/Threatening, Disturbing:Suspenseful, Disturbing:Tense
    Style
    Dark, Cinematic
    Instruments
    Metal Percussion, Orchestral Percussion, Piano, Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Adam Michael George Double, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903805
    Tags
    Disturbingly quiet beginning that gradually builds with added layers of synth drones, metallic percussion, and stealthy piano theme at 1:30
  • 8. TARGET IDENTIFIED (A) 00:02:08 IRREGULAR METRE CREATES UNEASY AND UNRELENTING TRACK, WITH DOMINANT SUB-BASS, TICKING PERCUSSION AND PULSING SYNTHS

     

    62. TARGET IDENTIFIED (A 30) 00:00:30 30 SECOND EDIT

     

    80. TARGET IDENTIFIED (A 60) 00:01:01 60 SECOND EDIT

     

    32. TARGET IDENTIFIED (B) 00:02:06 ALTERNATIVE VERSION

     

    33. TARGET IDENTIFIED (C) 00:02:07 ALTERNATIVE VERSION

     

    98. TARGET IDENTIFIED (STING) 00:00:13 LINK;STING

    BPM
    130
    Tempo
    Fast
    Genre
    Sound Elements, Atmospheres:Sound Design, Sound Elements, Atmospheres:Pulses
    Mood
    Disturbing:Nervous/Hectic, Disturbing:Tense, Dramatic:Urgent, Strong:Determined, Strong:Powerful/Strong
    Style
    Rough, Edgy, Synthetic
    Instruments
    Drum Machine, Electronic Drums, SFX (Sound Effects), Synth Bass, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Christopher Edmund Elmslie, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903806
    Tags
    Irregular metre creates uneasy and unrelenting track, with dominant sub-bass, ticking percussion and pulsing synths
  • 9. CONSPIRE (A) 00:02:44 NERVOUS SYNTH TEXTURES, THROBBING BASS AND ERRATIC PERCUSSION CREATE ENDLESSLY SUSPENSEFUL AND SINISTER CUE

     

    63. CONSPIRE (A 30) 00:00:29 30 SECOND EDIT

     

    81. CONSPIRE (A 60) 00:01:00 60 SECOND EDIT

     

    34. CONSPIRE (B) 00:02:41 ALTERNATIVE VERSION

     

    35. CONSPIRE (C) 00:02:43 ALTERNATIVE VERSION

     

    99. CONSPIRE (STING) 00:00:12 LINK;STING

    BPM
    130
    Tempo
    Fast
    Genre
    Club, Electronica:Electronica, Sound Elements, Atmospheres:Pulses
    Mood
    Disturbing:Nervous/Hectic, Disturbing:Ominous/Threatening, Disturbing:Suspenseful, Disturbing:Tense, Strong:Powerful/Strong
    Style
    Dark, Rough, Edgy, Synthetic, Cinematic
    Instruments
    Tom Toms, Guitar, Distorted Electric, SFX (Sound Effects), Synth Bass, Synth Pad, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Christopher Edmund Elmslie, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903807
    Tags
    Nervous synth textures, throbbing bass and erratic percussion create endlessly suspenseful and sinister cue
  • 10. PRIME SUSPECT (A) 00:02:37 ANXIETY-INDUCING, JITTERY HI-HAT AND MYSTERIOUS WHIRRING SUB-BASS PLAY OVER IMPOSING PIANO CHORDS AND HOLLOW SYNTH PADS

     

    64. PRIME SUSPECT (A 30) 00:00:29 30 SECOND EDIT

     

    82. PRIME SUSPECT (A 60) 00:01:00 60 SECOND EDIT

     

    36. PRIME SUSPECT (B) 00:02:36 ALTERNATIVE VERSION

     

    37. PRIME SUSPECT (C) 00:02:36 ALTERNATIVE VERSION

     

    100. PRIME SUSPECT (STING) 00:00:10 LINK;STING

    BPM
    125
    Tempo
    Medium
    Genre
    Sound Elements, Atmospheres:Atmospheres
    Mood
    Disturbing:Anxious/Fearful, Disturbing:Mysterious, Disturbing:Stealthy, Disturbing:Suspenseful, Disturbing:Tense
    Style
    Dark, Rough, Edgy
    Instruments
    Hi-Hat, Vibraphone, Piano, Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Adam Michael George Double, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903808
    Tags
    Anxiety-inducing, jittery hi-hat and mysterious whirring sub-bass play over imposing piano chords and hollow synth pads
  • 11. OPERATION (A) 00:02:11 LAYERS OF OMINOUS BASS OSTINATO, EERIE SYNTH DRONES AND SEQUENCES, AND PERSISTENT OFFBEAT DRUMS CREATE A SENSE OF FOREBODING

     

    65. OPERATION (A 30) 00:00:31 30 SECOND EDIT

     

    83. OPERATION (A 60) 00:01:00 60 SECOND EDIT

     

    38. OPERATION (B) 00:02:10 ALTERNATIVE VERSION

     

    39. OPERATION (C) 00:02:11 ALTERNATIVE VERSION

     

    101. OPERATION (STING) 00:00:11 LINK;STING

    BPM
    150
    Tempo
    Fast
    Genre
    Sound Elements, Atmospheres:Sound Design, Sound Elements, Atmospheres:Pulses
    Mood
    Disturbing:Disturbing, Disturbing:Eerie, Disturbing:Ominous/Threatening, Disturbing:Tense, Dramatic:Intense, Dramatic:Urgent
    Style
    Dark, Energetic, Lively, Rough, Edgy
    Instruments
    Tom Toms, SFX (Sound Effects), Synth Bass, Synth Pad, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Christopher Edmund Elmslie, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903809
    Tags
    Layers of ominous bass ostinato, eerie synth drones and sequences, and persistent offbeat drums create a sense of foreboding
  • 12. LURKING (A) 00:02:51 TENSION SLOWLY BUILDING: DISTANT DRONES AND PULSES, EERIE PIANO AND RHYTHMIC SYNTH EVOLVE INTO FULL-BLOWN SUSPENSE CUE WITH AGGRESSIVE DRUMS AND SUB-BASS STABS

     

    66. LURKING (A 30) 00:00:30 30 SECOND EDIT

     

    84. LURKING (A 60) 00:01:00 60 SECOND EDIT

     

    40. LURKING (B) 00:02:51 ALTERNATIVE VERSION

     

    41. LURKING (C) 00:02:52 ALTERNATIVE VERSION

     

    42. LURKING (D) 00:02:52 ALTERNATIVE VERSION

     

    102. LURKING (STING) 00:00:16 LINK;STING

    BPM
    135
    Tempo
    Fast
    Genre
    Film Score, Orchestral:Orchestral Hybrid
    Mood
    Disturbing:Suspenseful, Disturbing:Tense, Dramatic:Aggressive, Dramatic:Urgent, Strong:Mighty, Strong:Powerful/Strong
    Style
    Dark, Cinematic
    Instruments
    Tom Toms, Piano, SFX (Sound Effects), Synth Bass, Synth Pad, Synth Strings
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Jeremy John Stack, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903810
    Tags
    Tension slowly building: distant drones and pulses, eerie piano and rhythmic synth evolve into full-blown suspense cue with aggressive drums and sub-bass stabs
  • 13. UNKNOWN EVIL (A) 00:03:10 DISCONCERTING BASS AND PULSATING SYNTH TRACK STARTS TO BUILD AT 0:45 WITH MENACING ELECTRIC GUITAR, SCREAMING STRING GLISSANDI EFFECTS AND HEAVY DRUMBEATS

     

    67. UNKNOWN EVIL (A 30) 00:00:30 30 SECOND EDIT

     

    85. UNKNOWN EVIL (A 60) 00:01:00 60 SECOND EDIT

     

    43. UNKNOWN EVIL (B) 00:03:10 ALTERNATIVE VERSION

     

    44. UNKNOWN EVIL (C) 00:03:10 ALTERNATIVE VERSION

     

    103. UNKNOWN EVIL (STING) 00:00:13 LINK;STING

    BPM
    68
    Tempo
    Slow
    Genre
    Sound Elements, Atmospheres:Sound Design, Sound Elements, Atmospheres:Pulses
    Mood
    Disturbing:Ominous/Threatening, Disturbing:Tense, Dramatic:Intense, Strong:Powerful/Strong
    Style
    Dark, Hard, Heavy, Rough, Edgy
    Instruments
    Guitar, Distorted Electric, String Section, Drum Machine, Electronic Drums, SFX (Sound Effects), Synth Bass, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Jeremy John Stack, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903811
    Tags
    Disconcerting bass and pulsating synth track starts to build at 0:45 with menacing electric guitar, screaming string glissandi effects and heavy drumbeats
  • 14. UNDER THE SURFACE (A) 00:02:24 HOSTILE LEAD SYNTH, UNCOMFORTABLE BASS DRONE, OMINOUS PIANO CHORDS, DRAMATIC SILENCES AND JITTERING PERCUSSIVE ELEMENTS

     

    68. UNDER THE SURFACE (A 30) 00:00:30 30 SECOND EDIT

     

    86. UNDER THE SURFACE (A 60) 00:01:01 60 SECOND EDIT

     

    45. UNDER THE SURFACE (B) 00:02:24 ALTERNATIVE VERSION

     

    46. UNDER THE SURFACE (C) 00:02:25 ALTERNATIVE VERSION

     

    104. UNDER THE SURFACE (STING) 00:00:11 LINK;STING

    BPM
    115
    Tempo
    Medium
    Genre
    Sound Elements, Atmospheres:Atmospheres
    Mood
    Disturbing:Dark/Gloomy, Disturbing:Mysterious, Disturbing:Ominous/Threatening, Disturbing:Suspenseful, Disturbing:Tense
    Style
    Dark
    Instruments
    Cymbals, Marimba, Piano, Synth Bass, Synth Strings, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Adam Michael George Double, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903812
    Tags
    Hostile lead synth, uncomfortable bass drone, ominous piano chords, dramatic silences and jittering percussive elements
  • 15. IT HAS TO BE NOW (A) 00:02:44 EDGE-OF-YOUR-SEAT, PIANO-LED CUE FEATURING FOREBODING TICKING PERCUSSION, SUB-BASS STABS, AND INDUSTRIAL ALARM AND SIREN FX

     

    69. IT HAS TO BE NOW (A 30) 00:00:30 30 SECOND EDIT

     

    87. IT HAS TO BE NOW (A 60) 00:00:59 60 SECOND EDIT

     

    47. IT HAS TO BE NOW (B) 00:02:43 ALTERNATIVE VERSION

     

    48. IT HAS TO BE NOW (C) 00:02:44 ALTERNATIVE VERSION

     

    105. IT HAS TO BE NOW (STING) 00:00:13 LINK;STING

    BPM
    120
    Tempo
    Medium
    Genre
    Film Score, Orchestral:Orchestral Hybrid
    Mood
    Disturbing:Ominous/Threatening, Disturbing:Tense, Serious:Concerned, Strong:Powerful/Strong
    Style
    Evolving, Rough, Edgy
    Instruments
    Drum Set, Piano, String Section, SFX (Sound Effects), Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Matreya, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903813
    Tags
    Edge-of-your-seat, piano-led cue featuring foreboding ticking percussion, sub-bass stabs, and industrial alarm and siren fx
  • 16. ZERO OPTIONS (A) 00:02:52 RESTRAINED AND EERIE SYNTH CUE WITH LAYERS OF QUIVERING, HESITANT SYNTH PADS, HEAVY DRUM HITS AND UNDERSTATED PERCUSSIVE ELEMENTS

     

    70. ZERO OPTIONS (A 30) 00:00:30 30 SECOND EDIT

     

    88. ZERO OPTIONS (A 60) 00:01:00 60 SECOND EDIT

     

    49. ZERO OPTIONS (B) 00:02:52 ALTERNATIVE VERSION

     

    50. ZERO OPTIONS (C) 00:02:52 ALTERNATIVE VERSION

     

    106. ZERO OPTIONS (STING) 00:00:09 LINK;STING

    BPM
    112
    Tempo
    Medium
    Genre
    Sound Elements, Atmospheres:Pulses
    Mood
    Abstract:Restrained, Disturbing:Eerie, Disturbing:Stealthy, Disturbing:Suspenseful, Disturbing:Tense
    Style
    Dark
    Instruments
    Guitar, Electric, Drum Machine, Electronic Drums, SFX (Sound Effects), Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Daniel Rodney Tarbuck, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903814
    Tags
    Restrained and eerie synth cue with layers of quivering, hesitant synth pads, heavy drum hits and understated percussive elements
  • 17. COERCION (A) 00:02:22 RACING, UNEASY SYNTH OSTINATO CREATES A SENSE OF ANTICIPATION, FEATURING CONFIDENT, FUZZY ELECTRIC GUITAR STRUMS AND IRREGULAR METALLIC PERCUSSION HITS

     

    71. COERCION (A 30) 00:00:31 30 SECOND EDIT

     

    89. COERCION (A 60) 00:01:01 60 SECOND EDIT

     

    51. COERCION (B) 00:02:22 ALTERNATIVE VERSION

     

    52. COERCION (C) 00:02:23 ALTERNATIVE VERSION

     

    107. COERCION (STING) 00:00:11 LINK;STING

    BPM
    94
    Tempo
    Medium
    Genre
    Rock:Industrial Metal, Film Score, Orchestral:Orchestral Hybrid
    Mood
    Disturbing:Disturbing, Disturbing:Ominous/Threatening, Disturbing:Tense, Dramatic:Aggressive, Dramatic:Urgent, Strong:Determined
    Style
    Hard, Heavy, Rough, Edgy
    Instruments
    Drum Set, Metal Percussion, Guitar, Distorted Electric, Synth Bass, Synth Strings, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Adam Michael George Double, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903815
    Tags
    Racing, uneasy synth ostinato creates a sense of anticipation, featuring confident, fuzzy electric guitar strums and irregular metallic percussion hits
  • 18. FLASHING RED (A) 00:02:38 HOLLOW SUSTAINED SYNTHS ACCOMPANY THREATENING PIANO AND UNSETTLING ELECTRIC GUITAR AND STRING TEXTURES; AT 1:20 PULSATING SYNTHS ENTER WITH PERCUSSIVE CLICKS AND THROBBING SUB-BASS

     

    72. FLASHING RED (A 30) 00:00:30 30 SECOND EDIT

     

    90. FLASHING RED (A 60) 00:01:01 60 SECOND EDIT

     

    53. FLASHING RED (B) 00:02:37 ALTERNATIVE VERSION

     

    54. FLASHING RED (C) 00:02:37 ALTERNATIVE VERSION

     

    108. FLASHING RED (STING) 00:00:13 LINK;STING

    BPM
    70
    Tempo
    Slow
    Genre
    Sound Elements, Atmospheres:Atmospheres
    Mood
    Disturbing:Dark/Gloomy, Disturbing:Depressing/Bleak, Disturbing:Eerie, Disturbing:Ominous/Threatening, Serious:Concerned
    Style
    Dark, Evolving
    Instruments
    Piano, Guitar, Electric, Drum Machine, Electronic Drums, SFX (Sound Effects), Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Threat Level
    Album code
    KPM 2117
    Year
    2019
    Composers
    Adam Michael George Double, Andrew Michael Ernest, Nicholas Jonathan Hill
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903816
    Tags
    Hollow sustained synths accompany threatening piano and unsettling electric guitar and string textures, at 1:20 pulsating synths enter with percussive clicks and throbbing sub-bass
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