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Badness Rising KPM 2119 EMI PRODUCTION MUSIC    KPM MAIN SERIES

Badness Rising

A dark sonic world: cinematic and dangerous anthems from the baddies and antagonists
  • 1. WE ALL GO DOWN TOGETHER (A) 00:03:43 CONFIDENT, DARKLY SLICK CINEMATIC BLUESY ROCK SIGNALLING THE END: STOMP CLAP DRUMS, ATMOSPHERIC PIANO, DEEP, PULSING SYNTH BASS, SLICK DISTORTED GUITARS, EXPLOSIVE DRIVING CHORUSES, CATCHY 'WOAH' VOCALS AND RASPY, EXPRESSIVE MALE VOCALS

     

    59. WE ALL GO DOWN TOGETHER (A 30) 00:00:30 30 SECOND EDIT

     

    91. WE ALL GO DOWN TOGETHER (A 60) 00:01:01 60 SECOND EDIT

     

    75. WE ALL GO DOWN TOGETHER (B 30) 00:00:30 30 SECOND EDIT

     

    107. WE ALL GO DOWN TOGETHER (B 60) 00:01:01 60 SECOND EDIT

     

    17. WE ALL GO DOWN TOGETHER (B) 00:03:43 INSTRUMENTAL VERSION

     

    33. WE ALL GO DOWN TOGETHER (C) 00:03:43 UNDERSCORE VERSION

     

    123. WE ALL GO DOWN TOGETHER (STING A) 00:00:13 LINK;STING

     

    124. WE ALL GO DOWN TOGETHER (STING B) 00:00:13 LINK;STING

    BPM
    70
    Tempo
    Slow
    Genre
    Rock:Blues Rock
    Mood
    Dramatic:Tough, Strong:Anthemic, Strong:Confident, Strong:Determined, Strong:Powerful/Strong
    Style
    Rough, Edgy, Catchy, Cinematic
    Instruments
    Drum Set, Hand Claps, Piano, Guitar, Distorted Electric, Synth Bass
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    Brian Colin Burrows
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903987
    Tags
    Confident, darkly slick cinematic bluesy rock signalling the end: stomp clap drums, atmospheric piano, deep, pulsing synth bass, slick distorted guitars, explosive driving choruses, catchy 'woah' vocals and raspy, expressive male vocals
  • 2. REVOLUTION IN THE AIR (A) 00:03:18 HAUNTING AND EDGY SPARSE POP WITH TIGHT LO-FI BEATS, MOODY ORGAN, UNSETTLING PITCHED VOCAL FX, EERIE DISTORTED TEXTURES AND CLOSE-MIC-ED BREATHY FEMALE VOCALS

     

    60. REVOLUTION IN THE AIR (A 30) 00:00:31 30 SECOND EDIT

     

    92. REVOLUTION IN THE AIR (A 60) 00:01:01 60 SECOND EDIT

     

    76. REVOLUTION IN THE AIR (B 30) 00:00:31 30 SECOND EDIT

     

    108. REVOLUTION IN THE AIR (B 60) 00:01:01 60 SECOND EDIT

     

    18. REVOLUTION IN THE AIR (B) 00:03:18 INSTRUMENTAL VERSION

     

    34. REVOLUTION IN THE AIR (C) 00:03:18 UNDERSCORE VERSION

     

    49. REVOLUTION IN THE AIR (D) 00:03:18 UNDERSCORE VERSION

     

    125. REVOLUTION IN THE AIR (STING A) 00:00:05 LINK;STING

     

    126. REVOLUTION IN THE AIR (STING B) 00:00:05 LINK;STING

    BPM
    124
    Tempo
    Medium
    Genre
    Pop:Alt Pop
    Mood
    Disturbing:Dark/Gloomy, Disturbing:Haunting/Evil, Sexy:Erotic, Tender:Sparse/Fragile
    Style
    Dark, LoFi, Muffled, Rough, Edgy
    Instruments
    Organ, Electric, Piano, Drum Machine, Electronic Drums, Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    Jason Tarver
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903988
    Tags
    Haunting and edgy sparse pop with tight lo-fi beats, moody organ, unsettling pitched vocal fx, eerie distorted textures and close-mic-ed breathy female vocals
  • 3. HANGING TREE (A) 00:03:07 RUSTIC OUTLAW COUNTRY FOLK WITH A SINISTER UNDERTONE: FEATURES AMERICANA ACOUSTIC GUITARS, TWANGY DOBRO, ROOTSY PERCUSSION, LIGHT DRUMS, DISTORTED GUITARS AND DEEP, GRAVELLY MALE VOCALS

     

    61. HANGING TREE (A 30) 00:00:32 30 SECOND EDIT

     

    93. HANGING TREE (A 60) 00:01:01 60 SECOND EDIT

     

    77. HANGING TREE (B 30) 00:00:31 30 SECOND EDIT

     

    109. HANGING TREE (B 60) 00:01:01 60 SECOND EDIT

     

    19. HANGING TREE (B) 00:03:07 INSTRUMENTAL VERSION

     

    35. HANGING TREE (C) 00:03:08 UNDERSCORE VERSION

     

    127. HANGING TREE (STING) 00:00:08 LINK;STING

    BPM
    152
    Tempo
    Fast
    Genre
    Country:Americana, Country:Country Folk
    Mood
    Disturbing:Dark/Gloomy, Peaceful:Relaxed, Serious:Serious, Dramatic:Dangerous
    Style
    Rough, Edgy
    Instruments
    Drum Set, Shaker, Tambourine, Wood Block, Bass, Electric, Guitar, Acoustic, Steel String, Guitar, Distorted Electric, Guitar, Dobro
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    Wayne Anthony Murray, Elmore King, Tobias MacFarlaine
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903989
    Tags
    Rustic outlaw country folk with a sinister undertone: features Americana acoustic guitars, twangy Dobro, rootsy percussion, light drums, distorted guitars and deep, gravelly male vocals
  • 4. I BECOME THE ANIMAL (A) 00:02:45 DARK, CINEMATIC AND SINISTER: BUILDS TO A DRAMATIC CLIMAX WITH DRIVING INDUSTRIAL DRUMS, UNSETTLING SYNTHS, EERIE PITCHED VOCALS, WIRY, TENSE TREMOLO STRINGS, DEEP SYNTH BASS AND FOREBODING MALE VOCALS

     

    62. I BECOME THE ANIMAL (A 30) 00:00:29 30 SECOND EDIT

     

    94. I BECOME THE ANIMAL (A 60) 00:00:59 60 SECOND EDIT

     

    78. I BECOME THE ANIMAL (B 30) 00:00:30 30 SECOND EDIT

     

    110. I BECOME THE ANIMAL (B 60) 00:00:59 60 SECOND EDIT

     

    20. I BECOME THE ANIMAL (B) 00:02:43 INSTRUMENTAL VERSION

     

    36. I BECOME THE ANIMAL (C) 00:02:43 UNDERSCORE VERSION

     

    50. I BECOME THE ANIMAL (D) 00:02:45 ALTERNATIVE VERSION

     

    128. I BECOME THE ANIMAL (STING A) 00:00:06 LINK;STING

     

    129. I BECOME THE ANIMAL (STING B) 00:00:06 LINK;STING

    BPM
    120
    Tempo
    Medium
    Genre
    Rock:Gothic Rock, Pop:Alt Pop
    Mood
    Disturbing:Dark/Gloomy, Disturbing:Eerie, Disturbing:Haunting/Evil, Disturbing:Ominous/Threatening, Disturbing:Tense, Dramatic:Dramatic
    Style
    Dark, Cinematic
    Instruments
    Drum Set, Tom Toms, Guitar, Distorted Electric, String Section, Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    James William Timothy Warburton, Harriet Katherine Adam Smith
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903990
    Tags
    Dark, cinematic and sinister: builds to a dramatic climax with driving industrial drums, unsettling synths, eerie pitched vocals, wiry, tense tremolo strings, deep synth bass and foreboding male vocals
  • 5. THE BAD GIRLS (A) 00:02:37 BADASS, FUZZED-UP BLUES ROCK FROM THE CORNER OF A DINGY ROADHOUSE VENUE, WITH CREAMY DISTORTED GUITARS, DIRTY BASS LICKS, SATURATED HARMONICA AND SUPER-DEEP, EARTHY MALE VOCALS

     

    63. THE BAD GIRLS (A 30) 00:00:31 30 SECOND EDIT

     

    95. THE BAD GIRLS (A 60) 00:01:01 60 SECOND EDIT

     

    79. THE BAD GIRLS (B 30) 00:00:32 30 SECOND EDIT

     

    111. THE BAD GIRLS (B 60) 00:01:01 60 SECOND EDIT

     

    21. THE BAD GIRLS (B) 00:02:37 INSTRUMENTAL VERSION

     

    37. THE BAD GIRLS (C) 00:02:00 UNDERSCORE VERSION

     

    130. THE BAD GIRLS (STING A) 00:00:09 LINK;STING

     

    131. THE BAD GIRLS (STING B) 00:00:09 LINK;STING

    BPM
    118
    Tempo
    Medium
    Genre
    Rock:Blues Rock
    Mood
    Dramatic:Tough, Sexy:Sleazy, Strong:Determined, Strong:Powerful/Strong, Dramatic:Dangerous
    Style
    Rough, Edgy
    Instruments
    Drum Set, Bass, Electric, Guitar, Distorted Electric, Harmonica
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    Jason Tarver, Thomas Michael Greenwood
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903991
    Tags
    Badass, fuzzed-up blues rock from the corner of a dingy roadhouse venue, with creamy distorted guitars, dirty bass licks, saturated harmonica and super-deep, earthy male vocals
  • 6. ABC HE'S COMING FOR THEE (A) 00:03:41 OMINOUS, BROODING ALT-FOLK-ROCK WITH CLUNKY PERCUSSIVE DRUMS, LAYERS OF SATURATED GUITARS, PIANO, REVERBERANT GRITTY TEXTURES, WINDING TREMOLO STRINGS, SOFT CHIMES AND EARTHY, DEEP MALE VOCALS

     

    64. ABC HE'S COMING FOR THEE (A 30) 00:00:30 30 SECOND EDIT

     

    96. ABC HE'S COMING FOR THEE (A 60) 00:01:00 60 SECOND EDIT

     

    80. ABC HE'S COMING FOR THEE (B 30) 00:00:30 30 SECOND EDIT

     

    112. ABC HE'S COMING FOR THEE (B 60) 00:01:00 60 SECOND EDIT

     

    22. ABC HE'S COMING FOR THEE (B) 00:03:42 INSTRUMENTAL VERSION

     

    38. ABC HE'S COMING FOR THEE (C) 00:03:40 UNDERSCORE VERSION

     

    132. ABC HE'S COMING FOR THEE (STING A) 00:00:07 LINK;STING

     

    133. ABC HE'S COMING FOR THEE (STING B) 00:00:07 LINK;STING

    BPM
    90
    Tempo
    Medium
    Genre
    Folk Contemporary:Folk Rock, Country:Alt Country
    Mood
    Disturbing:Dark/Gloomy, Disturbing:Ominous/Threatening, Peaceful:Relaxed, Serious:Serious
    Style
    Dark, Rough, Edgy
    Instruments
    Drum Set, Hand Claps, Tambourine, Celeste, Piano, Bass, Electric, Guitar, Electric, String Section
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    James William Timothy Warburton, Neil Reid Anderson, Richard Simon Aitken
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903992
    Tags
    Ominous, brooding alt-folk-rock with clunky percussive drums, layers of saturated guitars, piano, reverberant gritty textures, winding tremolo strings, soft chimes and earthy, deep male vocals
  • 7. FIRE IN MY SOUL (A) 00:02:31 ENCHANTING CINEMATIC BALLAD WITH OMINOUS UNDERTONES AND EMOTIVE PIANO CHORDS BREAKS INTO EXPLOSIVE SECOND HALF WITH SYNTH ARPEGGIOS, ATMOSPHERIC PADS, DRIVING DRUMS AND ETHEREAL FEMALE VOCALS

     

    65. FIRE IN MY SOUL (A 30) 00:00:30 30 SECOND EDIT

     

    97. FIRE IN MY SOUL (A 60) 00:01:00 60 SECOND EDIT

     

    81. FIRE IN MY SOUL (B 30) 00:00:30 30 SECOND EDIT

     

    113. FIRE IN MY SOUL (B 60) 00:01:00 60 SECOND EDIT

     

    23. FIRE IN MY SOUL (B) 00:02:31 INSTRUMENTAL VERSION

     

    39. FIRE IN MY SOUL (C) 00:02:31 UNDERSCORE VERSION

     

    134. FIRE IN MY SOUL (STING A) 00:00:14 LINK;STING

     

    135. FIRE IN MY SOUL (STING B) 00:00:14 LINK;STING

    BPM
    53
    Tempo
    Slow
    Genre
    Pop:Alt Pop
    Mood
    Disturbing:Dark/Gloomy, Dramatic:Bursting, Sad:Melancholic, Strong:Epic, Tender:Emotive/Emotional
    Style
    Cinematic
    Instruments
    Drum Set, Piano, Guitar, Electric, Synth Bass, Synth Pad
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    Wayne Anthony Murray, Andrew Michael Britton, Ian Shepherd
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903993
    Tags
    Enchanting cinematic ballad with ominous undertones and emotive piano chords breaks into explosive second half with synth arpeggios, atmospheric pads, driving drums and ethereal female vocals
  • 8. DARK DECEMBER (A) 00:02:59 DARKLY ALLURING AND ATMOSPHERIC WITH MOODY PIANO CHORDS, CINEMATIC ATMOSPHERICS AND PERCUSSIVE HITS, SWELLING DISTORTED SYNTHS, GLITCH BEATS, STRINGS AND BEWITCHING FEMALE VOCALS

     

    66. DARK DECEMBER (A 30) 00:00:30 30 SECOND EDIT

     

    98. DARK DECEMBER (A 60) 00:01:00 60 SECOND EDIT

     

    82. DARK DECEMBER (B 30) 00:00:30 30 SECOND EDIT

     

    114. DARK DECEMBER (B 60) 00:01:00 60 SECOND EDIT

     

    24. DARK DECEMBER (B) 00:02:59 INSTRUMENTAL VERSION

     

    40. DARK DECEMBER (C) 00:02:54 UNDERSCORE VERSION

     

    51. DARK DECEMBER (D) 00:02:47 UNDERSCORE VERSION

     

    52. DARK DECEMBER (E) 00:02:54 UNDERSCORE VERSION

     

    136. DARK DECEMBER (STING A) 00:00:11 LINK;STING

     

    137. DARK DECEMBER (STING B) 00:00:11 LINK;STING

    BPM
    75
    Tempo
    Slow
    Genre
    Pop:Chamber Pop, Pop:Alt Pop
    Mood
    Abstract:Ethereal/Spherical, Disturbing:Dark/Gloomy, Sad:Lonely, Sad:Melancholic
    Style
    Dark, Cinematic
    Instruments
    Organ, Hammond, Piano, String Section, Drum Machine, Electronic Drums, Synth Bass
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    David Gerard Lawrence, Oliver James Holmes, Sarah Elizabeth Berresford
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903994
    Tags
    Darkly alluring and atmospheric with moody piano chords, cinematic atmospherics and percussive hits, swelling distorted synths, glitch beats, strings and bewitching female vocals
  • 9. BURN BURN BURN (A) 00:02:41 ENERGETIC BEATS AND LIVELY CHAOTIC SYNTHS ARE THE MAIN DRIVING FORCE, WITH PERCUSSIVE VOCAL SAMPLES AND FEMALE VOCALS

     

    67. BURN BURN BURN (A 30) 00:00:32 30 SECOND EDIT

     

    99. BURN BURN BURN (A 60) 00:01:01 60 SECOND EDIT

     

    83. BURN BURN BURN (B 30) 00:00:31 30 SECOND EDIT

     

    115. BURN BURN BURN (B 60) 00:01:01 60 SECOND EDIT

     

    25. BURN BURN BURN (B) 00:02:41 INSTRUMENTAL VERSION

     

    41. BURN BURN BURN (C) 00:02:41 UNDERSCORE VERSION

     

    138. BURN BURN BURN (STING A) 00:00:09 LINK;STING

     

    139. BURN BURN BURN (STING B) 00:00:09 LINK;STING

    BPM
    110
    Tempo
    Medium
    Genre
    Pop:Electro Pop, Pop:Alt Pop
    Mood
    Disturbing:Nervous/Hectic, Dramatic:Rowdy/Wild, Strong:Determined, Strong:Powerful/Strong
    Style
    Energetic, Lively, Percussive, Rough, Edgy
    Instruments
    Hand Claps, Tom Toms, Synth Bass, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    Jason Tarver, Lucy Rachel Underhill, Thomas Michael Greenwood
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903995
    Tags
    Energetic beats and lively chaotic synths are the main driving force, with percussive vocal samples and female vocals
  • 10. RATTLE THEM CHAINS (A) 00:02:26 MOODY, FILMIC OUTLAW COUNTRY FOLK, ACOUSTIC GUITARS, CLUNKY PERCUSSIVE BEAT, ATMOSPHERIC DOBRO, SLIDE GUITARS AND DEEP, EARTHY MALE VOCALS

     

    68. RATTLE THEM CHAINS (A 30) 00:00:31 30 SECOND EDIT

     

    100. RATTLE THEM CHAINS (A 60) 00:01:01 60 SECOND EDIT

     

    84. RATTLE THEM CHAINS (B 30) 00:00:30 30 SECOND EDIT

     

    116. RATTLE THEM CHAINS (B 60) 00:01:00 60 SECOND EDIT

     

    26. RATTLE THEM CHAINS (B) 00:02:26 INSTRUMENTAL VERSION

     

    42. RATTLE THEM CHAINS (C) 00:02:19 UNDERSCORE VERSION

     

    140. RATTLE THEM CHAINS (STING) 00:00:09 LINK;STING

    BPM
    160
    Tempo
    Fast
    Genre
    Country:Alt Country, Country:Americana
    Mood
    Disturbing:Dark/Gloomy, Disturbing:Eerie, Peaceful:Relaxed, Serious:Serious
    Style
    Dark, Metallic, Cinematic
    Instruments
    Drum Set, Hand Claps, Piano, Guitar, Acoustic, Steel String, Guitar, Bottleneck, Slide, Guitar, Dobro
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    Wayne Anthony Murray, Elmore King, Tobias MacFarlaine
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903996
    Tags
    Moody, filmic outlaw country folk, acoustic guitars, clunky percussive beat, atmospheric Dobro, slide guitars and deep, earthy male vocals
  • 11. NEVER FIND A WAY (A) 00:02:53 OTHERWORLDLY ATMOSPHERICS PAVE THE WAY FOR CAPTIVATING FEMALE VOCALS OVER GENTLE PIANO CHORDS; EXPLODES INTO EPIC SECOND HALF WITH ALMIGHTY TRAILER DRUMS, MASSIVE SYNTHS AND DIGITAL FX

     

    69. NEVER FIND A WAY (A 30) 00:00:30 30 SECOND EDIT

     

    101. NEVER FIND A WAY (A 60) 00:01:00 60 SECOND EDIT

     

    85. NEVER FIND A WAY (B 30) 00:00:30 30 SECOND EDIT

     

    117. NEVER FIND A WAY (B 60) 00:01:00 60 SECOND EDIT

     

    27. NEVER FIND A WAY (B) 00:02:53 INSTRUMENTAL VERSION

     

    43. NEVER FIND A WAY (C) 00:01:47 UNDERSCORE VERSION

     

    53. NEVER FIND A WAY (D) 00:02:53 UNDERSCORE VERSION

     

    54. NEVER FIND A WAY (E) 00:02:52 UNDERSCORE VERSION

     

    55. NEVER FIND A WAY (F) 00:02:53 ALTERNATIVE VERSION

     

    141. NEVER FIND A WAY (STING A) 00:00:14 LINK;STING

     

    142. NEVER FIND A WAY (STING B) 00:00:14 LINK;STING

    BPM
    116
    Tempo
    Medium
    Genre
    Pop:Alt Pop
    Mood
    Abstract:Supernatural, Disturbing:Dark/Gloomy, Dramatic:Bursting, Strong:Epic, Strong:Powerful/Strong, Tender:Emotive/Emotional
    Style
    Eclectic, Variable, Rough, Edgy, Cinematic
    Instruments
    Tom Toms, Piano, Drum Machine, Electronic Drums, SFX (Sound Effects), Synth Bass, Synth Pad, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    David Gerard Lawrence, Oliver James Holmes, Sarah Elizabeth Berresford
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903997
    Tags
    Otherworldly atmospherics pave the way for captivating female vocals over gentle piano chords, explodes into epic second half with almighty trailer drums, massive synths and digital fx
  • 12. THERE'S NO WAY BACK (A) 00:03:29 BROODING AND DETERMINED WITH SLICK BASS, CHUNKY DISTORTED GUITARS, POWERFUL DRUMS, RETRO SYNTHS, SINCERE STRINGS, MALE VOCALS AND EXPLOSIVE FINALE

     

    70. THERE'S NO WAY BACK (A 30) 00:00:30 30 SECOND EDIT

     

    102. THERE'S NO WAY BACK (A 60) 00:01:00 60 SECOND EDIT

     

    86. THERE'S NO WAY BACK (B 30) 00:00:30 30 SECOND EDIT

     

    118. THERE'S NO WAY BACK (B 60) 00:01:00 60 SECOND EDIT

     

    28. THERE'S NO WAY BACK (B) 00:03:29 INSTRUMENTAL VERSION

     

    44. THERE'S NO WAY BACK (C) 00:03:15 UNDERSCORE VERSION

     

    56. THERE'S NO WAY BACK (D) 00:01:47 ALTERNATIVE VERSION

     

    143. THERE'S NO WAY BACK (STING A) 00:00:09 LINK;STING

     

    144. THERE'S NO WAY BACK (STING B) 00:00:10 LINK;STING

    BPM
    108
    Tempo
    Medium
    Genre
    Rock:Rock
    Mood
    Disturbing:Dark/Gloomy, Dramatic:Bursting, Serious:Serious, Strong:Determined, Strong:Epic, Strong:Powerful/Strong
    Style
    Dark, Rough, Edgy
    Instruments
    Drum Set, Bass, Electric, Guitar, Distorted Electric, Guitar, Electric, String Section, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    David Gerard Lawrence, Dominic Leo James Howard
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903998
    Tags
    Brooding and determined with slick bass, chunky distorted guitars, powerful drums, retro synths, sincere strings, male vocals and explosive finale
  • 13. THE NIGHT WILL COME (A) 00:03:41 REFLECTIVE AND DARK BALLAD WITH DETERMINED STRINGS, MOODY PIANO, DRIVING DRUMS, GRITTY SYNTH BRASS AND SILKY FEMALE VOCALS

     

    71. THE NIGHT WILL COME (A 30) 00:00:29 30 SECOND EDIT

     

    103. THE NIGHT WILL COME (A 60) 00:01:01 60 SECOND EDIT

     

    87. THE NIGHT WILL COME (B 30) 00:00:29 30 SECOND EDIT

     

    119. THE NIGHT WILL COME (B 60) 00:01:01 60 SECOND EDIT

     

    29. THE NIGHT WILL COME (B) 00:03:41 INSTRUMENTAL VERSION

     

    45. THE NIGHT WILL COME (C) 00:03:41 UNDERSCORE VERSION

     

    57. THE NIGHT WILL COME (D) 00:03:40 UNDERSCORE VERSION

     

    58. THE NIGHT WILL COME (E) 00:03:40 ALTERNATIVE VERSION

     

    145. THE NIGHT WILL COME (STING A) 00:00:07 LINK;STING

     

    146. THE NIGHT WILL COME (STING B) 00:00:06 LINK;STING

    BPM
    54
    Tempo
    Slow
    Genre
    Pop:Chamber Pop
    Mood
    Disturbing:Dark/Gloomy, Dramatic:Dramatic, Serious:Serious, Strong:Determined, Tender:Reflective/Nostalgic
    Style
    Dark
    Instruments
    Brass Section, Drum Set, Piano, Bass, Electric, String Section, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    David Gerard Lawrence, Dominic Leo James Howard, Lucy Jane
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1903999
    Tags
    Reflective and dark ballad with determined strings, moody piano, driving drums, gritty synth brass and silky female vocals
  • 14. WHEN I RULE THE WORLD (A) 00:02:29 LOW-SLUNG, DOWNTEMPO BLUESY ROCK, CHUNKY DISTORTED BASS, DUSTY PIANO, GUITARS, SLOW DRUMS, LAID-BACK GUITAR LICKS, FEMALE GOSPEL BACKING VOCALS AND LEAD MALE VOCALS

     

    72. WHEN I RULE THE WORLD (A 30) 00:00:29 30 SECOND EDIT

     

    104. WHEN I RULE THE WORLD (A 60) 00:01:01 60 SECOND EDIT

     

    88. WHEN I RULE THE WORLD (B 30) 00:00:30 30 SECOND EDIT

     

    120. WHEN I RULE THE WORLD (B 60) 00:01:00 60 SECOND EDIT

     

    30. WHEN I RULE THE WORLD (B) 00:02:29 INSTRUMENTAL VERSION

     

    46. WHEN I RULE THE WORLD (C) 00:02:29 UNDERSCORE VERSION

     

    147. WHEN I RULE THE WORLD (STING A) 00:00:09 LINK;STING

     

    148. WHEN I RULE THE WORLD (STING B) 00:00:07 LINK;STING

    BPM
    65
    Tempo
    Slow
    Genre
    Rock:Blues Rock
    Mood
    Disturbing:Dark/Gloomy, Dramatic:Tough, Strong:Determined, Strong:Powerful/Strong
    Style
    Rough, Edgy
    Instruments
    Drum Set, Hand Claps, Piano, Bass, Electric, Guitar, Distorted Electric, Guitar, Electric
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    James William Timothy Warburton, Neil Reid Anderson, Richard Simon Aitken
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1904000
    Tags
    Low-slung, downtempo bluesy rock, chunky distorted bass, dusty piano, guitars, slow drums, laid-back guitar licks, female gospel backing vocals and lead male vocals
  • 15. FEELS SO GOOD BEING BAD (A) 00:02:36 NASTY, CONFIDENT BLUES ROCK WITH LAYERS OF DISTORTED GUITARS, FUZZY VELVETY ORGANS, DRUMS, DEEP BASS RIFFS AND SASSY FEMALE VOCALS

     

    73. FEELS SO GOOD BEING BAD (A 30) 00:00:32 30 SECOND EDIT

     

    105. FEELS SO GOOD BEING BAD (A 60) 00:01:01 60 SECOND EDIT

     

    89. FEELS SO GOOD BEING BAD (B 30) 00:00:32 30 SECOND EDIT

     

    121. FEELS SO GOOD BEING BAD (B 60) 00:01:01 60 SECOND EDIT

     

    31. FEELS SO GOOD BEING BAD (B) 00:02:36 INSTRUMENTAL VERSION

     

    47. FEELS SO GOOD BEING BAD (C) 00:02:36 UNDERSCORE VERSION

     

    149. FEELS SO GOOD BEING BAD (STING A) 00:00:13 LINK;STING

     

    150. FEELS SO GOOD BEING BAD (STING B) 00:00:13 LINK;STING

    BPM
    80
    Tempo
    Slow
    Genre
    Rock:Blues Rock
    Mood
    Dramatic:Aggressive, Dramatic:Rowdy/Wild, Dramatic:Tough, Sexy:Sleazy, Strong:Confident, Strong:Powerful/Strong
    Style
    Rough, Edgy
    Instruments
    Cowbell, Drum Set, Hand Claps, Organ, Hammond, Bass, Electric, Guitar, Distorted Electric, Synthesizer
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    Jason Tarver, Hugo Russo, Thomas Michael Greenwood
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1904001
    Tags
    Nasty, confident blues rock with layers of distorted guitars, fuzzy velvety organs, drums, deep bass riffs and sassy female vocals
  • 16. DRAG YOU DOWN (A) 00:03:32 WEIGHTY, SLOW-BURNING CINEMATIC ROCK WITH ATMOSPHERIC PIANO, WILD DISTORTED GUITARS, EDGY ATMOSPHERIC TEXTURES, LIVELY BREAKBEAT CHORUSES AND MALE VOCALS

     

    74. DRAG YOU DOWN (A 30) 00:00:30 30 SECOND EDIT

     

    106. DRAG YOU DOWN (A 60) 00:01:00 60 SECOND EDIT

     

    90. DRAG YOU DOWN (B 30) 00:00:30 30 SECOND EDIT

     

    122. DRAG YOU DOWN (B 60) 00:01:00 60 SECOND EDIT

     

    32. DRAG YOU DOWN (B) 00:03:32 INSTRUMENTAL VERSION

     

    48. DRAG YOU DOWN (C) 00:03:32 UNDERSCORE VERSION

     

    151. DRAG YOU DOWN (STING A) 00:00:09 LINK;STING

     

    152. DRAG YOU DOWN (STING B) 00:00:09 LINK;STING

    BPM
    60
    Tempo
    Slow
    Genre
    Rock:Industrial Rock
    Mood
    Dramatic:Aggressive, Dramatic:Rowdy/Wild, Dramatic:Tough, Strong:Determined, Strong:Powerful/Strong
    Style
    Eclectic, Variable, Energetic, Lively, Rough, Edgy, Cinematic
    Instruments
    Piano, Guitar, Distorted Electric, Drum Machine, Electronic Drums, SFX (Sound Effects), Synth Bass
     
     
    Label
    EMI PRODUCTION MUSIC
    Sub-label
    KPM MAIN SERIES
    Album
    Badness Rising
    Album code
    KPM 2119
    Year
    2019
    Composers
    Brian Colin Burrows
    Publishers
    KPM Music Ltd
    ISRC code
    GBBGL1904002
    Tags
    Weighty, slow-burning cinematic rock with atmospheric piano, wild distorted guitars, edgy atmospheric textures, lively breakbeat choruses and male vocals
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