EMM198
EVOLUTION MEDIA MUSIC EVOLUTION MEDIA MUSIC ContemplationsMinimal cinematic piano underscore cues for drama and documentary. Contemporary classical, always reflective and thoughtful, with a range of atmospheres from dark and desolate melancholia, to gently hopeful and life-affirming. |
-
1. GENTLE RISE 00:02:05 EMOTIONAL, LONELY BUT GENTLY UPLIFTING MINIMALIST PIANO BUILDS WITH SWELLING PADS AND SOARING STRINGS.
-
2. A DROP IN THE OCEAN 00:02:58 GENTLE, POIGNANT AND CONTEMPLATIVE SOLO PIANO, DELICATELY PLAYED AND OOZING WITH MELANCHOLY.
17. A DROP IN THE OCEAN 00:02:58 UNDERSCORE VERSION
34. A DROP IN THE OCEAN 00:00:30 30 SECOND EDIT
49. A DROP IN THE OCEAN 00:01:00 60 SECOND EDIT
-
3. SNOWFALL 00:02:07 EMOTIVE, DELICATE PIANO WITH A SAD ROMANTICISM AND A GENTLY HEARTWARMING, HOPEFUL THEME, ACCOMPANIED BY DISTANT PADS.
-
4. TIDE OF GHOSTS 00:02:21 ATMOSPHERIC, CINEMATIC AND MELANCHOLIC PIANO WITH REVERSES, HAUNTING PADS DRONES AND SWELLING STRINGS.
19. TIDE OF GHOSTS 00:02:21 ALTERNATIVE VERSION
30. TIDE OF GHOSTS 00:02:16 UNDERSCORE VERSION
36. TIDE OF GHOSTS 00:00:30 30 SECOND EDIT
51. TIDE OF GHOSTS 00:01:00 60 SECOND EDIT
-
5. VISITING TIMES 00:02:24 LIGHT AT THE END OF THE TUNNEL, WITH QUIETLY CONTEMPLATIVE, POIGNANT PIANO BUT LOOKING FORWARD WITH GENTLE WARMTH AND HOPE.
20. VISITING TIMES 00:02:24 UNDERSCORE VERSION
37. VISITING TIMES 00:00:30 30 SECOND EDIT
52. VISITING TIMES 00:01:00 60 SECOND EDIT
-
6. ARE WE DREAMING 00:02:17 RIPPLING, CALM AND CONTEMPLATIVE MINIMALIST PIANO INTERTWINED WITH SOFT PADS, SUBTLE SHAKER AND ARPEGGIATED SYNTHS.
21. ARE WE DREAMING 00:02:17 UNDERSCORE VERSION
31. ARE WE DREAMING 00:02:17 INSTRUMENTAL VERSION
38. ARE WE DREAMING 00:00:30 30 SECOND EDIT
53. ARE WE DREAMING 00:01:00 60 SECOND EDIT
-
7. FROM THE MIST 00:03:02 CALMING CINEMATIC PIANO FLOATS OVER A DRONE ATMOSPHERE, LEAVING SPACE FOR THOUGHT AND INTERPRETATION.
22. FROM THE MIST 00:03:02 ALTERNATIVE VERSION
32. FROM THE MIST 00:02:57 UNDERSCORE VERSION
39. FROM THE MIST 00:00:30 30 SECOND EDIT
54. FROM THE MIST 00:01:00 60 SECOND EDIT
-
8. LOST SOULS 00:02:15 EERIE, MELANCHOLIC, POIGNANT AND CINEMATIC PIANO WITH THOUGHT-PROVOKING ARPEGGIOS, LATER ACCOMPANIED BY SOFT PADS.
-
9. IN THE MOONLIGHT 00:03:00 GENTLY UNDULATING, SPARSE AND HEARTBREAKING PIANO DRAMA CUE, SLOWLY BUILDING COMPLEXITY.
24. IN THE MOONLIGHT 00:03:00 UNDERSCORE VERSION
41. IN THE MOONLIGHT 00:00:30 30 SECOND EDIT
56. IN THE MOONLIGHT 00:01:00 60 SECOND EDIT
-
10. TRANSLUCENT 00:02:46 WARM, REASSURING AND UPLIFTING PIANO GENTLY UNDULATES AND SLOWLY BUILDS WITH ETHEREAL REVERSES AND SWELLING STRINGS.
25. TRANSLUCENT 00:02:46 UNDERSCORE VERSION
42. TRANSLUCENT 00:00:30 30 SECOND EDIT
57. TRANSLUCENT 00:01:00 60 SECOND EDIT
-
11. IN SHADOWS 00:02:21 PENSIVE, POIGNANT AND HAUNTING PIANO THEME, LATER ACCOMPANIED BY SOFT, SWELLING CINEMATIC STRINGS.
26. IN SHADOWS 00:02:21 UNDERSCORE VERSION
43. IN SHADOWS 00:00:30 30 SECOND EDIT
58. IN SHADOWS 00:01:00 60 SECOND EDIT
-
12. EMPTY THOUGHTS 00:02:19 LONELY PIANO CONTEMPLATIONS INTERTWINED WITH SOFT, ATMOSPHERIC PADS AND SUBTLE, GLITCHY TICKING PERCUSSION.
-
13. LO QUE ERA 00:02:53 EMOTIVE, DELICATE AND ROMANTIC SOLO PIANO, SENSITIVELY PLAYED WITH RUBATO IN A MOOD OF BITTERSWEET NOSTALGIA.
-
14. CONFUSIONS 00:02:37 DELICATE, UNSETTLED AND THOUGHT-PROVOKING PIANO GESTURES FLOATING ON A BED OF ETHEREAL PADS AND REVERSES.
28. CONFUSIONS 00:02:37 UNDERSCORE VERSION
46. CONFUSIONS 00:00:30 30 SECOND EDIT
61. CONFUSIONS 00:01:00 60 SECOND EDIT
-
15. THEN THEY WERE THREE 00:02:59 GENTLY INSPIRING, UPLIFTING AND BUILDING PIANO MINIMALISM SUPPORTED BY REVERSE FX, SUBTLE WARM SYNTHS, SWELLING STRINGS AND CELLO.
29. THEN THEY WERE THREE 00:02:59 UNDERSCORE VERSION
47. THEN THEY WERE THREE 00:00:30 30 SECOND EDIT
62. THEN THEY WERE THREE 00:01:00 60 SECOND EDIT