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SV005
STEPHEN ARNOLD STEPHEN ARNOLD MUSIC SuspectMusic like the sound of footsteps from behind. Ominous tones and unsettling rhythms. |
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1. LOST 00:01:02 THE SHADOWY SUSPENSE OF DISTORTED GUITAR AND PERCUSSION SERVE AS THE FOUNDATION FOR A DRAMATIC STRING BUILD.
15. LOST 00:01:02 MEDIUM
16. LOST 00:01:02 LIGHT
17. LOST 00:00:32 :30
18. LOST 00:00:22 :20
19. LOST 00:00:17 :15
20. LOST 00:00:12 :10
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2. DEEP DARK 00:01:01 A SPACIOUS AND SHADOWY ATMOSPHERE BUILT ON OMINOUS GUITAR EFFECTS AND PERCUSSION ACCENTS.
21. DEEP DARK 00:01:01 MEDIUM
22. DEEP DARK 00:01:01 SPARSE
23. DEEP DARK 00:00:33 :30
24. DEEP DARK 00:00:24 :20
25. DEEP DARK 00:00:18 :15
26. DEEP DARK 00:00:14 :10
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3. FREEFALL 00:01:05 ATMOSPHERIC ACOUSTIC GUITAR WITH WORLD MUSIC INFLUENCES.
27. FREEFALL 00:01:05 ACOUSTIC
28. FREEFALL 00:00:33 :30 FULL
29. FREEFALL 00:00:34 :30 RHYTHM
30. FREEFALL 00:00:23 :20
31. FREEFALL 00:00:17 :15
32. FREEFALL 00:00:12 :10
33. FREEFALL 00:00:09 ACOUSTIC ID
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4. RECOIL 00:01:03 A DARK INVESTIGATIVE CUT FEATURING MODERATELY SLOW, BUT RICH AND OMINOUS LAYERS OF PIANO, PADS, AND GUITAR EFFECTS.
34. RECOIL 00:01:03 NO PIANO
35. RECOIL 00:01:03 GUITAR
36. RECOIL 00:01:04 SPARSE
37. RECOIL 00:00:31 :30
38. RECOIL 00:00:22 :20
39. RECOIL 00:00:17 :15
40. RECOIL 00:00:11 :10
41. RECOIL 00:00:05 ID
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5. ESCAPE 00:01:02 ELECTRONIC AND MOODY WITH ATMOSPHERIC TEXTURES AND PULSES.
42. ESCAPE 00:01:03 MEDIUM MIX
43. ESCAPE 00:01:03 SPARSE 1
44. ESCAPE 00:01:03 SPARSE 2
45. ESCAPE 00:00:31 30
46. ESCAPE 00:00:22 :20
47. ESCAPE 00:00:17 :15
48. ESCAPE 00:00:12 :10
49. ESCAPE 00:00:06 ID
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6. SONG OF THE SIREN 00:00:30 SLOW AND DISTURBING FEEL WITH PIANO AND OMINOUS PADS.
50. SONG OF THE SIREN 00:00:30 :30 SPARSE
51. SONG OF THE SIREN 00:00:20 :20
52. SONG OF THE SIREN 00:00:16 :15
53. SONG OF THE SIREN 00:00:14 :10
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7. SILENT VICTIMS 00:00:33 UNUSUAL PERCUSSIVE BUILD WITH AN INVESTIGATIVE FEEL.
54. SILENT VICTIMS 00:00:33 LESS FULL
55. SILENT VICTIMS 00:00:22 :20
56. SILENT VICTIMS 00:00:16 :15
57. SILENT VICTIMS 00:00:12 :10
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8. THIS MORTAL COIL 00:01:03 SERIOUS PIANO WITH AND WITHOUT PERCUSSION.
58. THIS MORTAL COIL 00:01:03 PIANO PAD
59. THIS MORTAL COIL 00:01:03 PIANO
60. THIS MORTAL COIL 00:01:04 SPARSE
61. THIS MORTAL COIL 00:00:34 :30 FULL
62. THIS MORTAL COIL 00:00:34 :30 PIANO
63. THIS MORTAL COIL 00:00:25 :20
64. THIS MORTAL COIL 00:00:20 :15
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9. BUILDING THE BEAST 00:00:31 HEAVY, OMINOUS WITH PULSATING BASS AND EFFECT.
65. BUILDING THE BEAST 00:00:31 NO FX
66. BUILDING THE BEAST 00:00:32 NO PULSE
67. BUILDING THE BEAST 00:00:20 :20
68. BUILDING THE BEAST 00:00:16 :15
69. BUILDING THE BEAST 00:00:12 :10
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10. REMEMBERING 00:01:08 MEDIUM-SLOW REFLECTIVE PIANO MELODY WITH BASS, STRINGS, AND PERCUSSION
70. REMEMBERING 00:01:07 LITE
71. REMEMBERING 00:00:36 :30
72. REMEMBERING 00:00:26 :20
73. REMEMBERING 00:00:20 :15
74. REMEMBERING 00:00:15 :10
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11. FUTURE CRIME 00:01:03 OMINOUS AND FUTURISTIC WITH PULSATING EFFECTS AND TEXTURES.
75. FUTURE CRIME 00:01:03 LESS FULL
76. FUTURE CRIME 00:01:00 DRUMS
77. FUTURE CRIME 00:00:34 :30
78. FUTURE CRIME 00:00:23 :20
79. FUTURE CRIME 00:00:19 :15
80. FUTURE CRIME 00:00:13 :10
81. FUTURE CRIME 00:00:07 ID
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12. SHADOWS 00:00:33 SLOW AND OMINOUS CUT WITH AMBIENT TEXTURES.
82. SHADOWS 00:00:33 LESS PERCUSSION
83. SHADOWS 00:00:23 :20
84. SHADOWS 00:00:18 :15
85. SHADOWS 00:00:11 :10
86. SHADOWS 00:00:08 ID
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13. THE FIRM 00:00:34 SUSPENSEFUL AND UNSETTLING PIANO ACCENTED BY EERIE STRING RAKES.
87. THE FIRM 00:00:34 LESS FULL
88. THE FIRM 00:00:23 :20
89. THE FIRM 00:00:18 :15
90. THE FIRM 00:00:12 :10
91. THE FIRM 00:00:10 ID
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14. MEMORIAL 00:01:01 SLOW SOMBER PIANO WITH ATMOSPHERIC PADS AND LIGHT PERCUSSION.
92. MEMORIAL 00:00:30 :30 FULL
93. MEMORIAL 00:00:31 :30 LESS FULL
94. MEMORIAL 00:00:31 :30 SPARSE
95. MEMORIAL 00:00:20 :20
96. MEMORIAL 00:00:15 :15
97. MEMORIAL 00:00:10 :10
98. MEMORIAL 00:00:09 PIANO ID