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REV010
411 MUSIC GROUP Studio Rev Composer Series Trailer Hawk Vol. 2Continuing in the tradition of Volume 1, this album is a collection of more intense, hybrid orchestral cues. Perfect for film, TV, video games and sports. |
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54. THE MIND INVADERS 00:02:56 BRASS
55. THE MIND INVADERS 00:02:56 CHOIRS
56. THE MIND INVADERS 00:02:56 FX
57. THE MIND INVADERS 00:02:56 GUITARS
58. THE MIND INVADERS 00:02:56 HIGH SYNTHS
59. THE MIND INVADERS 00:02:56 HITS
60. THE MIND INVADERS 00:02:56 LOW SYNTHS
61. THE MIND INVADERS 00:02:56 PERCUSSION
62. THE MIND INVADERS 00:02:56 PIANO
63. THE MIND INVADERS 00:02:56 STRINGS
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81. DEEP FIELD 00:02:45 ATMOS & PULSES
82. DEEP FIELD 00:02:45 BASS
83. DEEP FIELD 00:02:45 BOOMS & FX
84. DEEP FIELD 00:02:45 BRASS
85. DEEP FIELD 00:02:47 NO VOCALS
86. DEEP FIELD 00:02:45 PERCUSSION
87. DEEP FIELD 00:02:45 PIANO & GUITAR
88. DEEP FIELD 00:02:45 STRINGS
89. DEEP FIELD 00:02:45 VOCALS
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12. VANQUISHER 00:02:25 DRUMS FROM THE DEEP, LOOPING STRINGS AND SYNTHS EXPLODE INTO A MARCHING ARMY OF MIGHT AND POWER. OMINOUS AND VIBRANT HORNS AND CHORUS BUILD BEFORE DROPPING SUDDENLY.
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15. ANONYMOUS 00:01:46 A PULPY, SCIFI GROUPING OF STRINGS, SYNTHS AND FUTURISTIC CYBERPUNK SOUNDS BUILDS AND CRASHES FROM DATA OVERLOAD.
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17. ONE MAN ARMY 00:02:14 AN ADVENTUROUS BUILDING OF BRASS AND DRUMS OPEN INTO STRIKING STRINGS AND SUSPENSE AND HYPNOTIC PERCUSSION BEFORE STRINGS TAKE US OUT.
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19. FOGCUTTER 00:02:18 A SINGLE, HEAVILY CHORUSED GUITAR AND PACING SYNTHS OPEN TO BRAAMS AND TIMPANI DRUMS AS STRINGS GATHER AND COALESCE BEFORE THAT GUITAR TAKES US OUT.
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20. CLIMB 00:02:28 AN ENCHANTING, SUSPENSEFUL PIANO AND SYNTHS GIVE RISE TO A STRONG CELLO LEAD OF UPLIFTING CHIMES AND PACING DRUMS AS HORNS LEAD US TO THE END OF OUR JOURNEY.
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22. PANDEMIC 00:02:10 A SICKNESS IS SPREADING LIKE A VIRAL BUZZ OF SYNTHS, SLAMS AND HORNS. OMINOUS AND FOREBODING, THE BRASS AND BRAAMS HIT REPEATEDLY WITH SLAMS AND STRINGS.
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23. FINAL BATTLE 00:02:10 A SLOW MARCH QUICKLY GATHERS ENERGY AS SLAMMING DRUMS, PIANO AND SYNTHS KICK OFF INTO A SUSPENSFUL AND HUGE WAVE OF SOUND. THE BATTLE RAGES ON.
184. FINAL BATTLE 00:02:10 BRASS
185. FINAL BATTLE 00:02:10 CHOIR
186. FINAL BATTLE 00:02:10 FX
187. FINAL BATTLE 00:02:10 NO VOCALS
188. FINAL BATTLE 00:02:10 PADS
189. FINAL BATTLE 00:02:10 PERCUSSION
190. FINAL BATTLE 00:02:10 PIANO
191. FINAL BATTLE 00:02:10 STRINGS
192. FINAL BATTLE 00:02:10 SYNTHS
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24. SIMULACRUM 00:03:08 DETERMINED AND SLIGHTLY CHAOTIC PIANO AND SYNTHS DROP OUT BEFORE SLAMMING BACK WITH CINEMATIC FURY. AN EXPLOSION OF STRINGS, HORNS AND HUGE DRUMS BUILD ATMOSPHERIC TENSION.
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216. BEYOND 00:02:53 BOOMS
217. BEYOND 00:02:53 BRAAM
218. BEYOND 00:02:53 BRASS
219. BEYOND 00:02:53 CHOIR
220. BEYOND 00:01:59 DOWNERS
221. BEYOND 00:02:53 FX & GUITARPULSE
222. BEYOND 00:02:53 HITS
223. BEYOND 00:02:53 PERCUSSION
224. BEYOND 00:01:09 PIANO
225. BEYOND 00:02:53 PING
226. BEYOND 00:02:53 STRINGS LONG
227. BEYOND 00:02:53 STRINGS SHORT
228. BEYOND 00:02:53 SUB BASS
229. BEYOND 00:02:53 TRANSITIONS
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28. BEAT OF DESTRUCTION 00:01:54 A SOFT, FALSE OPENING OF CALM PIANO IS IMMEDIATELY BETRAYED BY HUGE ELECTRIC GUITARS, SYNTHS AND AN AIR RAID OF REPEATING ALARMS AND HEAVY METALS IN THE SKY.
230. BEAT OF DESTRUCTION 00:01:54 BASS
231. BEAT OF DESTRUCTION 00:01:54 DRUMS
232. BEAT OF DESTRUCTION 00:01:54 ELECTRICBASS & GUITAR
233. BEAT OF DESTRUCTION 00:01:54 FX
234. BEAT OF DESTRUCTION 00:01:54 LEAD GUITAR
235. BEAT OF DESTRUCTION 00:01:54 PIANO
236. BEAT OF DESTRUCTION 00:01:54 REVERSE NOTES
237. BEAT OF DESTRUCTION 00:01:54 STRINGS & BRASS
238. BEAT OF DESTRUCTION 00:01:54 SYNTH
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29. THE VORTEX 00:02:37 HUGE, JARRING DRUMS AND POWER CHORDS KICK OFF INTO A ROCK FRENZY OF EXPLOSIVE AND ENERGETIC DRUMS AND STRINGS BEFORE A FULL ON METAL HYBRID GOES BALLS TO THE WALL.
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30. ROCK CHALK 00:01:49 EXPLOSIVE, FORCEFUL, STRONG, ANGRY, DANGEROUS, DARK, HAUNTING, CONFRONTATIONAL, DRAMATIC, EXCITED, D