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AARD001
5 ALARM AARDVARK MUSIC NEUTRAL DRAMA VOL1NEUTRAL DRAMA |
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1. BUILDING A CASE 00:02:27 INQUISITIVE MALLET PATTERN IS BACKED BY MATHY DRUMS, PULSES, AND SUSTAINED STRINGS, CONVEYING DETERMINATION AND INTRIGUE.
2. BUILDING A CASE 00:02:27 NO BASS NO SEQUENCER PULSE SUB
3. BUILDING A CASE 00:02:27 NO DRUMS BASS SEQUENCER PULSE SUB
4. BUILDING A CASE 00:02:27 BASS
5. BUILDING A CASE 00:02:27 KEYS
6. BUILDING A CASE 00:02:27 KEYS SYNTH
7. BUILDING A CASE 00:02:27 PADS SYNTH
8. BUILDING A CASE 00:02:27 PERCUSSION
9. BUILDING A CASE 00:02:27 PLUCK PULSE
10. BUILDING A CASE 00:02:27 SEQUENCER PULSE SYNTH
11. BUILDING A CASE 00:02:27 STRINGS
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12. BY AND BY 00:02:21 INTERTWINING LAYERS OF PULSES MELD WITH INTRIGUING, QUESTIONING MELODIES, ETHEREAL PADS, AND CAPTIVATING BEAT, EVOKING CURIOSITY.
13. BY AND BY 00:02:21 NO BASS NO DRUMS SUB
14. BY AND BY 00:02:21 NO DRUMS SUB
15. BY AND BY 00:02:21 NO KALIMBA NO MALLETS SUB
16. BY AND BY 00:02:21 NO PADS LESS GUITAR SUB
17. BY AND BY 00:02:21 NO PADS SUB
18. BY AND BY 00:02:21 BASS
19. BY AND BY 00:02:21 DRUMS
20. BY AND BY 00:02:21 GUITAR
21. BY AND BY 00:02:21 KALIMBA
22. BY AND BY 00:02:21 KEYS
23. BY AND BY 00:02:21 MALLET
24. BY AND BY 00:02:21 PAD
25. BY AND BY 00:02:21 PERCUSSION1
26. BY AND BY 00:02:21 PERCUSSION2
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27. DEEPLY ENGAGED 00:02:23 DARKLY ALLURING TONE, WITH LOW BUBBLING DRONES, ANTICIPATORY GUITAR PULSE, INTRIGUING ACCENTS, AND RHYTHMIC PERCUSSION.
28. DEEPLY ENGAGED 00:02:23 NO BASS SUB
29. DEEPLY ENGAGED 00:02:23 NO GUITAR SUB
30. DEEPLY ENGAGED 00:02:23 NO PERCUSSIONS SUB
31. DEEPLY ENGAGED 00:02:23 LIGHT DRUMS SUB
32. DEEPLY ENGAGED 00:02:23 BASS
33. DEEPLY ENGAGED 00:02:23 GUITAR
34. DEEPLY ENGAGED 00:02:23 MELODIES
35. DEEPLY ENGAGED 00:02:23 PERCUSSION
36. DEEPLY ENGAGED 00:02:23 SFX
37. DEEPLY ENGAGED 00:02:23 SYNTH PADS
38. DEEPLY ENGAGED 00:02:23 SYNTH PULSES
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39. FAIR MINDED 00:02:17 WELL PACED PULSE PATTERN AND STEADY PERCUSSION SET AN INFORMATIVE TONE, WITH ELECTRIC GUITAR AND PADS ADDING INTRIGUE AND A TOUCH OF CURIOSITY.
40. FAIR MINDED 00:02:17 NO ARPEGGIOS NO LEAD GUITAR NO BASS SUB
41. FAIR MINDED 00:02:17 NO ARPEGGIOS NO LEAD GUITARS NO PADS SUB
42. FAIR MINDED 00:02:17 NO BASS LESS DRUMS SUB
43. FAIR MINDED 00:02:17 NO LEAD GUITARS LESS DRUMS SYNTH AND PERCUSSION SUB
44. FAIR MINDED 00:02:17 NO LEAD GUITARS SUB
45. FAIR MINDED 00:02:17 ARPEGGIOS
46. FAIR MINDED 00:02:17 BASS
47. FAIR MINDED 00:02:17 BELLS
48. FAIR MINDED 00:02:17 DRUMS
49. FAIR MINDED 00:02:17 FX
50. FAIR MINDED 00:02:17 GUITARS1
51. FAIR MINDED 00:02:17 GUITARS2
52. FAIR MINDED 00:02:17 GUITARS3
53. FAIR MINDED 00:02:17 KEYS
54. FAIR MINDED 00:02:17 PADS
55. FAIR MINDED 00:02:17 PERCUSSION1
56. FAIR MINDED 00:02:17 PERCUSSION2
57. FAIR MINDED 00:02:17 PERCUSSION3
58. FAIR MINDED 00:02:17 SYNTHS
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59. HIGHER LEVEL 00:02:33 LIGHT, FORWARD MOVING BED WITH SHIMMERING ELECTRIC GUITAR ACCENTS, LAYERS OF MESMERIZING PULSES, AND STEADY PERCUSSION.
60. HIGHER LEVEL 00:02:33 NO BASS NO DRUMS SUB
61. HIGHER LEVEL 00:02:33 NO DRUMS SUB
62. HIGHER LEVEL 00:02:33 NO KALIMBA NO MALLETS SUB
63. HIGHER LEVEL 00:02:33 BASS
64. HIGHER LEVEL 00:02:33 DRUMS
65. HIGHER LEVEL 00:02:33 GUITAR1
66. HIGHER LEVEL 00:02:33 GUITAR2
67. HIGHER LEVEL 00:02:33 KEYS1
68. HIGHER LEVEL 00:02:33 KEYS2
69. HIGHER LEVEL 00:02:33 PERCUSSION
70. HIGHER LEVEL 00:02:33 STRINGS
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71. IN HOLES AND CORNERS 00:02:31 RHYTHMIC, SWAGGERING KEYBOARD PATTERN IS JOINED BY ETHEREAL PADS, INTRIGUING ELECTRONICS, MALLETS, AND SUBTLE BEAT, PRODUCING A QUIRKY, ENIGMATIC AMBIENCE.
72. IN HOLES AND CORNERS 00:02:31 LESS PERCUSSION SUB
73. IN HOLES AND CORNERS 00:02:31 NO DRUMS NO BASS SUB
74. IN HOLES AND CORNERS 00:02:31 NO MALLETS LESS DRUMS SUB
75. IN HOLES AND CORNERS 00:02:31 NO MALLETS SUB
76. IN HOLES AND CORNERS 00:02:31 NO PADS SUB
77. IN HOLES AND CORNERS 00:02:31 NO DRUMS NO BASS NO MALLETS SUB
78. IN HOLES AND CORNERS 00:02:31 DRUMS PERCUSSION MALLETS SUB
79. IN HOLES AND CORNERS 00:02:31 BASS
80. IN HOLES AND CORNERS 00:02:31 DRUMS
81. IN HOLES AND CORNERS 00:02:31 FX
82. IN HOLES AND CORNERS 00:02:31 KEYS
83. IN HOLES AND CORNERS 00:02:31 MALLETS
84. IN HOLES AND CORNERS 00:02:31 PADS
85. IN HOLES AND CORNERS 00:02:31 PERCUSSION1
86. IN HOLES AND CORNERS 00:02:31 PERCUSSION2
87. IN HOLES AND CORNERS 00:02:31 SYNTHS
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88. INQUISITIVE MIND 00:02:17 LIGHT AND NEUTRAL IN TONE, WITH CURIOUS HARP MELODY, LAYERS OF PLUCKS AND PULSES, ETHEREAL PADS, AND DELICATE PERCUSSION.
89. INQUISITIVE MIND 00:02:17 NO BASS SUB
90. INQUISITIVE MIND 00:02:17 NO PERCUSSION NO BASS SUB
91. INQUISITIVE MIND 00:02:17 BASS
92. INQUISITIVE MIND 00:02:17 HARPEGGIOS
93. INQUISITIVE MIND 00:02:17 KEYS
94. INQUISITIVE MIND 00:02:17 PADS SYNTH
95. INQUISITIVE MIND 00:02:17 PERCUSSION
96. INQUISITIVE MIND 00:02:17 SEQUENCER PULSE SYNTH
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97. ISLAND NEWS 00:02:12 INTRIGUING TUNED PERCUSSION MELODY, RHYTHMIC PULSES, BLINKING BASS, AND A SLIGHTLY ISLAND FLAVORED BEAT CREATE A FORWARD MOVING, CURIOSITY EVOKING BED.
98. ISLAND NEWS 00:02:12 NO DRUMS NO BASS SUB
99. ISLAND NEWS 00:02:12 NO DRUMS SUB
100. ISLAND NEWS 00:02:12 NO PADS NO PULSE SUB
101. ISLAND NEWS 00:02:12 NO PADS SUB
102. ISLAND NEWS 00:02:12 DRUMS BASS KALIMBA SUB
103. ISLAND NEWS 00:02:12 DRUMS BASS PADS SUB
104. ISLAND NEWS 00:02:12 DRUMS BASS SUB
105. ISLAND NEWS 00:02:12 BASS
106. ISLAND NEWS 00:02:12 DRUMS
107. ISLAND NEWS 00:02:12 KALIMBA
108. ISLAND NEWS 00:02:12 PADS
109. ISLAND NEWS 00:02:12 PERCUSSION
110. ISLAND NEWS 00:02:12 SYNTHS
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111. OFF CENTER 00:02:16 SPACIOUS, QUIRKY ATMOSPHERE WITH LAYERS OF DISCORDANT TONES, PULSING GUITAR, BROODING BASS, AND MOODY ELECTRIC .
112. OFF CENTER 00:02:16 NO BASS NO GUITAR NO PULSE SUB
113. OFF CENTER 00:02:16 NO BASS SUB
114. OFF CENTER 00:02:16 NO MALLETS SUB
115. OFF CENTER 00:02:16 NO SUB
116. OFF CENTER 00:02:16 BASS
117. OFF CENTER 00:02:16 CELESTE
118. OFF CENTER 00:02:16 E1
119. OFF CENTER 00:02:16 E2
120. OFF CENTER 00:02:16 GUITAR
121. OFF CENTER 00:02:16 KEYS
122. OFF CENTER 00:02:16 PERCUSSION
123. OFF CENTER 00:02:16 PULSE
124. OFF CENTER 00:02:16 VIBES
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125. OFFERING AN EXPLANATION 00:02:34 PULSES AND OSTINATOS LAYER WITH PENSIVE MOTIF, SUSTAINED STRINGS, AND PERCOLATING PERCUSSION, CREATING A CAPTIVATING, SLIGHTLY TENSE MOOD.
126. OFFERING AN EXPLANATION 00:02:34 NO BASS NO KEYS SYNTH SUB
127. OFFERING AN EXPLANATION 00:02:34 NO PERCUSSION NO BASS NO SUB
128. OFFERING AN EXPLANATION 00:02:34 BASS
129. OFFERING AN EXPLANATION 00:02:34 KEYS
130. OFFERING AN EXPLANATION 00:02:34 KEYS SYNTH
131. OFFERING AN EXPLANATION 00:02:34 PADS SYNTH
132. OFFERING AN EXPLANATION 00:02:34 PERCUSSION
133. OFFERING AN EXPLANATION 00:02:34 PIANO_STEM
134. OFFERING AN EXPLANATION 00:02:34 SEQUENCER PULSE SYNTH
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135. ON EDGE 00:02:26 APPREHENSIVE AMBIENCE WITH INTRIGUING KEYBOARD PATTERN, SLOW AND STEADY DRUMS, TENSE, SUSTAINED STRINGS, PULSATING BASS, BUZZY SYNTHS, AND ELECTRONIC GUITAR ACCENTS.
136. ON EDGE 00:02:26 NO DRUMS NO BASS GUITARS SUB
137. ON EDGE 00:02:26 NO PULSE NO GUITARS SUB
138. ON EDGE 00:02:26 BASS
139. ON EDGE 00:02:26 E GUITARS
140. ON EDGE 00:02:26 KEYS
141. ON EDGE 00:02:26 KEYS SYNTH
142. ON EDGE 00:02:26 PADS SYNTH
143. ON EDGE 00:02:26 PERCUSSION
144. ON EDGE 00:02:26 PULSE 2 SYNTH
145. ON EDGE 00:02:26 SEQUENCER PULSE SYNTH
146. ON EDGE 00:02:26 STRINGS
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147. ON THE MOVE 00:02:26 APPREHENSIVE WITH A TOUCH OF QUIRKINESS, FEATURING RELENTLESS, ARPEGGIATED BEEPS AND PULSES, TICKING PERCUSSION, STEADY BEAT, AND MYSTERIOUS PADS.
148. ON THE MOVE 00:02:26 NO ARPEGGIOSS NO BASS SUB
149. ON THE MOVE 00:02:26 NO ARPEGGIOSS SUB
150. ON THE MOVE 00:02:26 NO DRUMS SUB
151. ON THE MOVE 00:02:26 DRUMS BASS SWELLS LESS ARPEGGIOS SUB
152. ON THE MOVE 00:02:26 LESS ARPEGGIOSS NO SWELLS SUB
153. ON THE MOVE 00:02:26 LESS DRUMS NO BASS SUB
154. ON THE MOVE 00:02:26 ARPEGGIOS1
155. ON THE MOVE 00:02:26 ARPEGGIOS2
156. ON THE MOVE 00:02:26 ARPEGGIOS3
157. ON THE MOVE 00:02:26 BASS
158. ON THE MOVE 00:02:26 DRUMS
159. ON THE MOVE 00:02:26 FX
160. ON THE MOVE 00:02:26 PIANO_STEM
161. ON THE MOVE 00:02:26 SWELLS