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AARD011
5 ALARM AARDVARK MUSIC DRIVING TENSION VOL1DRIVING TENSION |
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1. BUNDLE OF NERVES 00:02:36 AGITATED, STRINGS, DEEP, BASS, TENSE, , AND, DETERMINED, DRUMS, BUILD, CREATING, AN, INTENSE, EDGY, MOOD.
2. BUNDLE OF NERVES 00:02:36 NO BASS STRINGS SUB
3. BUNDLE OF NERVES 00:02:36 PADS PULSES SUB
4. BUNDLE OF NERVES 00:02:36 PERCUSSION FX SUB
5. BUNDLE OF NERVES 00:02:36 STRINGS PULSES SUB
6. BUNDLE OF NERVES 00:02:36 ATONAL FX
7. BUNDLE OF NERVES 00:02:36 BASS
8. BUNDLE OF NERVES 00:02:36 PERCUSSION
9. BUNDLE OF NERVES 00:02:36 PIANO_STEM
10. BUNDLE OF NERVES 00:02:36 SEQ PULSE SYN
11. BUNDLE OF NERVES 00:02:36 STRINGS
12. BUNDLE OF NERVES 00:02:36 SYN PADS
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13. CARRYING THE BURDEN 00:03:02 CREEPY, UNNERVING AMBIENCE WITH INSISTENT, HEARTBEAT PULSE AND EDGY ATMOSPHERICS, EBBING AND FLOWING IN INTENSITY.
14. CARRYING THE BURDEN 00:03:02 NO PERCUSSION BASS SUB
15. CARRYING THE BURDEN 00:03:02 STRINGS PADS SUB
16. CARRYING THE BURDEN 00:03:02 STRINGS PADS PULSES SUB
17. CARRYING THE BURDEN 00:03:02 BASS
18. CARRYING THE BURDEN 00:03:02 BRASS
19. CARRYING THE BURDEN 00:03:02 PERCUSSION
20. CARRYING THE BURDEN 00:03:02 PIANO_STEM
21. CARRYING THE BURDEN 00:03:02 SEQ PULSE SYN
22. CARRYING THE BURDEN 00:03:02 STRINGS
23. CARRYING THE BURDEN 00:03:02 SYN PADS
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25. FEEL THE PRESSURE 00:02:27 NO PERCUSSION SUB
26. FEEL THE PRESSURE 00:02:27 PERCUSSION BASS ATONAL FX SUB
27. FEEL THE PRESSURE 00:02:28 ATONAL FX
28. FEEL THE PRESSURE 00:02:28 BASS
29. FEEL THE PRESSURE 00:02:28 PERCUSSION
30. FEEL THE PRESSURE 00:02:28 SEQ PULSE SYN
31. FEEL THE PRESSURE 00:02:28 STRINGS
32. FEEL THE PRESSURE 00:02:28 SYN PADS
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33. IMIATE ATTENTION 00:02:45 DEEP DRONE SETS AN OMINOUS TONE, WHILE PERSISTENT PULSES, MOODY PADS, AND HARD HITTING PERCUSSION ADD A SENSE OF URGENCY.
34. IMIATE ATTENTION 00:02:45 NO PERCUSSION BASS SUB
35. IMIATE ATTENTION 00:02:45 PERCUSSION BASS SUB
36. IMIATE ATTENTION 00:02:45 PULSES PADS SUB
37. IMIATE ATTENTION 00:02:45 BASS
38. IMIATE ATTENTION 00:02:45 PERCUSSION
39. IMIATE ATTENTION 00:02:45 STRINGS
40. IMIATE ATTENTION 00:02:45 SYN PADS
41. IMIATE ATTENTION 00:02:45 SYN PULSES
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42. KEYED UP 00:02:23 MENACING DRONE IS JOINED BY TICKING PERCUSSION, SYNCOPATED DRUMS, TENSE STRINGS, AND PULSING BASS.
43. KEYED UP 00:02:23 NO GUITAR NO BASS SUB
44. KEYED UP 00:02:23 NO GUITAR SUB
45. KEYED UP 00:02:23 NO PERCUSSION NO BASS SUB
46. KEYED UP 00:02:23 NO PERCUSSION SUB
47. KEYED UP 00:02:23 BASS
48. KEYED UP 00:02:23 BRASS
49. KEYED UP 00:02:23 GUITAR
50. KEYED UP 00:02:23 PADS
51. KEYED UP 00:02:23 PERCUSSION
52. KEYED UP 00:02:23 PULSES
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53. POLICE BEAT 00:02:24 MENACING DRONE IS JOINED BY TICKING PERCUSSION, SYNCOPATED DRUMS, TENSE STRINGS, AND PULSING BASS.
54. POLICE BEAT 00:02:24 NO BASS NO KICK SUB
55. POLICE BEAT 00:02:24 NO GUITAR NO BASS SUB
56. POLICE BEAT 00:02:24 NO GUITAR SUB
57. POLICE BEAT 00:02:24 NO PERCUSSION SUB
58. POLICE BEAT 00:02:24 NO PULSES SUB
59. POLICE BEAT 00:02:24 BASS
60. POLICE BEAT 00:02:24 GUITAR
61. POLICE BEAT 00:02:24 PADS AND STRINGS
62. POLICE BEAT 00:02:24 PERCUSSION
63. POLICE BEAT 00:02:24 AND HARP
64. POLICE BEAT 00:02:24 PULSES
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65. QUARANTINED 00:03:06 MOODY SOUNDSCAPE GIVES WAY TO DARK, ANTICIPATORY PULSES, SUSPENSE STRINGS, ELECTRIC GUITAR ACCENTS, AND ANXIOUS PERCUSSION.
66. QUARANTINED 00:03:06 NO PERCUSSION BASS SUB
67. QUARANTINED 00:03:06 NO PERCUSSION SUB
68. QUARANTINED 00:03:06 PADS PULSES SUB
69. QUARANTINED 00:03:06 ATONAL FX
70. QUARANTINED 00:03:06 BASS
71. QUARANTINED 00:03:06 PERCUSSION
72. QUARANTINED 00:03:06 SEQ PULSE SYN
73. QUARANTINED 00:03:06 SYN PADS
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74. STRAINED RELATIONS 00:02:15 PERSISTENT PULSE MELDS WITH SYNCOPATED DRUMS AND BASS, MOODY PADS, AND DRAMATIC ACCENTS, CREATING AN UNEASY AMBIENCE.
75. STRAINED RELATIONS 00:02:15 NO GUITAR NO BASS SUB
76. STRAINED RELATIONS 00:02:15 NO GUITAR NO PERCUSSION SUB
77. STRAINED RELATIONS 00:02:15 NO GUITAR SUB
78. STRAINED RELATIONS 00:02:15 NO PERCUSSION SUB
79. STRAINED RELATIONS 00:02:15 BASS
80. STRAINED RELATIONS 00:02:15 BRASS
81. STRAINED RELATIONS 00:02:15 GUITAR
82. STRAINED RELATIONS 00:02:15 PADS
83. STRAINED RELATIONS 00:02:15 PERCUSSION AND RISERS
84. STRAINED RELATIONS 00:02:15 PULSES
85. STRAINED RELATIONS 00:02:15 STRINGS
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86. UPHILL BATTLE 00:02:24 PURPOSEFUL PULSES AND PERCUSSION ARE JOINED BY TENSE STRINGS, CONVEYING DETERMINATION THROUGH STRUGGLE.
87. UPHILL BATTLE 00:02:24 BASS PULSES PADS SUB
88. UPHILL BATTLE 00:02:24 NO PERCUSSION SUB
89. UPHILL BATTLE 00:02:24 PERCUSSION BASS SUB
90. UPHILL BATTLE 00:02:24 STRINGS PULSES PADS SUB
91. UPHILL BATTLE 00:02:24 ATONAL FX
92. UPHILL BATTLE 00:02:24 BASS
93. UPHILL BATTLE 00:02:24 BRASS
94. UPHILL BATTLE 00:02:24 PERCUSSION
95. UPHILL BATTLE 00:02:24 SEQ PULSE SYN
96. UPHILL BATTLE 00:02:24 STRINGS
97. UPHILL BATTLE 00:02:24 SYN PADS
98. UPHILL BATTLE 00:02:23 (MAIN MIX)
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99. UPTIGHT 00:02:23 NO PERC BASS ALT SUB MIX
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107. WORRIMENT 00:02:21 TENSE SETTING WITH RELENTLESS PULSES, EDGY ELECTRIC GUITAR, UNNERVING ORCHESTRAL ACCENTS, BUSY PERCUSSION, AND BIG DRUM HITS.
108. WORRIMENT 00:02:21 MINIMAL SUB
109. WORRIMENT 00:02:21 NO BRASS SUB
110. WORRIMENT 00:02:21 NO GUITAR SUB
111. WORRIMENT 00:02:21 NO PERCUSSION NO GUITAR SUB
112. WORRIMENT 00:02:21 NO PERCUSSION SUB
113. WORRIMENT 00:02:21 BASS GUITAR
114. WORRIMENT 00:02:21 BRASS
115. WORRIMENT 00:02:21 GUITAR
116. WORRIMENT 00:02:21 PADS
117. WORRIMENT 00:02:21 PERCUSSION
118. WORRIMENT 00:02:21 AND PULSES
119. WORRIMENT 00:02:21 STRINGS