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AD2256
ADRENALIN PRODUCTION MUSIC ADRENALIN MAIN SERIES Emotional ChangesTracks that begin with darker or serious beginnings then resolve to bright optimistic moods. For productions presenting solutions to problems or changing situations. |
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1. CRISIS AND CLARITY 00:01:58 EMOTIONAL STRINGS AND EMERGING PIANO IN INTRO TAKE A HOPEFUL AND INSPIRING SHIFT AT 0:55.
2. CRISIS AND CLARITY 00:01:58 REDUCED STRINGS
3. CRISIS AND CLARITY 00:01:58 NO PERCUSSION
4. CRISIS AND CLARITY 00:01:58 UNDERSCORED MIX WITH NO PERCUSSION
5. CRISIS AND CLARITY 00:01:03 POSITIVE EMOTION ONLY
58. CRISIS AND CLARITY 00:01:02 60 SEC EDIT
70. CRISIS AND CLARITY 00:00:31 30 SEC EDIT
82. CRISIS AND CLARITY 00:00:15 BUMPER EDIT
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6. UNBROKEN STILL 00:02:12 SERIOUS AND DETERMINED INTRO TRANSITIONS INTO AN INSPIRED JOURNEY FROM 1:05. SINCERE PIANO AND BUILDING EMOTIONAL ORCHESTRA.
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10. PAST THE TIPPING POINT 00:02:15 SERIOUS INTRO REACHES THE TIPPING POINT WITH A BUILDING DETERMINATION AND RESOLVE. TRANSITION TO A POSITIVE, INSPIRED OUTLOOK AT 1:00.
11. PAST THE TIPPING POINT 00:02:15 REDUCED STRINGS; NO BRASS
12. PAST THE TIPPING POINT 00:02:15 UNDERSCORED WITH NO PERCUSSION
13. PAST THE TIPPING POINT 00:02:15 MINIMAL MIX
14. PAST THE TIPPING POINT 00:01:14 POSITIVE MIX ONLY
60. PAST THE TIPPING POINT 00:01:06 60 SEC EDIT
72. PAST THE TIPPING POINT 00:00:37 30 SEC EDIT
84. PAST THE TIPPING POINT 00:00:19 BUMPER EDIT
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15. THE PATH REWRITTEN 00:01:57 TROUBLED INTRO WORKS THROUGH OBSTACLES WITH DILIGENCE, FINDING A POSITIVE MOMENTUM FROM 0:54.
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19. MADE WHOLE AGAIN 00:02:09 REFLECTIVE, SLIGHTLY MELANCHOLIC PIANO AND STRINGS IN INTRO TAKE AN UPLIFTING SHIFT AT 0:54.
20. MADE WHOLE AGAIN 00:02:09 REDUCED STRINGS; NO BELLS
21. MADE WHOLE AGAIN 00:02:09 REDUCED STRINGS; NO PERCUSSION
22. MADE WHOLE AGAIN 00:02:09 POSITIVE EMOTION ONLY MIX
23. MADE WHOLE AGAIN 00:01:15 UPLIFTING MIX
62. MADE WHOLE AGAIN 00:01:00 60 SEC EDIT
74. MADE WHOLE AGAIN 00:00:31 30 SEC EDIT
86. MADE WHOLE AGAIN 00:00:18 BUMPER EDIT
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24. PROBLEM SOLVED 00:02:15 CONCERNED INTRO PASSIONATELY BUILDS TO A POSITIVE, PROBLEM SOLVING SHIFT AT 0:53.
25. PROBLEM SOLVED 00:02:15 REDUCED STRINGS; NO BRASS
26. PROBLEM SOLVED 00:02:15 REDUCED WITH NO PERCUSSION
27. PROBLEM SOLVED 00:02:15 UNDERSCORED MIX
28. PROBLEM SOLVED 00:01:22 POSITIVE MIX ONLY
63. PROBLEM SOLVED 00:01:01 60 SEC EDIT
75. PROBLEM SOLVED 00:00:33 30 SEC EDIT
87. PROBLEM SOLVED 00:00:18 BUMPER EDIT
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29. RESOLVE IN THE RUINS 00:02:20 WINDING PIANO AND STRINGS IN INTRO WITH A DETERMINATION THROUGH STRUGGLE. AN UPLIFTING TRANSITION TO HOPE AT 1:00.
30. RESOLVE IN THE RUINS 00:02:20 REDUCED STRINGS; NO BRASS
31. RESOLVE IN THE RUINS 00:02:20 REDUCED ORCHESTRA; NO PERCUSSION
32. RESOLVE IN THE RUINS 00:02:20 UNDERSCORED MIX
33. RESOLVE IN THE RUINS 00:01:21 UPLIFTING MIX ONLY
64. RESOLVE IN THE RUINS 00:01:04 60 SEC EDIT
76. RESOLVE IN THE RUINS 00:00:34 30 SEC EDIT
88. RESOLVE IN THE RUINS 00:00:18 BUMPER EDIT
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34. STRUGGLE TO RESOLUTION 00:02:39 MELANCHOLIC ACOUSTIC GUITAR, PIANO AND STRINGS IN INTRO WORK THROUGH OPPOSITION AND FIND A POSITIVE RESOLUTION FROM 0:58.
35. STRUGGLE TO RESOLUTION 00:02:39 REDUCED ORCHESTRA
36. STRUGGLE TO RESOLUTION 00:02:39 REDUCED ORCHESTRA; NO PERCUSSION
37. STRUGGLE TO RESOLUTION 00:02:39 UNDERSCORED MIX
38. STRUGGLE TO RESOLUTION 00:01:40 POSITIVE MIX ONLY
65. STRUGGLE TO RESOLUTION 00:01:05 60 SEC EDIT
77. STRUGGLE TO RESOLUTION 00:00:36 30 SEC EDIT
89. STRUGGLE TO RESOLUTION 00:00:18 BUMPER EDIT
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39. SHADOW TO SHELTER 00:02:05 UNCERTAIN AND MYSTERIOUS UNRAVELING IN INTRO TAKES A HOPEFUL AND SINCERE TRANSITION AT 0:57.
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43. THE LIGHT BREAKS THROUGH 00:02:54 REFLECTIVE PIANO AND LIGHT STRINGS PUSH THROUGH HARDSHIP AND FIND A POSITIVE TURN AT 1:03.
44. THE LIGHT BREAKS THROUGH 00:02:54 REDUCED ORCHESTRA
45. THE LIGHT BREAKS THROUGH 00:02:54 UNDERSCORED WITH NO PERCUSSION
46. THE LIGHT BREAKS THROUGH 00:02:54 UNDERSCORED MIX
47. THE LIGHT BREAKS THROUGH 00:01:51 POSITIVE MIX ONLY
67. THE LIGHT BREAKS THROUGH 00:01:06 60 SEC EDIT
79. THE LIGHT BREAKS THROUGH 00:00:36 30 SEC EDIT
91. THE LIGHT BREAKS THROUGH 00:00:19 BUMPER EDIT
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48. OVER THE HURDLE 00:02:06 CONCERNED PIANO AND STRINGS IN INTRO BUILD WITH A POSITIVE SHIFT AT 0:52. UPLIFTING ORCHESTRA AND PERCUSSION RISE OVER OBSTACLES.
49. OVER THE HURDLE 00:02:06 REDUCED ORCHESTRA
50. OVER THE HURDLE 00:02:06 UNDERSCORED MIX
51. OVER THE HURDLE 00:02:06 MINIMAL MIX
52. OVER THE HURDLE 00:01:14 POSITIVE MIX ONLY
68. OVER THE HURDLE 00:01:04 60 SEC EDIT
80. OVER THE HURDLE 00:00:32 30 SEC EDIT
92. OVER THE HURDLE 00:00:18 BUMPER EDIT
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53. THE ANSWER WITHIN 00:02:12 QUESTIONING AND REFLECTIVE INTO FINDS HOPE AND SOLUTIONS FROM 0:55 ON.
54. THE ANSWER WITHIN 00:02:12 REDUCED ORCHESTRA
55. THE ANSWER WITHIN 00:02:12 REDUCED ORCHESTRA; NO PERCUSSION
56. THE ANSWER WITHIN 00:02:12 UNDERSCORED MIX
57. THE ANSWER WITHIN 00:01:17 POSITIVE MIX ONLY
69. THE ANSWER WITHIN 00:01:01 60 SEC EDIT
81. THE ANSWER WITHIN 00:00:32 30 SEC EDIT
93. THE ANSWER WITHIN 00:00:17 BUMPER EDIT