1. CHANGING THE GAME 00:03:49 PULSING ANALOG SYNTHS AND PERCUSSION, EERIE SOUNDS AND A MOODY FLUTE BUILD A FEELING OF URGENCY AND INEVITABILITY RELENTLESSLY MOVING FORWARD, LEAVING YOU IN A STATE OF SUSPENSE.

2. CHASE IT 00:03:12 CLASSIC ANALOG SYNTH SEQUENCES SUBTLY PROPELL YOU FORWARD IN SUSPENSE, WITH TENSION FILLED, DETAILED PERCUSSION JOINING HALFWAY IN, BUILDING TO A CLIFF HANGER STOP.

3. DARK INCENTIVE 00:03:01 COOL, AMBIENT SYNTHS ARE SUPPORTED BY LAYERED, BUILDING SEQENCES OF SYNTHS AND PERCUSSION, DEEP ACCENTS AND AN EVENTUALLY SOARING, REACHING TOWARD THE GOAL FINISH.

4. DEAD CHASE 00:03:00 PERSONAL GOALS ARE REACHED, SUPPORTED BY INSISTENT, PROPELLING ANALOG SYNTHS AND BIG ROOM PERCUSSION, WITH ADDING LAYERS BUILDING TO A HOLD YOUR BREATH, OFF THE CLIFF FINISH.

5. FREE RIDER 00:03:08 SEQUENCED ANALOG SYNTH ELECTRONICA MEETS BIG, EPIC DRUMS AND SNAPPY, INTRICATE PERCUSSION, RELENTLESSLY BUILDING IN INTENSITY TOWARD A STOP DOWN ECHOING INTO THE DISTANCE.

6. INCREASING DARKNESS 00:03:07 RELENTLESSLY BUILDING SUSPENSE AND THRILLER TRAILER TRACK WITH PULSING SYNTHS, BIG DRUMS, LAYERS OF DISTORTED SYNTHS, GUITARS AND STRINGS, FEATURING STOP DOWNS, RISING TO EPIC FINISH.

7. REVERSE OF BEING 00:02:48 PULSING ANALOG SYNTHS, LOW THROBBING AND FIZZLING HIGH PERCUSSION, TOGETHER WITH TENSION FILLED ACCENTS AND RISES SUPPORTS SUSPENSEFUL THRILLER SCENARIOS AND COVERT OPERATIONS.

8. RUN LIKE HELL 00:03:03 A PULSING, MOODY INTRO GIVES WAY TO EDGY, STREET LEVEL ACTION THRILLER ELECTRONIC SOUNDS WITH POUNDING, DETAILED DISTORTED PERCUSSIOM AND SYNTHS IN THIS DISTORTED ACTION THRILLER TRACK.

9. TENSE ANTICIPATION 00:02:36 DARK, SEQUENCED ANALOG SYNTH PULSES WITH MODULAR SYNTH ACCENTS SLOWLY BUILD, ADDING MORE EDGE WITH ADDED LAYERS OF SUSPENSE, FADING OUT LIKE THE SITUATION PASSED YOU BY.

10. WE HAVE A RUNNER 00:02:36 LOW ANALOG SYNTH BASS AND PULSES, SLOWLY BUILDING MELODICALLY WITH SUSPENSEFUL ACCENTS, THEN ADDING DRUMS AND MOVING FORWARD WITH INCREASING EDGE AND URGENCY. ALL IS NOT WELL.