1. BREATHING SPACE 00:03:52 AN INTRO OF SLOW, YEARNING SYNTHS LEADS TO PULSING DETERMINATION, A RISING TO THE OCCASION AND MEETING THE CHALLENGE, AT THE END RETURNING TO THE INTRO THEME.

2. FLIGHT SUIT 00:05:41 AN AIR OF REFLECTION, PERHAPS CONCERN EMANATES FROM MOODY WASHES OF SYNTHS, PUNCTUATED BY GENTLE, BUILDING ACCENTS AND BOTH SLOW AND PERCUSSIVE SYNTH WASHES AS THE TRACK EVOLVES.

3. INEVITABLE ESCALATION 00:03:51 COOL, STYLISHLY DISTORTED AND PERHAPS SWAGGERING SUSPENSE THRILLER VIBES SETS THE TONE FOR THIS SLOW BURN, TENSE AND BUILDING PERCUSSIVE EXCURSION INTO BIG CITY NIGHTS ON THE WRONG SIDE OF TOWN.

4. LONG GONE NOW 00:03:42 DARK INTRO CHORDS QUICKLY GETS ADDED, OFF KILTER PULSING SYNTH SEQUENCES AND FOUR ON THE FLOOR PROPULSION, ADDING LAYERS AND BUILDING INTENSITY UNTIL A STOP DOWN AND END THEME CONCLUSION.

5. OVERLAND 00:03:23 PULSING, GENTLY DISTORTED SYNTH ARPEGGIOS BUILD MOMENTUM, WITH ADDED MACHINE LIKE LOW PERCUSSION AND SYNCOPATED SYNTH LINES, CREATING A DRIVING TRACK TO UNDERSCORE TENSION AND SUSPENSE.

6. RATIO 00:04:15 SWAGGERING RIGHT AND LEFT, GRITTY SYNTH LINES DUEL WHILE NOISE WASHES COME AND GO, BREAKING DOWN, THEN BUILDING BACK UP WITH ADDED SYNTHS AND PERCUSSION IN A TRACK THAT MEANS URBAN BUSINESS.

7. STASIS 3 00:03:36 SLOW PERCUSSIVE SYNTHS WITH SYNTH WASHES AND OFF KILTER LINES GETS ADDED LOW END AROUND 1:30 IN THIS QUIRKY BEAUTIFUL, INDIE FEATURE SOUNDING TRACK, DEPARTING A BIT FROM THE REST OF THE ALBUM.

8. SUBTLE GRIEVANCES 00:04:14 A MORE EXOTIC SOUNDING ELECTRONIC AMBIENCE SETS THE TONE FOR THIS MID TEMPO, SWAGGERING, PERCUSSIVE, IDM FLAVORED TRACK, FEATURING SAMPLED VOICES, SOUNDING TONALLY NEUTRAL FOR WIDE APPLICATION.

10. THE OTHERS 00:03:30 AN ANTHEMIC SYNTH LEADS TO LAYERED, RHYTHMICALLY COMPLEX IDM BEATS AND A BRIGHT COUNTER SYNTH LINE, OFFERING A QUIRKY INDIE FEATURE VIBE FOR AN ELECTRONIC YET ORGANIC SOUNDING UNDERSCORE.

11. TWENTYTWO 00:05:03 ANOTHER COOL, STYLISHLY DISTORTED, SWAGGERING TRACK, THIS TIME MUCH BRIGHTER IN MOOD AND TONALITY, WITH A HOOKY, ANALOG MELODY ENTERING AROUND 1:30, AND THE TRACK, BUILDING AND LAYERING TO END.