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MIM084
FONTANA MUSIC LIBRARY MINIMAL TV NightfallDark minimalist atmospheres, suited for tense moments and abstract thought. |
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1. PERFECT SPHERE 00:01:48 A CHILLING, MINIMALIST ELECTRONIC TRACK WITH MEDITATIVE QUALITIES, YET OMINOUS IN NATURE.
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8. DATA EMERGENCY 00:01:58 A DISTANT PIANO MELODY INTERPOSED WITH CHILLING STRINGS AND OTHERWORLDLY SYNTH SOUNDS.
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15. FROZEN DUNES 00:01:46 A SOLITARY PIANO MELODY IS SURROUNDED BY DARK DRONING SYNTHS TO CREATE AN UNCERTAIN AND MENACING ATMOSPHERE.
16. FROZEN DUNES 00:01:46 UNDERSCORE
17. FROZEN DUNES 00:01:00 60S
18. FROZEN DUNES 00:00:30 30S
19. FROZEN DUNES 00:00:15 15S
20. FROZEN DUNES 00:00:10 10S
21. FROZEN DUNES 00:00:05 5S
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22. THE PRESENT SITUATION 00:01:28 POUNDING PERCUSSION ELEMENTS CUT THROUGH A THICK ATMOSPHERE OF REVERBERATED PIANO AND DRONES.
23. THE PRESENT SITUATION 00:01:28 NO DRUMS
24. THE PRESENT SITUATION 00:01:25 UNDERSCORE
25. THE PRESENT SITUATION 00:01:00 60S
26. THE PRESENT SITUATION 00:00:30 30S
27. THE PRESENT SITUATION 00:00:15 15S
28. THE PRESENT SITUATION 00:00:10 10S
29. THE PRESENT SITUATION 00:00:05 5S
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30. A DARKEST HOUR 00:01:58 A MOURNFUL TRACK THAT COMBINES ORCHESTRA AND ELECTRONICA INTO AN EERIE ARRANGEMENT.
31. A DARKEST HOUR 00:01:58 NO DRUMS
32. A DARKEST HOUR 00:01:58 UNDERSCORE
33. A DARKEST HOUR 00:01:00 60S
34. A DARKEST HOUR 00:00:30 30S
35. A DARKEST HOUR 00:00:15 15S
36. A DARKEST HOUR 00:00:10 10S
37. A DARKEST HOUR 00:00:05 5S
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38. NIGHT AT THE POOL 00:01:44 A FEW SOLITARY PIANO NOTES ARE ENVELOPED BY RAPID, CREEPING SYNTH STABS.
39. NIGHT AT THE POOL 00:01:37 UNDERSCORE
40. NIGHT AT THE POOL 00:01:00 60S
41. NIGHT AT THE POOL 00:00:30 30S
42. NIGHT AT THE POOL 00:00:15 15S
43. NIGHT AT THE POOL 00:00:10 10S
44. NIGHT AT THE POOL 00:00:04 5S
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45. A TOXIC FOG 00:02:15 SPARSE PIANO PLAYING IS INTERPOSED WITH CREEPY, DISTORTED AND LO-FI SYNTH ATMOSPHERES.
46. A TOXIC FOG 00:02:15 UNDERSCORE
47. A TOXIC FOG 00:01:00 60S
48. A TOXIC FOG 00:00:30 30S
49. A TOXIC FOG 00:00:15 15S
50. A TOXIC FOG 00:00:10 10S
51. A TOXIC FOG 00:00:05 5S
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52. CAVING 00:01:37 A LUSH, ALMOST LIQUID-LIKE LAYER OF SYNTHS INTERTWINED WITH A STATIC NOISE ENVELOPS THE LISTENER INTO A TRANCE OF IMMINENT PERIL.
53. CAVING 00:01:42 UNDERSCORE
54. CAVING 00:01:00 60S
55. CAVING 00:00:30 30S
56. CAVING 00:00:15 15S
57. CAVING 00:00:10 10S
58. CAVING 00:00:05 5S
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59. FEAR PHOBIA 00:02:16 A LOW HANGING, DRONING SOUND, ACCOMPANIED BY THOUSANDS OF MICE SQUEAKS, REVERBERATED INTO ETERNITY.
60. FEAR PHOBIA 00:02:16 NO DRUMS
61. FEAR PHOBIA 00:02:16 UNDERSCORE
62. FEAR PHOBIA 00:01:00 60S
63. FEAR PHOBIA 00:00:30 30S
64. FEAR PHOBIA 00:00:15 15S
65. FEAR PHOBIA 00:00:10 10S
66. FEAR PHOBIA 00:00:05 5S
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67. MY FATE 00:02:14 A DISTANT MOURNFUL VIOLIN MELODY IS INTERPOSED WITH SOLEMN PIANO PLAYING.
68. MY FATE 00:02:10 UNDERSCORE
69. MY FATE 00:01:00 60S
70. MY FATE 00:00:30 30S
71. MY FATE 00:00:15 15S
72. MY FATE 00:00:10 10S
73. MY FATE 00:00:05 5S
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74. CAN'T FIND SLEEP 00:01:58 SPARSE SYNTH CHORDS GIVE A DISTANT PLAYFULNESS, INTERTWINED WITH A QUESTIONING PIANO MELODY.
75. CAN'T FIND SLEEP 00:01:50 UNDERSCORE
76. CAN'T FIND SLEEP 00:01:00 60S
77. CAN'T FIND SLEEP 00:00:30 30S
78. CAN'T FIND SLEEP 00:00:15 15S
79. CAN'T FIND SLEEP 00:00:10 10S
80. CAN'T FIND SLEEP 00:00:05 5S
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81. HINDSIGHT 00:02:15 A DARK, CHILLING ATMOSPHERE CREATED THROUGH EFFICIENT LAYERING.
82. HINDSIGHT 00:02:15 UNDERSCORE
83. HINDSIGHT 00:01:00 60S
84. HINDSIGHT 00:00:30 30S
85. HINDSIGHT 00:00:15 15S
86. HINDSIGHT 00:00:10 10S
87. HINDSIGHT 00:00:05 5S
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88. BAD START 00:02:14 A SPINE-CHILLING BEAT IS PROGRESSIVELY COVERED IN OMINOUS SIREN SOUNDS.
89. BAD START 00:02:14 UNDERSCORE
90. BAD START 00:01:00 60S
91. BAD START 00:00:30 30S
92. BAD START 00:00:15 15S
93. BAD START 00:00:10 10S
94. BAD START 00:00:05 5S
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95. NIGHT ON THE BEACH 00:01:40 THIN PLUCKED NOTES RESONATE AMONG AN AMBIANCE OF ANGEL-LIKE SYNTHES
96. NIGHT ON THE BEACH 00:01:40 UNDERSCORE
97. NIGHT ON THE BEACH 00:01:00 60S
98. NIGHT ON THE BEACH 00:00:30 30S
99. NIGHT ON THE BEACH 00:00:15 15S
100. NIGHT ON THE BEACH 00:00:10 10S
101. NIGHT ON THE BEACH 00:00:05 5S
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102. UNKNOWNS 00:01:45 A DISSONANT ARRAY OF SQUEAKY STRINGS, AND HEAVILY DISTORTED SYNTHESIZERS CREATE AN UNEASY FEELING.
103. UNKNOWNS 00:01:45 UNDERSCORE
104. UNKNOWNS 00:01:00 60S
105. UNKNOWNS 00:00:30 30S
106. UNKNOWNS 00:00:15 15S
107. UNKNOWNS 00:00:10 10S
108. UNKNOWNS 00:00:05 5S