1. SO SILLY 00:02:22 GET THE GIGGLES, LET LOOSE, EMBRACE THE HILARITY OF THE MOMENT AND GO FULL-BLOWN SILLY. TRY NOT TO PEE YOUR PANTS THOUGH! AN ALMOST COUNTRY-ESQUE STRING MELODY KEEPS THE ZANY SILLINESS AT A MAXIMUM, WITH ACOUSTIC GUITARS, BASS AND LIGHT PERCUSSION ALSO PLAYING THEIR IMPORTANT PARTS.

2. SO SILLY UNDERSCORE 00:02:01 GET THE GIGGLES, LET LOOSE, EMBRACE THE HILARITY OF THE MOMENT AND GO FULL-BLOWN SILLY. TRY NOT TO PEE YOUR PANTS THOUGH! AN ALMOST COUNTRY-ESQUE STRING MELODY KEEPS THE ZANY SILLINESS AT A MAXIMUM, WITH BASS AND LIGHT PERCUSSION ALSO PLAYING THEIR IMPORTANT PARTS.

3. SO SILLY ALTERNATE NO SILLY 00:02:22 GET THE GIGGLES, LET LOOSE, EMBRACE THE HILARITY OF THE MOMENT AND GO FULL-BLOWN SILLY. TRY NOT TO PEE YOUR PANTS THOUGH! AN ALMOST COUNTRY-ESQUE STRING MELODY KEEPS THE ZANY SILLINESS AT A MAXIMUM, WITH ACOUSTIC GUITARS, BASS AND LIGHT PERCUSSION ALSO PLAYING THEIR IMPORTANT PARTS.

4. SO SILLY ALTERNATE NO SILLY UNDERSCORE 00:02:01 GET THE GIGGLES, LET LOOSE, EMBRACE THE HILARITY OF THE MOMENT AND GO FULL-BLOWN SILLY. TRY NOT TO PEE YOUR PANTS THOUGH! AN ALMOST COUNTRY-ESQUE STRING MELODY KEEPS THE ZANY SILLINESS AT A MAXIMUM, WITH BASS AND LIGHT PERCUSSION ALSO PLAYING THEIR IMPORTANT PARTS.

5. BEER BUDDIES 00:02:31 AFTER A LONG DAY AT THE FUN FACTORY, ME AND MY COMEDY CREW POP OPEN A COUPLE OF BREWSKIS TO SETTLE DOWN FROM CRACKING UP ALL DAY. DRUMS, ACOUSTIC GUITAR, TUBA AND ORGAN UNDERPIN THE SAUCY BRASS MELODY AND CHEEKY PERCUSSION THROUGHOUT.

6. BEER BUDDIES UNDERSCORE 00:02:30 AFTER A LONG DAY AT THE FUN FACTORY, ME AND MY COMEDY CREW POP OPEN A COUPLE OF BREWSKIS TO SETTLE DOWN FROM CRACKING UP ALL DAY. DRUMS, ACOUSTIC GUITAR, TUBA AND ORGAN UNDERPIN THE SAUCY BRASS MELODY AND CHEEKY PERCUSSION THROUGHOUT.

7. BEER BUDDIES ALTERNATE NO SILLY 00:02:31 AFTER A LONG DAY AT THE FUN FACTORY, ME AND MY COMEDY CREW POP OPEN A COUPLE OF BREWSKIS TO SETTLE DOWN FROM CRACKING UP ALL DAY. DRUMS, ACOUSTIC GUITAR, TUBA AND ORGAN UNDERPIN THE SAUCY BRASS MELODY AND CHEEKY PERCUSSION THROUGHOUT.

8. BEER BUDDIES ALTERNATE NO SILLY UNDERSCORE 00:02:30 AFTER A LONG DAY AT THE FUN FACTORY, ME AND MY COMEDY CREW POP OPEN A COUPLE OF BREWSKIS TO SETTLE DOWN FROM CRACKING UP ALL DAY. DRUMS, ACOUSTIC GUITAR, TUBA AND ORGAN UNDERPIN THE SAUCY BRASS MELODY AND CHEEKY PERCUSSION THROUGHOUT.

9. GET OUTTA HERE 00:02:34 OH NO, PLEASE DON'T SEND IN THE CLOWNS. JUST GET THEM THE HELL OUTTA HERE. THE KIDS WILL HAVE NIGHTMARES. HAPPENS EVERY TIME. STRINGS, CLARINETS AND SAXOPHONE TAKE THE LEAD, BACKED BY A CONFIDENT BAND OF DRUMS, BASS AND PIANO ALL PLAYING IN 7 TIME, WHICH KEEPS THINGS AMUSING.

10. GET OUTTA HERE UNDERSCORE 00:02:34 OH NO, PLEASE DON'T SEND IN THE CLOWNS. JUST GET THEM THE HELL OUTTA HERE. THE KIDS WILL HAVE NIGHTMARES. HAPPENS EVERY TIME. STRINGS, CLARINETS AND SAXOPHONE TAKE THE LEAD, BACKED BY BASS AND PIANO ALL PLAYING IN 7 TIME, WHICH KEEPS THINGS AMUSING.

11. GET OUTTA HERE ALTERNATE NO SILLY 00:02:34 OH NO, PLEASE DON'T SEND IN THE CLOWNS. JUST GET THEM THE HELL OUTTA HERE. THE KIDS WILL HAVE NIGHTMARES. HAPPENS EVERY TIME. STRINGS, CLARINETS AND SAXOPHONE TAKE THE LEAD, BACKED BY A CONFIDENT BAND OF DRUMS, BASS AND PIANO ALL PLAYING IN 7 TIME, WHICH KEEPS THINGS AMUSING.

12. GET OUTTA HERE ALTERNATE NO SILLY UNDERSCORE 00:02:34 OH NO, PLEASE DON'T SEND IN THE CLOWNS. JUST GET THEM THE HELL OUTTA HERE. THE KIDS WILL HAVE NIGHTMARES. HAPPENS EVERY TIME. STRINGS, CLARINETS AND SAXOPHONE TAKE THE LEAD, BACKED BY BASS AND PIANO ALL PLAYING IN 7 TIME, WHICH KEEPS THINGS AMUSING.

13. HALFBAKED HENRY 00:02:30 HENRY'S A GOOD GUY BUT DON'T YOU THINK HE ALWAYS LAUGHS A BIT TOO LOUD? HEARTFELT VIOLIN MELODY OVER LIGHT DRUMS, PERCUSSION, PIANO AND BASS AND SOME LOUD HEARTY LAUGHS.

14. HALFBAKED HENRY UNDERSCORE 00:02:19 HENRY'S A GOOD GUY BUT DON'T YOU THINK HE ALWAYS LAUGHS A BIT TOO LOUD? PIZZICATO STRINGS MELODY, PIANO AND BASS AND SOME LOUD HEARTY LAUGHS.

15. HALFBAKED HENRY ALTERNATE NO SILLY 00:02:30 HENRY'S A GOOD GUY BUT DON'T YOU THINK HE ALWAYS LAUGHS A BIT TOO LOUD? HEARTFELT VIOLIN MELODY OVER LIGHT DRUMS, PERCUSSION, PIANO AND BASS AND SOME LOUD HEARTY LAUGHS.

16. HALFBAKED HENRY ALTERNATE NO SILLY UNDERSCORE 00:02:19 HENRY'S A GOOD GUY BUT DON'T YOU THINK HE ALWAYS LAUGHS A BIT TOO LOUD? PIZZICATO STRINGS MELODY, PIANO AND BASS AND SOME LOUD HEARTY LAUGHS.

17. TRICK OR TANGO 00:02:00 I AM THE KING OF TANGO. MY FLAMBOYANT COSTUMES AND DRAMATIC DANCE MOVES ARE A THRILLING EXPERIENCE FOR ALL THOSE LUCKY ENOUGH TO SEE ME IN ACTION. PASSIONATE ACOUSTIC GUITAR AND ACCORDIAN LEADS INTERPLAY HERE, TO CREATE FUNNY BUT COMMANDING SILLINESS. DRUMS, BASS AND CLAPS TOO. AND AN ENTHUSIASTIC CROWD SHOUTS OLÉ!

18. TRICK OR TANGO UNDERSCORE 00:01:49 I AM THE KING OF TANGO. MY FLAMBOYANT COSTUMES AND DRAMATIC DANCE MOVES ARE A THRILLING EXPERIENCE FOR ALL THOSE LUCKY ENOUGH TO SEE ME IN ACTION. PASSIONATE ACOUSTIC GUITAR AND ACCORDIAN LEADS INTERPLAY HERE, TO CREATE FUNNY BUT COMMANDING SILLINESS. BASS, CLAPS AND AN ENTHUSIASTIC CROWD SHOUTS OLÉ!

19. TRICK OR TANGO ALTERNATE NO SILLY 00:02:00 I AM THE KING OF TANGO. MY FLAMBOYANT COSTUMES AND DRAMATIC DANCE MOVES ARE A THRILLING EXPERIENCE FOR ALL THOSE LUCKY ENOUGH TO SEE ME IN ACTION. PASSIONATE ACOUSTIC GUITAR AND ACCORDIAN LEADS INTERPLAY HERE, TO CREATE FUNNY BUT COMMANDING SILLINESS. DRUMS, BASS AND CLAPS TOO.

20. TRICK OR TANGO ALTERNATE NO SILLY UNDERSCORE 00:01:49 I AM THE KING OF TANGO. MY FLAMBOYANT COSTUMES AND DRAMATIC DANCE MOVES ARE A THRILLING EXPERIENCE FOR ALL THOSE LUCKY ENOUGH TO SEE ME IN ACTION. PASSIONATE ACOUSTIC GUITAR AND ACCORDIAN LEADS INTERPLAY HERE, TO CREATE FUNNY BUT COMMANDING SILLINESS. BASS AND CLAPS TOO.

21. DU DUMMKOPF DU 00:02:00 NOT THE SHARPEST TOOL IN THE SHED? OR JUST A BIT UNLUCKY AT THINKING? NO MATTER. AS LONG AS OUR DUMMKOPF IS LOVEABLE AND HIS HEART IS IN THE RIGHT PLACE, THAT'S ALL THAT MATTERS TO US. STRINGS LEAD THIS WHIMSICAL WALTZ, WITH COMEDIC PERCUSSION, PIANO, DRUMS AND BASS TO ENSURE MAXIMUM SILLINESS.

22. DU DUMMKOPF DU UNDERSCORE 00:02:00 NOT THE SHARPEST TOOL IN THE SHED? OR JUST A BIT UNLUCKY AT THINKING? NO MATTER. AS LONG AS OUR DUMMKOPF IS LOVEABLE AND HIS HEART IS IN THE RIGHT PLACE, THAT'S ALL THAT MATTERS TO US. PIANO LEADS THIS WHIMSICAL WALTZ, WITH PIZZICATO STRINGS, COMEDIC PERCUSSION AND BASS TO ENSURE MAXIMUM SILLINESS.

23. DU DUMMKOPF DU ALTERNATE NO SILLY 00:02:00 NOT THE SHARPEST TOOL IN THE SHED? OR JUST A BIT UNLUCKY AT THINKING? NO MATTER. AS LONG AS OUR DUMMKOPF IS LOVEABLE AND HIS HEART IS IN THE RIGHT PLACE, THAT'S ALL THAT MATTERS TO US. STRINGS LEAD THIS WHIMSICAL WALTZ, WITH COMEDIC PERCUSSION, PIANO, DRUMS AND BASS.

24. DU DUMMKOPF DU ALTERNATE NO SILLY UNDERSCORE 00:02:00 NOT THE SHARPEST TOOL IN THE SHED? OR JUST A BIT UNLUCKY AT THINKING? NO MATTER. AS LONG AS OUR DUMMKOPF IS LOVEABLE AND HIS HEART IS IN THE RIGHT PLACE, THAT'S ALL THAT MATTERS TO US. PIANO LEADS THIS WHIMSICAL WALTZ, WITH PIZZICATO STRINGS AND BASS.

25. SLOWPOKE SAM 00:02:44 WHY THE HURRY? SAM'S IN NO RUSH. WE GET THERE WHEN WE GET THERE IS HIS MOTTO IN LIFE. VIOLIN LEADS THE DRUMS, BASS AND ACOUSTIC GUITARS, WITH THE OCCASIONAL NEIGH AND CLIP-CLOPS FROM A HORSE.

26. SLOWPOKE SAM UNDERSCORE 00:02:44 WHY THE HURRY? SAM'S IN NO RUSH. WE GET THERE WHEN WE GET THERE IS HIS MOTTO IN LIFE. BASS CLARINET, VIBES AND CASTAGNETTES LEAD THE WAY, WITH THE OCCASIONAL NEIGH AND CLIP-CLOPS FROM A HORSE.

27. SLOWPOKE SAM ALTERNATE NO SILLY 00:02:44 WHY THE HURRY? SAM'S IN NO RUSH. WE GET THERE WHEN WE GET THERE IS HIS MOTTO IN LIFE. VIOLIN LEADS THE DRUMS, BASS AND ACOUSTIC GUITARS.

28. SLOWPOKE SAM ALTERNATE NO SILLY UNDERSCORE 00:02:44 WHY THE HURRY? SAM'S IN NO RUSH. WE GET THERE WHEN WE GET THERE IS HIS MOTTO IN LIFE. BASS CLARINET, E-PIANO AND VIBES LEAD THE WAY.

29. SPAGHETTI SAUCE 00:01:41 WHAT'S THIS? SPAGHETTI SAUCE SPICED WITH SILLY? THAT'S RIGHT! THIS ISN'T YOUR REGULAR SPAGHETTI SAUCE - NO WAY! IT LOVES TO NOODLE AROUND, TWIRLING AND TWISTING AND GETTING ALL OVER THE PLACE TO MAKE PEOPLE LAUGH. THIS IS ALMOST AN ITALIAN THEMED OOM-PAH, WITH DULCIMER, BALALAIKA AND ACOUSTIC GUITAR LEAD MELODIES AND SOME PIANO, DRUMS AND BRASS FOR GOOD MEASURE.

30. SPAGHETTI SAUCE UNDERSCORE 00:01:40 WHAT'S THIS? SPAGHETTI SAUCE SPICED WITH SILLY? THAT'S RIGHT! THIS ISN'T YOUR REGULAR SPAGHETTI SAUCE - NO WAY! IT LOVES TO NOODLE AROUND, TWIRLING AND TWISTING AND GETTING ALL OVER THE PLACE TO MAKE PEOPLE LAUGH. THIS IS ALMOST AN ITALIAN THEMED OOM-PAH, WITH DULCIMER, BALALAIKA AND ACOUSTIC GUITAR LEAD MELODIES AND BRASS FOR GOOD MEASURE.

31. SPAGHETTI SAUCE ALTERNATE NO SILLY 00:01:41 WHAT'S THIS? SPAGHETTI SAUCE SPICED WITH SILLY? THAT'S RIGHT! THIS ISN'T YOUR REGULAR SPAGHETTI SAUCE - NO WAY! IT LOVES TO NOODLE AROUND, TWIRLING AND TWISTING AND GETTING ALL OVER THE PLACE TO MAKE PEOPLE LAUGH. THIS IS ALMOST AN ITALIAN THEMED OOM-PAH, WITH DULCIMER, BALALAIKA AND ACOUSTIC GUITAR LEAD MELODIES AND SOME PIANO, DRUMS AND BRASS FOR GOOD MEASURE.

32. SPAGHETTI SAUCE ALTERNATE NO SILLY UNDERSCORE 00:01:40 WHAT'S THIS? SPAGHETTI SAUCE SPICED WITH SILLY? THAT'S RIGHT! THIS ISN'T YOUR REGULAR SPAGHETTI SAUCE - NO WAY! IT LOVES TO NOODLE AROUND, TWIRLING AND TWISTING AND GETTING ALL OVER THE PLACE TO MAKE PEOPLE LAUGH. THIS IS ALMOST AN ITALIAN THEMED OOM-PAH, WITH DULCIMER, BALALAIKA AND ACOUSTIC GUITAR LEAD MELODIES AND BRASS FOR GOOD MEASURE.

33. THE QUACK CREW 00:01:43 DONALD IS STILL HAVING A REAL HARD TIME KEEPING HIS BALANCE WADDLING AROUND ON THE GROUND. THOSE DARN WEBBED FEET MAKE HIM LOOK PRETTY SILLY, BUT WHEN HE'S ON THE LAKE, HE LOOKS REALLY GREAT. DUCK AND COVER WITH FUNNY WAH BRASS AND PIZZICATO STRINGS LEADING THE WAY, OVER LIGHT SNARE DRUMS, BRASS, WONDROUS STRINGS AND CUTE GLOCK.

34. THE QUACK CREW UNDERSCORE 00:01:43 DONALD IS STILL HAVING A REAL HARD TIME KEEPING HIS BALANCE WADDLING AROUND ON THE GROUND. THOSE DARN WEBBED FEET MAKE HIM LOOK PRETTY SILLY, BUT WHEN HE'S ON THE LAKE, HE LOOKS REALLY GREAT. DUCK AND COVER WITH PIZZICATO STRINGS LEADING THE WAY, OVER WONDROUS STRINGS AND CUTE GLOCK.

35. THE QUACK CREW ALTERNATE NO SILLY 00:01:43 DONALD IS STILL HAVING A REAL HARD TIME KEEPING HIS BALANCE WADDLING AROUND ON THE GROUND. THOSE DARN WEBBED FEET MAKE HIM LOOK PRETTY SILLY, BUT WHEN HE'S ON THE LAKE, HE LOOKS REALLY GREAT. DUCK AND COVER WITH FUNNY WAH BRASS AND PIZZICATO STRINGS LEADING THE WAY, OVER LIGHT SNARE DRUMS, BRASS, WONDROUS STRINGS AND CUTE GLOCK.

36. THE QUACK CREW ALTERNATE NO SILLY UNDERSCORE 00:01:43 DONALD IS STILL HAVING A REAL HARD TIME KEEPING HIS BALANCE WADDLING AROUND ON THE GROUND. THOSE DARN WEBBED FEET MAKE HIM LOOK PRETTY SILLY, BUT WHEN HE'S ON THE LAKE, HE LOOKS REALLY GREAT. DUCK AND COVER WITH PIZZICATO STRINGS LEADING THE WAY, OVER WONDROUS STRINGS AND CUTE GLOCK.

37. CLUMSY KITTY 00:01:40 IN A WORLD OF CHAOS AND IMPERFECT MOMENTS, OUR CLUMSY KITTY WHISKERS WILL DO SOMETHING SILLY TO MAKE EVERYONE LAUGH. THERE'S ALWAYS SOME ROOM FOR LIGHTHEARTED FUN. LIGHT SNARE ROLLS, PIZZICATO STRINGS WITH CHIMES AND CLARINET PROPEL THIS WHIMSICAL TRACK TO A SILLY PLACE QUICKLY.

38. CLUMSY KITTY UNDERSCORE 00:01:31 IN A WORLD OF CHAOS AND IMPERFECT MOMENTS, OUR CLUMSY KITTY WHISKERS WILL DO SOMETHING SILLY TO MAKE EVERYONE LAUGH. THERE'S ALWAYS SOME ROOM FOR LIGHTHEARTED FUN. CLARINET LEAD MELODY WITH BASS AND CHIMES PROPEL THIS WHIMSICAL TRACK TO A SILLY PLACE QUICKLY.

39. CLUMSY KITTY ALTERNATE NO SILLY 00:01:38 IN A WORLD OF CHAOS AND IMPERFECT MOMENTS, OUR CLUMSY KITTY WHISKERS WILL DO SOMETHING SILLY TO MAKE EVERYONE LAUGH. THERE'S ALWAYS SOME ROOM FOR LIGHTHEARTED FUN. LIGHT SNARE ROLLS, PIZZICATO STRINGS WITH CHIMES AND CLARINET PROPEL THIS WHIMSICAL TRACK TO A SILLY PLACE QUICKLY.

40. CLUMSY KITTY ALTERNATE NO SILLY UNDERSCORE 00:01:31 IN A WORLD OF CHAOS AND IMPERFECT MOMENTS, OUR CLUMSY KITTY WHISKERS WILL DO SOMETHING SILLY TO MAKE EVERYONE LAUGH. THERE'S ALWAYS SOME ROOM FOR LIGHTHEARTED FUN. CLARINET LEAD MELODY WITH BASS AND CHIMES PROPEL THIS WHIMSICAL TRACK TO A SILLY PLACE QUICKLY.

41. KOOKY KIDS 00:02:21 THE KOOKY KIDS ON MY BLOCK HAVE ENDLESS AMOUNTS OF ENERGY AND ENTHUSIASM. SKIPPING ALONG ON THEIR WAY THROUGH LIFE, THEIR GIGGLES ARE INFECTIOUS, AND THEY SEEM TO FIND GREAT AMOUNTS OF JOY IN THE SIMPLEST OF THINGS. PIZZICATO STRINGS TAKE THE MELODY OVER AN ACOUSTIC GUITAR AND SOMETIMES A GROUP OF KIDS SHOUT YAY! AMONGST THE SILLINESS.

42. KOOKY KIDS UNDERSCORE 00:02:21 THE KOOKY KIDS ON MY BLOCK HAVE ENDLESS AMOUNTS OF ENERGY AND ENTHUSIASM. SKIPPING ALONG ON THEIR WAY THROUGH LIFE, THEIR GIGGLES ARE INFECTIOUS, AND THEY SEEM TO FIND GREAT AMOUNTS OF JOY IN THE SIMPLEST OF THINGS. AN ACOUSTIC GUITAR TAKES THE MELODY OVER BASS, PIZZICATO STRINGS AND MARIMBA AND SOMETIMES A GROUP OF KIDS SHOUT YAY! AMONGST THE SILLINESS.

43. KOOKY KIDS ALTERNATE NO SILLY 00:02:21 THE KOOKY KIDS ON MY BLOCK HAVE ENDLESS AMOUNTS OF ENERGY AND ENTHUSIASM. SKIPPING ALONG ON THEIR WAY THROUGH LIFE, THEIR GIGGLES ARE INFECTIOUS, AND THEY SEEM TO FIND GREAT AMOUNTS OF JOY IN THE SIMPLEST OF THINGS. PIZZICATO STRINGS TAKE THE MELODY OVER AN ACOUSTIC GUITAR AND MARIMBA.

44. KOOKY KIDS ALTERNATE NO SILLY UNDERSCORE 00:02:21 THE KOOKY KIDS ON MY BLOCK HAVE ENDLESS AMOUNTS OF ENERGY AND ENTHUSIASM. SKIPPING ALONG ON THEIR WAY THROUGH LIFE, THEIR GIGGLES ARE INFECTIOUS, AND THEY SEEM TO FIND GREAT AMOUNTS OF JOY IN THE SIMPLEST OF THINGS. AN ACOUSTIC GUITAR TAKES THE MELODY OVER BASS, PIZZICATO STRINGS AND MARIMBA.

45. SUGARCOATED NUTS 00:02:19 IF YOU'RE A NUT ON THE INSIDE WITH SUGAR COATING ON THE OUTSIDE, YOU'RE STILL A NUT. SIMPLE AS THAT. AN EASY GOING CLARINET MELODY RIDES THE ACOUSTIC BASS, PIANO, GUITARS AND DRUMS HERE, INTERSPERSED WITH FUNNY PERCUSSION.

46. SUGARCOATED NUTS UNDERSCORE 00:02:19 IF YOU'RE A NUT ON THE INSIDE WITH SUGAR COATING ON THE OUTSIDE, YOU'RE STILL A NUT. SIMPLE AS THAT. AN EASY GOING GUITAR MELODY RIDES THE ACOUSTIC BASS AND DRUMS.

47. SUGARCOATED NUTS ALTERNATE NO SILLY 00:02:19 IF YOU'RE A NUT ON THE INSIDE WITH SUGAR COATING ON THE OUTSIDE, YOU'RE STILL A NUT. SIMPLE AS THAT. AN EASY GOING CLARINET MELODY RIDES THE ACOUSTIC BASS, PIANO, GUITARS AND DRUMS HERE, INTERSPERSED WITH FUNNY PERCUSSION.

48. SUGARCOATED NUTS ALTERNATE NO SILLY UNDERSCORE 00:02:19 IF YOU'RE A NUT ON THE INSIDE WITH SUGAR COATING ON THE OUTSIDE, YOU'RE STILL A NUT. SIMPLE AS THAT. AN EASY GOING GUITAR MELODY RIDES THE ACOUSTIC BASS AND DRUMS.

49. KLAUS THE KLUTZ 00:02:12 DESPITE CONSTANTLY FINDING HIMSELF IN KLUTZY PREDICAMENTS, SUCH AS TRIPPING OVER HIS OWN FEET, BUMPING INTO FURNITURE, OR KNOCKING OVER OBJECTS IN HIS PATH, KLAUS STILL WON'T WEAR HIS GLASSES. HE'S SO VERY VAIN. SAXOPHONE AND CELLO ON LEAD MELODY DUTIES, UNDERPINNED WITH MALLETS, PIANO AND MINIMAL PERCUSSION ALL IN 3/4 TIME.

50. KLAUS THE KLUTZ UNDERSCORE 00:02:12 DESPITE CONSTANTLY FINDING HIMSELF IN KLUTZY PREDICAMENTS, SUCH AS TRIPPING OVER HIS OWN FEET, BUMPING INTO FURNITURE, OR KNOCKING OVER OBJECTS IN HIS PATH, KLAUS STILL WON'T WEAR HIS GLASSES. HE'S SO VERY VAIN. SAXOPHONE ON LEAD MELODY, UNDERPINNED WITH MALLETS, CELLO AND MINIMAL PERCUSSION ALL IN 3/4 TIME.

51. KLAUS THE KLUTZ ALTERNATE NO SILLY 00:02:12 DESPITE CONSTANTLY FINDING HIMSELF IN KLUTZY PREDICAMENTS, SUCH AS TRIPPING OVER HIS OWN FEET, BUMPING INTO FURNITURE, OR KNOCKING OVER OBJECTS IN HIS PATH, KLAUS STILL WON'T WEAR HIS GLASSES. HE'S SO VERY VAIN. SAXOPHONE AND CELLO ON LEAD MELODY DUTIES, UNDERPINNED WITH MALLETS, PIANO AND MINIMAL PERCUSSION ALL IN 3/4 TIME.

52. KLAUS THE KLUTZ ALTERNATE NO SILLY UNDERSCORE 00:02:12 DESPITE CONSTANTLY FINDING HIMSELF IN KLUTZY PREDICAMENTS, SUCH AS TRIPPING OVER HIS OWN FEET, BUMPING INTO FURNITURE, OR KNOCKING OVER OBJECTS IN HIS PATH, KLAUS STILL WON'T WEAR HIS GLASSES. HE'S SO VERY VAIN. SAXOPHONE ON LEAD MELODY, UNDERPINNED WITH MALLETS, CELLO AND MINIMAL PERCUSSION ALL IN 3/4 TIME.

53. HOW DID I GET HOME 00:02:19 TIPSY TED IS OFTEN FORGETFUL, PARTICULARLY REGARDING THE EVENTS LEADING UP TO HIS CURRENT LOCATION. HE MIGHT AWAKEN IN HIS BED, SCRATCHING HIS HEAD AND WONDERING OUT LOUD: "HOW DID I GET HOME?" BOUNCY BRASS, PIZZICATO STRINGS AND PLAYFUL DRUMS KEEP THINGS ON THE STRAIGHT AND NARROW, WITH MISCHEVIOUS SAXOPHONE DOING MOST OF THE HEAVY LEAD LIFTING.

54. HOW DID I GET HOME UNDERSCORE 00:02:19 TIPSY TED IS OFTEN FORGETFUL, PARTICULARLY REGARDING THE EVENTS LEADING UP TO HIS CURRENT LOCATION. HE MIGHT AWAKEN IN HIS BED, SCRATCHING HIS HEAD AND WONDERING OUT LOUD: "HOW DID I GET HOME?" BOUNCY BRASS, ACOUSTIC GUITAR AND PIZZICATO STRINGS KEEP THINGS ON THE STRAIGHT AND NARROW.

55. HOW DID I GET HOME ALTERNATE NO SILLY 00:02:19 TIPSY TED IS OFTEN FORGETFUL, PARTICULARLY REGARDING THE EVENTS LEADING UP TO HIS CURRENT LOCATION. HE MIGHT AWAKEN IN HIS BED, SCRATCHING HIS HEAD AND WONDERING OUT LOUD: "HOW DID I GET HOME?" BOUNCY BRASS, PIZZICATO STRINGS AND PLAYFUL DRUMS KEEP THINGS ON THE STRAIGHT AND NARROW, WITH MISCHEVIOUS SAXOPHONE DOING MOST OF THE HEAVY LEAD LIFTING.

56. HOW DID I GET HOME ALTERNATE NO SILLY UNDERSCORE 00:02:19 TIPSY TED IS OFTEN FORGETFUL, PARTICULARLY REGARDING THE EVENTS LEADING UP TO HIS CURRENT LOCATION. HE MIGHT AWAKEN IN HIS BED, SCRATCHING HIS HEAD AND WONDERING OUT LOUD: "HOW DID I GET HOME?" BOUNCY BRASS, ACOUSTIC GUITAR AND PIZZICATO STRINGS KEEP THINGS ON THE STRAIGHT AND NARROW.

57. JOLLY JELLYFISH 00:01:16 THE JOLLY JELLYFISH DOESN'T NEED ANY ARMS OR LEGS TO EFFORTLESSLY GLIDE THROUGH THE WATER WITH GRACE AND GLEE. JUST WATCH OUT HE DOESN'T STING YOU SILLY. A PLAYFUL CELLO MELODY SITS ATOP ELECTRIC GUITAR STRUMS, DRUMS, BASS AND XYLOPHONE. TOWARDS THE END A CHEEKY WAH BRASS COUNTERMELODY JOINS.

58. JOLLY JELLYFISH UNDERSCORE 00:01:16 THE JOLLY JELLYFISH DOESN'T NEED ANY ARMS OR LEGS TO EFFORTLESSLY GLIDE THROUGH THE WATER WITH GRACE AND GLEE. JUST WATCH OUT HE DOESN'T STING YOU SILLY. A PLAYFUL PIANO MELODY SITS ATOP ELECTRIC GUITAR STRUMS. TOWARDS THE END A CHEEKY WAH BRASS COUNTERMELODY JOINS.

59. JOLLY JELLYFISH ALTERNATE NO SILLY 00:01:16 THE JOLLY JELLYFISH DOESN'T NEED ANY ARMS OR LEGS TO EFFORTLESSLY GLIDE THROUGH THE WATER WITH GRACE AND GLEE. JUST WATCH OUT HE DOESN'T STING YOU SILLY. A PLAYFUL CELLO MELODY SITS ATOP ELECTRIC GUITAR STRUMS, DRUMS, BASS AND XYLOPHONE. TOWARDS THE END A CHEEKY WAH BRASS COUNTERMELODY JOINS.

60. JOLLY JELLYFISH ALTERNATE NO SILLY UNDERSCORE 00:01:16 THE JOLLY JELLYFISH DOESN'T NEED ANY ARMS OR LEGS TO EFFORTLESSLY GLIDE THROUGH THE WATER WITH GRACE AND GLEE. JUST WATCH OUT HE DOESN'T STING YOU SILLY. A PLAYFUL PIANO MELODY SITS ATOP ELECTRIC GUITAR STRUMS. TOWARDS THE END A CHEEKY WAH BRASS COUNTERMELODY JOINS.

61. DOGS ON THE MOON 00:02:25 WHAT WOULD IT LOOK LIKE TO SEE DOGS CHASING A TENNIS BALL ON THE MOON WITHOUT MUCH GRAVITY? PRETTY FUNNY IF YOU ASK ME. IMAGINE A SAXOPHONE, A CELLO, AN ACOUSTIC GUITAR AND A PIANO ON THE MOON WITH SOME VERY SILLY CLIP-CLOPS FROM A HORSE AND YOU'RE PROBABLY NOT EVEN CLOSE.

62. DOGS ON THE MOON UNDERSCORE 00:02:25 WHAT WOULD IT LOOK LIKE TO SEE DOGS CHASING A TENNIS BALL ON THE MOON WITHOUT MUCH GRAVITY? PRETTY FUNNY IF YOU ASK ME. IMAGINE A CELLO AND A PIANO ON THE MOON WITH SOME VERY SILLY CLIP-CLOPS FROM A HORSE.

63. DOGS ON THE MOON ALTERNATE NO SILLY 00:02:26 WHAT WOULD IT LOOK LIKE TO SEE DOGS CHASING A TENNIS BALL ON THE MOON WITHOUT MUCH GRAVITY? PRETTY FUNNY IF YOU ASK ME. IMAGINE A SAXOPHONE, A CELLO, AN ACOUSTIC GUITAR AND A PIANO ON THE MOON.

64. DOGS ON THE MOON ALTERNATE NO SILLY UNDERSCORE 00:02:25 WHAT WOULD IT LOOK LIKE TO SEE DOGS CHASING A TENNIS BALL ON THE MOON WITHOUT MUCH GRAVITY? PRETTY FUNNY IF YOU ASK ME. IMAGINE A CELLO AND A PIANO ON THE MOON.

65. SMART ALEX 00:02:06 YOU THINK YOU'RE SUCH A KNOW-IT-ALL SMART ALEC. I AM NOT. I'M SMART ALEX AND I REALLY DO KNOW EVERYTHING. PIZZICATO AND MALLET MELODIES INTERWEAVE WITH MISCHIEVOUS PERCUSSION AND BRASS, WITH THE SILLINESS CRANKED UP TO ELEVEN OUT OF TEN.

66. SMART ALEX UNDERSCORE 00:02:06 YOU THINK YOU'RE SUCH A KNOW-IT-ALL SMART ALEC. I AM NOT. I'M SMART ALEX AND I REALLY DO KNOW EVERYTHING. MALLET MELODIES INTERWEAVE WITH MISCHEVIOUS BRASS, WITH THE SILLINESS CRANKED UP TO ELEVEN OUT OF TEN.

67. SMART ALEX ALTERNATE NO SILLY 00:02:06 YOU THINK YOU'RE SUCH A KNOW-IT-ALL SMART ALEC. I AM NOT. I'M SMART ALEX AND I REALLY DO KNOW EVERYTHING. PIZZICATO AND MALLET MELODIES INTERWEAVE WITH MISCHIEVOUS PERCUSSION AND BRASS.

68. SMART ALEX ALTERNATE NO SILLY UNDERSCORE 00:02:06 YOU THINK YOU'RE SUCH A KNOW-IT-ALL SMART ALEC. I AM NOT. I'M SMART ALEX AND I REALLY DO KNOW EVERYTHING. MALLET MELODIES INTERWEAVE WITH MISCHEVIOUS BRASS.

69. SO WEIRD 00:01:47 REMEMBER THE GUY IN HIGH SCHOOL WHO WAS ALWAYS A BIT OFF? THE FRIEND YOUR MOM DIDN'T WANT YOU TO HANG OUT WITH? THIS ONE IS FOR THAT GUY. WONDER WHATEVER BECAME OF HIM. PIZZICATO STRINGS LEAD AND AN UNWELCOME STRANGER WHISTLING, WITH A SMATTERING OF SPOOKY PERCUSSION SOUNDS AND A GOOD HELPING OF BASS. ITS SO WEIRD.

70. SO WEIRD UNDERSCORE 00:01:47 REMEMBER THE GUY IN HIGH SCHOOL WHO WAS ALWAYS A BIT OFF? THE FRIEND YOUR MOM DIDN'T WANT YOU TO HANG OUT WITH? THIS ONE IS FOR THAT GUY. WONDER WHATEVER BECAME OF HIM. PIZZICATO STRINGS LEAD AND AN UNWELCOME STRANGER WHISTLING, WITH A SMATTERING OF SPOOKY PERCUSSION SOUNDS. ITS SO WEIRD.

71. SO WEIRD ALTERNATE NO SILLY 00:01:46 REMEMBER THE GUY IN HIGH SCHOOL WHO WAS ALWAYS A BIT OFF? THE FRIEND YOUR MOM DIDN'T WANT YOU TO HANG OUT WITH? THIS ONE IS FOR THAT GUY. WONDER WHATEVER BECAME OF HIM. PIZZICATO STRINGS LEAD AND AN UNWELCOME STRANGER WHISTLING, WITH A SMATTERING OF SPOOKY PERCUSSION SOUNDS AND A GOOD HELPING OF BASS. ITS SO WEIRD.

72. SO WEIRD ALTERNATE NO SILLY UNDERSCORE 00:01:46 REMEMBER THE GUY IN HIGH SCHOOL WHO WAS ALWAYS A BIT OFF? THE FRIEND YOUR MOM DIDN'T WANT YOU TO HANG OUT WITH? THIS ONE IS FOR THAT GUY. WONDER WHATEVER BECAME OF HIM. PIZZICATO STRINGS LEAD AND AN UNWELCOME STRANGER WHISTLING, WITH A SMATTERING OF SPOOKY PERCUSSION SOUNDS. ITS SO WEIRD.