1. QUIET POWER 00:02:34 CLASSIC AMBIENT FILM SCORE WITH ELECTRONICA ELEMENTS, MINIMALISTIC ARPEGGIOS, AND A RELAXED, REFLECTIVE VIBE, IDEAL FOR SPACE SCIENCE DRAMA.

2. LIGHT STEPS 00:02:24 A CONTEMPORARY CLASSICAL FILM SCORE WITH BRIGHT ACOUSTIC ELEMENTS, ARPEGGIOS, STACCATO DIALOG, AND A HOPEFUL, UPLIFTING TONE, IDEAL FOR SCIENCE-THEMED KIDS' CONTENT.

3. BEAUTY FOUND 00:02:34 A FILM SCORE FUSING ELECTRONICA WITH MINIMALISM, FEATURING BOUNCING ARPEGGIOS AND DIALOG LOOPS TO EVOKE AN OPTIMISTIC AND WARM AMBIANCE, SUITABLE FOR CORPORATE, TECHNOLOGY, AND SCIENCE CONTEXTS.

4. THE SMALL THINGS 00:02:29 A CONTEMPLATIVE FILM SCORE COMBINING CONTEMPORARY CLASSICAL AND ATMOSPHERIC ELEMENTS WITH FLOWING ARPEGGIOS, SERENE THEMES, AND A REFLECTIVE, QUIET AMBIANCE, IDEAL FOR MOMENTS OF HUMAN DRAMA AND BEAUTY.

5. ONCE MORE 00:02:15 A SIMPLE AND JOYFUL FILM SCORE FEATURING BOUNCING ARPEGGIOS AND CHORDS, EXUDING OPTIMISM AND CAREFREE SPIRIT, MAKING IT AN IDEAL ACCOMPANIMENT FOR SCENES SHOWCASING THE BEAUTY OF ECOLOGY AND TECHNOLOGY.

6. MORNING MISTS 00:02:03 A CLASSIC AMBIENT FILM SCORE WITH A COOL, LAIDBACK FEEL, SOFT PULSING ARPEGGIOS AND CHORDS, IDEAL FOR UNDERSCORING THE RELAXED REFLECTION OF EVERYDAY LIFE AT DAWN IN SPRING.

7. REGAL TIMES 00:02:47 A MINIMALISTIC ELECTRONICA FILM SCORE WITH GENTLE PLUCKING CHORDS AND SUBTLE COMPUTER SFX, CREATING A WARM AND QUIET AMBIANCE, IDEAL FOR CORPORATE, TECHNOLOGY, AND SCIENCE THEMES.

8. IN THE CUT 00:02:24 A CHILL-OUT FILM SCORE WITH ATMOSPHERIC, ETHEREAL VIBES, FEATURING FLOATING ARPEGGIOS AND AN OPTIMISTIC WARMTH THAT CAPTURES THE BEAUTY OF SCIENCE AND TECHNOLOGY IN A RELAXED ATMOSPHERE.

9. EASTERN SHIFT 00:03:00 CLASSIC AMBIENT FILM SCORE WITH ETHEREAL ASIAN INFLUENCES, FLOWING CHORDS, AND REVERBERATING LOOPS, IDEAL FOR UNDERSCORING REFLECTIVE MOMENTS IN HUMAN DRAMA AND SCIENCE NARRATIVES.

10. ALIVE AGAIN 00:02:24 A CLASSIC AMBIENT FILM SCORE WITH ETHEREAL ARPEGGIOS AND CHORDS, DELIVERING AN INSPIRATIONAL AND UPLIFTING VIBE, PERFECT FOR THEMES OF SCIENCE, BEAUTY, AND TECHNOLOGY.