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TMS126
THE MUSIC SUPERVISORS THE MUSIC SUPERVISORS Modern Middle East UnderscoresAn album full of modern electronic sounds intertwined with traditional authentic middle east / arabic instrumentation. Ideal for any backdrop to the middle east. Perfect for drama and documentary usage. Lot's of stripped back variation in the alternative versions and stems are available. |
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11. SHIFTING SHADOWS 00:01:53 (DRONE & PADS)
12. SHIFTING SHADOWS 00:01:54 (DUDUK & OUD)
13. SHIFTING SHADOWS 00:01:53 (DUDUK; DRONE & PADS)
14. SHIFTING SHADOWS 00:01:54 (NO BEATS)
15. SHIFTING SHADOWS 00:01:53 (SOLO DUDUK)
16. SHIFTING SHADOWS 00:01:54 (SOLO OUD)
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17. BUILDING UNCERTAINTY 00:01:56 (DRUMS ONLY)
18. BUILDING UNCERTAINTY 00:02:12 (E GUITAR & OUD)
19. BUILDING UNCERTAINTY 00:02:12 (GUITAR & PADS)
20. BUILDING UNCERTAINTY 00:02:12 (NO GUITAR)
21. BUILDING UNCERTAINTY 00:02:12 (OUD & PADS)
22. BUILDING UNCERTAINTY 00:02:12 (SOLO OUD)
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3. HMM REALLY 00:02:10 PERCUSSION FOREBODES AND OUD PLUCKS OUT A SIMPLE MELODY. PADS SWIRL AND ELECTRONICA FIZZES FROM 40 SECS. INTRIGUING FEEL. LOTS OF STRIPPED BACK VERSIONS AVAILABLE.
23. HMM REALLY 00:02:06 (GUITAR ONLY)
24. HMM REALLY 00:02:10 (NO PERC)
25. HMM REALLY 00:02:10 (OUD & GUITAR)
26. HMM REALLY 00:02:10 (PADS ONLY)
27. HMM REALLY 00:02:10 (PERC & OUD)
28. HMM REALLY 00:02:10 (PERC ONLY)
29. HMM REALLY 00:02:10 (PERC; OUD & GUITAR)
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4. THE PATH AHEAD 00:02:09 SOMBRE PADS CREATE AN EXPANSIVE AMBIENCE AND AN OUD CREATES A JOURNEYMAN MELODY. A PIECE WITH A FEEL OF TRAVEL ABOUT IT. LOTS OF STRIPPED BACK VERSIONS AVAILABLE.
30. THE PATH AHEAD 00:02:09 (DARABUKA & SHAKUHACHI)
31. THE PATH AHEAD 00:02:09 (NO PERC)
32. THE PATH AHEAD 00:01:01 (OUD & PERC)
33. THE PATH AHEAD 00:02:08 (PADS & SHAKUHACHI)
34. THE PATH AHEAD 00:01:52 (PERC ONLY)
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35. APPROACHING 00:02:37 (DUDUK & SUB BASS)
36. APPROACHING 00:02:44 (SOLO OUD)
37. APPROACHING 00:02:44 (NO BEATS)
38. APPROACHING 00:02:44 (OUD & BEATS)
39. APPROACHING 00:02:44 (NO OUD)
40. APPROACHING 00:02:02 (SUB BASS & BEATS)
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41. SEARCHING FOR HOME 00:02:58 (BEATS & BASS)
42. SEARCHING FOR HOME 00:02:52 (NO BEATS)
43. SEARCHING FOR HOME 00:02:40 (PADS & DUDUK)
44. SEARCHING FOR HOME 00:02:34 (PIANO & DUDUK)
45. SEARCHING FOR HOME 00:02:35 (PIANO; GUITAR & DUDUK)
46. SEARCHING FOR HOME 00:02:58 (SOFT VOCAL)
47. SEARCHING FOR HOME 00:02:40 (PADS & VOCAL)
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7. DAWN LIGHT 00:02:09 MENACING PIANO NOTES AND METALIC PERCUSSION. WEIRD SYNTHS AT 38 SECS. CONSTANT PERCUSSION CREATES TENSION. LOTS OF STRIPPED BACK VERSIONS AVAILABLE.
48. DAWN LIGHT 00:02:07 (DUDUK & BEATS)
49. DAWN LIGHT 00:02:09 (NO BEATS)
50. DAWN LIGHT 00:02:09 (NO SYNTHS)
51. DAWN LIGHT 00:01:20 (REVERSE DRONE)
52. DAWN LIGHT 00:01:48 (SOLO DUDUK)
53. DAWN LIGHT 00:02:09 (SOLO OUD)
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54. WARM SUN 00:02:02 (NO PERCUSSION)
55. WARM SUN 00:02:02 (SKINNY MIX)
56. WARM SUN 00:02:02 (SOLO OUD)
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9. FINDING POWER 00:02:13 AN AUTHENTIC OUD AND ELECTRONICA CREATE AN APREHENSIVE ATMOSPHERE. HEAVY PERCUSSION AT 40 SECS. LOTS OF STRIPPED BACK VERSIONS AVAILABLE.
57. FINDING POWER 00:02:13 (GUITAR & PERC)
58. FINDING POWER 00:02:13 (LIGHT TENSION)
59. FINDING POWER 00:02:13 (NO PERC)
60. FINDING POWER 00:01:39 (PERC ONLY)
61. FINDING POWER 00:02:13 (SOLO GUITAR)
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10. THE PROMISE 00:02:16 A DRY TURKISH OUD PLUCKS A SIMPLE MELODY. DEEP PADS AND AUTHENTIC PERCUSSION FOLLOW. AN OPTIMISTIC VIBE. LOTS OF STRIPPED BACK VERSIONS AVAILABLE.
62. THE PROMISE 00:02:11 (NO OUD)
63. THE PROMISE 00:02:16 (OUD & PADS)
64. THE PROMISE 00:02:11 (PADS ONLY)
65. THE PROMISE 00:01:51 (PERC ONLY)
66. THE PROMISE 00:02:10 (SHAKUHACHI ONLY)