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JUST 055
MYMA JUSTEMENT MUSIC Quiet Places“Acoustic” music and “the idea of calm” were the only guidelines given to the composers of this album who were free to play on an unlimited range of influences - jazz, soul, blues, ambient, electro... The result is a collection displaying high artistic co |
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1. OFF SILENCE 00:03:03 JOURNEY INTO SPACE, SILENCE AND MINIMALISM, SUBTLE JAZZ ECHOES, FLUTE, SAX, DOUBLE BASS, INDULGENCE OF THE SENSES.
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2. LAZY OASIS 00:03:01 BLUESY HARMONICA, INSPIRED AND SOLITARY, RADIANT AND FLOURISHING SCENE SET BY ETHNIC PERCUSSION, ACOUSTIC GUITARS.
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3. ACOUSTIC FOR EARS 00:03:40 CHILL OUT, JAZZ AND SOUL INFLUENCES, ACOUSTIC GUITAR, HEARTY RHODES TAKING TO THE AIR, DOWNTEMPO BASS AND DRUMS.
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4. NOT SO QUIET 00:03:40 CLOUDY AMBIENT, PERSONAL, CHILLY, PLAYFUL, POSITIVE, GAMELAN, PADS, ORIGINAL SONIC BACKDROP GIVEN A BOOST BY VAGABOND DRUM PATTERNS.
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5. PLAY PAUSE 00:03:16 SOLITARY AND THOUGHTFUL DUDUK PLAYED AT A SLOW PACE, GENTLE SUSPENDED ORGAN NOTES, DEPTH AND SCINTILLATING EFFECTS.
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6. COMA 00:04:48 HYPNOTIC DUDUK REPEATED TO INFINITY AGAINST A MINIMALIST PIANO, A MEDITATIVE AND ALL-ENCOMPASSING TRIP.
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7. BREAK IT DOWN 00:02:58 NO FRILLS DOWNTEMPO ACOUSTIC PIECE, DECONSTRUCTED IN PARTS, JAZZY PIANO, TRIPPY MALE VOCAL, CAPTIVATING,.
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8. MY COOLEST THING 00:02:26 LAID-BACK JAZZ FUSION, BOOSTED BY 2 JUNGLE RHYTHM SECTIONS, BACKGROUND RHODES AND WARM ELECTRIC BASS.
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9. SOUND KILLER 00:04:03 ATMOSPHERIC GROOVE, FENDER RHODES, LARGE RANGE OF SOUNDS, SPACEY, LIVE DRUMMING BRINGS ENERGY AND BITE.
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10. HEADZ ON JAZ 00:03:39 UNCLASSIFIABLE JAZZ FUSION, SPACEY AND SQUELCHY SYNTHS, PIANO TRAVELLING THROUGH SPACE, SHIFTING RHYTHMS, ENERGIZED HOUSEY BEATS.
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11. SOUL ELEVATOR 00:04:05 CHILLED ACOUSTIC SOUL, HAMMOND ORGAN, NYLON GUITAR, OLD SCHOOL BASS, SPACEY RHODES, LIVE DONWTEMPO DRUMMING.
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12. COTTONY 00:04:00 DREAM-LIKE AND ETHNO-JAZZY AMBIENT, CLOUDY, TRIPPY, ENVELOPING, SPACEY ELECTRO PADS, GAMELANS, WISPY DRUMMING.
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13. EMPTY PICTURES 00:03:04 DREAM-LIKE JAZZ STRIPPED OF ALL SUPERFLUOUS ELEMENTS, DEEP AND SENSUAL SAXOPHONE, VIOLINS, AIRBORNE DOUBLE BASS AND DRUMS.
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14. THE SMOKER 00:02:40 NOCTURNAL AND BLUESY JAZZ, CALM, STREAMLINED, SOLITARY AND MOODY, MUTED TRUMPET, SOFT RHODES, DOUBLE BASS AND LIGHT DRUMMING.
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15. OUR PRIVACY 00:03:02 PERSONAL AND MELANCHOLIC JAZZ DRUMMING ARRANGED AROUND A PIANO AND CLARINET, AMPLE SPACE GIVEN UP TO SILENCE.
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16. THE FOGGY DAY 00:03:12 ENIGMATIC JAZZ, WANDERING AND SUBDUED, PERPETUALLY SUSPENDED PIANO WITH ADDED ECHO, GORGEOUS SOLO AT 1''40.
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17. AFTER ALL 00:03:15 SMART AND INTROSPECTIVE SETTING, JAZZY EMBROIDERY, VIBRAPHONE, DOUBLE BASS, SET AGAINST THE PEACEFUL RHYTHM OF DRUMS.
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18. WITH BREEZE 00:03:12 A RELAXING MOOD, WISPY AND SLIGHTLY DREAMY ATMOSPHERE GIVEN OFF BY THIS JAZZY COMPOSITION WHICH IS ''EASY ON THE LISTENER''.
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19. WANDERING 00:03:24 ATYPICAL COMPOSITION WITH A SURPRISING AND DREAM-LIKE SOUND, BITTERSWEET ATMOSPHERE CREATED BY AN UNDULATING ORGAN AND ELECTRIC KEYS.
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20. FOR DAD 00:03:31 LITTLE OLD SCHOOL KILLER, FOREVER YOUNG, SOUL, OVER-BOOSTED HAMMOND ORGAN, STYLISH AND FUNKY WA-WA GUITAR.
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21. DEJA VU 00:04:08 ECCENTRIC CENTRAL THEME PLAYED ON VIOLINS ALTERNATING WITH NAUSEOUS AND JAZZY IMPROVS ON THE RHODES, SET AGAINST NO FRILLS BINARY DRUMMING.
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22. SUN ON MY BONES 00:03:39 ROAD BLUES, ROOTSY AND DESERTED, ACOUSTIC BOTTLENECK GUITAR, TAPPING AND PINCHING, DIATONIC HARMONIC, DEEP ELECTRO PERCUSSION.