1. BODY LANGUAGE 00:01:53 QUIRKY TANGO IN 4/4. BODY PERCUSSION, BOWED TANGO BASS, AND DIFFERENT MALLET INTRUMENTS SHARING THE MELODY IN A LIGHT AND PLAYFUL WAY.

2. BODY PLUS ELECTRONICA 00:01:53 QUIRKY TANGO IN 4/4. ALTERNATE VERSION OF BODY LANGUAGE WITH ADDED ELECTRONICA, BODY PERCUSSION, BOWED TANGO BASS, AND DIFFERENT MALLET INTRUMENTS SHARING THE MELODY IN A LIGHT AND PLAYFUL WAY.

3. EL ULTIMO RANQUEL A 00:02:39 SLOW 5/4 VIDALA LATIN RHYTHM WITH RONROCO AND CHARANGOS; SPARSE STRING BACKGROUND AND EMOTIONAL CELLO THEME.

5. EL REGRESO DEL ULTIMO RANQUEL 00:02:39 5/4 VIDALA LATIN RHYTHM WITH SPARSE CHARANGO CHORDS, SYNTHS AND ARPEGGIATORS.

6. RUTA 8 00:01:42 3/4 CHACARERA WITH TRADITIONAL PERCUSSION, PIANO, STRING SECTION, ACCORDINA, UKULELE, ACOUSTIC GUITAR.

7. GAUCHO BOULEVARD A 00:03:25 WESTERN SPAGHETTI-TINGED TANGO SPOOF. QUIRKY GAUCHO ROAD MOVIE WITH BODY PERCUSSION, ELECTRIC GUITAR, BOWED UPRIGHT BASS AND BANDONEON.

9. LOS REARTES 00:02:58 EMOTIONAL HARMONIUM MELODY WITH SPANISH GUITAR OVER SLOW VIDALA RHYTHM IN 5/4 TIME.

10. EL EVANGELIO DEL TOBA A 00:02:08 4/4 HUAYNO LATIN RHYTHM FROM NORTH ARGENTINA AND BOLIVIA FEATURING CHARANGOS AND SPANISH GUITAR WITH BOMBO AND PERCUSSION.

12. EL OTRO EVANGELIO DEL TOBA 00:02:09 ALTERNATE ELECTRO-ACOUSTIC VERSION OF EL EVANGELIO DEL TOBA. 4/4 HUAYNO LATIN RHYTHM FROM NORTH ARGENTINA AND BOLIVIA FEATURING CHARANGOS AND SPANISH GUITAR WITH BOMBO, PERCUSSION SECTION AND SYNTH PULSE.

13. TANGO ONCE 00:01:31 QUIRKY TANGO SPOOF IN 11/4 FEATURING PERCUSSION, BOWED TANGO BASS, PIANO AND SYNTHESIZER,

14. LA SEPTIMA DE DIAZ 00:02:55 7/4 TIME, MOODY LATIN HANG HAND-PAN PERCUSSION WITH FRETLESS BASS AND STRING SECTION; INTENSE, PANORAMIC AND WIDE OPEN.

15. LA SEPTIMA DE GARAY 00:02:55 7/4 TIME, SLOW AND MOODY LATIN HANG HAND-PAN PERCUSSION, HEAVY VERSION.

16. LA SEPTIMA UNDERSCORE 00:02:28 REDUCED 7/4 UNDERSCORE, LATIN HANG HAND-PAN PERCUSSION WITH AMBIENT SYNTH ADDED.

17. MALAMBO TRUNCO DE GENERAL PICO A 00:01:44 5/4 TIME SIGNATURE VERSION OF TRADITIONAL MALAMBO RHYTHM; LATIN FUSION FEATURING UKULELE, UPRIGHT BASS, ELECTRIC PIANO AND ACOUSTIC PERCUSSION; CONFIDENT, UPLIFTING BUT MYSTERIOUS.

18. MALAMBO DE PICO TRUNCADO A 00:02:31 5/4 TIME SIGNATURE VERSION OF TRADITIONAL MALAMBO RHYTHM; PANORAMIC, MYSTERIOUS SYNTHESIZERS AND ARPEGGIATORS OVER ACOUSTIC PERCUSSION GROOVE. SCENIC PATAGONIA VIBE.

20. LOS QUE SE FUERON 00:02:58 DRAMATIC, EMOTIONAL AND MELANCHOLIC MEDITATION; PIANO, BANDONEON AND FRETLESS BASS WITH EPIC PERCUSSION BREAKS.

21. ESPEJISMO EN PAMPA DE ACHALA A 00:03:11 ELECTRO-ACOUSTIC FLOATING AMBIENT-FUSION WITH HANG AND SPACE DRUM, PERCUSSION, UPRIGHT BASS AND SYNTHS, ILLUSTRATING THE ATMOSPHERE OF THE PAMPAS DE ACHALA.

23. LA NOVENA TUMBAO A 00:02:01 9/4 FUSION, ODD CUBAN TUMBAO, WEIRD MAMBO FEATURING ELECTRIC PIANO AND BASS, ANALOGUE SYNTH THEMES OVER PURE ACOUSTIC PERCUSSION,

25. LA OTRA ONCENA A 00:02:27 MOODY CHACARERA IN 11/8 TIME FEATURING SPANISH AND ELECTRIC GUITAR, UPRIGHT BASS, BAMBOO FLUTES, CHARANGO, STRING SECTION AND ACOUSTIC LATIN PERCUSSION.

27. CHACARERA 00:01:25 3/4 RHYTHM UNDERSCORE WITH TRADITIONAL PERCUSSION AND PICKED ELECTRIC BASS..

28. UN MOMENTO CHARRUA A 00:02:28 LIVELY LATIN PERCUSSION GROOVE WITH BASS MELODY. FADE-OUT ENDING.

30. LATIN PERCUSSIONARY A 00:02:15 CINEMATIC LATIN DRUM SOLO BUILDING TO JAZZY MARIMBA.