1. THE TIME FALL A 00:03:33 FOREBODING AND MYSTERIOUS TENSION WITH EERIE DRONES, DYNAMIC STRING SWELLS, HAUNTING PIANO MELODY, SPARSE SOUND DESIGN AND UNSETTLING BUILDS. PERFECT FOR CREATING TENSION AND SUSPENSE IN DARK AND ENIGMATIC INVESTIGATIVE SCENES.

2. THE TIME FALL B 00:00:31 FOREBODING AND UNSETTLING BUILDS WITH EERIE AND PULSATING DRONES, STRING SWELLS, HAUNTING PIANO MELODY AND SPARSE SOUND DESIGN. PERFECT FOR CREATING TENSION AND SUSPENSE IN DARK AND ENIGMATIC INVESTIGATIVE SCENES.

3. THE TIME FALL C 00:01:52 SHORT UNDERSCORES VERSION WITH LIGHT SYNTH MOTIFS. THIS TRACK SETS A FOREBODING AND MYSTERIOUS TONE WITH ITS EERIE DRONES, SPARSE SOUND DESIGN AND UNSETTLING BUILDS. PERFECT FOR CREATING TENSION AND SUSPENSE IN DARK AND ENIGMATIC INVESTIGATIVE SCENES.

4. THE TIME FALL D 00:00:31 LIGHT VERSION WITHOUT RHYTHMIC PULSATING BASSES AND LESS SYNTHS SETTING A MYSTERIOUS AND SPACIOUS TONE WITH SPARSE SOUND DESIGN AND UNSETTLING STRING BUILDS. PERFECT FOR CREATING TENSION AND SUSPENSE IN DARK AND ENIGMATIC INVESTIGATIVE SCENES.

5. THE TIME FALL E 00:02:35 UNDERSCORE VERSION WITHOUT STRINGS AND PIANO MOTIFS. THIS TRACK SETS A FOREBODING AND MYSTERIOUS TONE WITH ITS EERIE DRONES, PIERCING ELECTRONIC GUITAR PULSES, SPARSE SOUND DESIGN AND UNSETTLING BUILDS. PERFECT FOR CREATING TENSION AND SUSPENSE IN DARK AND ENIGMATIC INVESTIGATIVE SCENES.

6. THE CALL A 00:03:49 DISTORTED SYNTHS, GLITCHY PULSES AND A DRIVING BEAT, CREATING THRILLING SUSPENSION WITH A SENSE OF URGENCY AND IMPENDING DANGER. IDEAL FOR HIGH-STAKE CHASE SCENES, ADRENALINE-PUMPED OR INTENSE INVESTIGATIVE SEQUENCES.

7. THE CALL B 00:00:32 DISTORTED SYNTHS, GLITCHY PULSES AND A DRIVING BEAT, CREATING THRILLING SUSPENSION WITH A SENSE OF URGENCY AND IMPENDING DANGER. IDEAL FOR HIGH-STAKE CHASE SCENES, ADRENALINE-PUMPED OR INTENSE INVESTIGATIVE SEQUENCES.

8. THE CALL C 00:01:14 UNDERSCORE VERSION WITHOUT SYNTH LEADS. GLITCHY PULSES AND A PUNCHING BEAT CREATE A SENSE OF URGENCY AND IMPENDING DANGER. IDEAL FOR HIGH-STAKES CHASE SCENES OR INTENSE INVESTIGATIVE SEQUENCES.

9. THE CALL D 00:00:32 LIGHT VERSION WITHOUT PULSATING SYNTHS AND BEAT STABS. WITH DISTORTED SYNTHS, GLITCHY PULSES AND A DRIVING BEAT, THIS TENSE AND SUSPENSEFUL TRACK IS PERFECT FOR CREATING A SENSE OF URGENCY AND IMPENDING DANGER. IDEAL FOR HIGH-STAKES CHASE SCENES OR INTENSE INVESTIGATIVE SEQUENCES.

10. THE CALL E 00:01:58 UNDERSCORE VERSION WITHOUT SYNTH LEADS. GLITCHY PULSES AND A PUNCHING BEAT CREATE A SENSE OF URGENCY AND IMPENDING DANGER. IDEAL FOR HIGH-STAKES CHASE SCENES OR INTENSE INVESTIGATIVE SEQUENCES.

11. FAR FROM YOU A 00:03:26 THIS BROODING AND OMINOUS INVESTIGATIVE TRACK FEATURES HAUNTING STRINGS, ATMOSPHERIC PADS AND EERIE SOUNDSCAPES THAT WILL SEND SHIVERS DOWN YOUR SPINE. PERFECT FOR CREATING AN UNSETTLING AND OMINOUS MOOD IN YOUR DARK AND MOODY SCENES.

12. FAR FROM YOU B 00:00:33 THIS BROODING AND OMINOUS INVESTIGATIVE TRACK FEATURES HAUNTING STRINGS, ATMOSPHERIC PADS AND EERIE SOUNDSCAPES THAT WILL SEND SHIVERS DOWN YOUR SPINE. PERFECT FOR CREATING AN UNSETTLING AND OMINOUS MOOD IN YOUR DARK AND MOODY SCENES.

13. FAR FROM YOU C 00:02:43 UNDERSCORE VERSION WITHOUT SYNTH LEADS. FORWARD-DRIVING AND TIME-TICKING RHYTHMS, ATMOSPHERIC PADS AND EERIE HORN STINGS WILL SEND SHIVERS DOWN YOUR SPINE. PERFECT FOR CREATING AN UNSETTLING AND OMINOUS MOOD IN YOUR DARK AND MOODY SCENES.

14. FAR FROM YOU D 00:00:33 UNDERSCORE VERSION WITHOUT SYNTH LEADS. FORWARD-DRIVING AND TIME-TICKING RHYTHMS, ATMOSPHERIC PADS AND EERIE HORN STINGS WILL SEND SHIVERS DOWN YOUR SPINE. PERFECT FOR CREATING AN UNSETTLING AND OMINOUS MOOD IN YOUR DARK AND MOODY SCENES.

15. FAR FROM YOU E 00:02:03 LIGHT VERSION WITH LESS PERCUSSIVE ELEMENTS.THIS BROODING AND OMINOUS INVESTIGATIVE TRACK FEATURES DRIVING STRINGS, ATMOSPHERIC PADS, SPARSE PIANO MOTIFS AND EERIE SOUNDSCAPES THAT WILL SEND SHIVERS DOWN YOUR SPINE. PERFECT FOR CREATING AN UNSETTLING AND OMINOUS MOOD IN YOUR DARK AND MOODY SCENES.

16. TIME OVER A 00:02:45 SLOW-PACED GUITAR, PIANO AND STRING SEQUENCES ACCOMPANIED BY PROGRESSIVELY EVOLVING, PULSATING SOUNDSCAPES AND EERIE FX THAT WILL LEAVE AUDIENCE ON EDGE. IDEAL FOR CREATING A SENSE OF MYSTERY AND INTRIGUE.

17. TIME OVER B 00:00:33 SLOW-PACED GUITAR, PIANO AND STRING SEQUENCES ACCOMPANIED BY PROGRESSIVELY EVOLVING, PULSATING SOUNDSCAPES AND EERIE FX THAT WILL LEAVE AUDIENCE ON EDGE. IDEAL FOR CREATING A SENSE OF MYSTERY AND INTRIGUE.

18. TIME OVER C 00:01:14 UNDERSCORE VERSION WITHOUT GUITAR AND STRINGS PATTERNS. SPARSE AND UNSETTLING, THIS INVESTIGATIVE TRACK FEATURES HAUNTING GUITARS AND STRINGS, DISTORTED SOUNDSCAPES AND EERIE FX THAT WILL LEAVE YOUR AUDIENCE ON EDGE. IDEAL FOR CREATING A SENSE OF MYSTERY AND INTRIGUE.

19. TIME OVER D 00:00:33 LIGHT VERSION WITH LESS PERCUSSION AND BASS. SPARSE AND UNSETTLING, THIS INVESTIGATIVE TRACK FEATURES HAUNTING GUITARS AND STRINGS, DISTORTED SOUNDSCAPES AND EERIE FX THAT WILL LEAVE YOUR AUDIENCE ON EDGE. IDEAL FOR CREATING A SENSE OF MYSTERY AND INTRIGUE.

20. TIME OVER E 00:01:51 UNDERSCORE VERSION WITHOUT GUITAR AND STRINGS PATTERNS. SPARSE AND UNSETTLING, THIS INVESTIGATIVE TRACK FEATURES HAUNTING GUITARS AND STRINGS, DISTORTED SOUNDSCAPES AND EERIE FX THAT WILL LEAVE YOUR AUDIENCE ON EDGE. IDEAL FOR CREATING A SENSE OF MYSTERY AND INTRIGUE.

21. DON'T CALL ME BACK A 00:02:55 CAPTIVATING STRINGS, PULSATING GUITAR AND SYNTHS PATTERNS, ENIGMATIC PADS AND MYSTERIOUS PIANO MOTIFS BUILD UP INTO A RICHLY PERCUSSIVE AND CINEMATIC CLIMAX. PERFECT FOR SETTING AN OTHERWORLDLY MOOD, THRILL AND GROWING SUSPENSE.

22. DON'T CALL ME BACK B 00:00:33 CAPTIVATING STRINGS, PULSATING GUITAR AND SYNTHS PATTERNS, ENIGMATIC PADS AND MYSTERIOUS PIANO MOTIFS BUILD UP INTO A RICHLY PERCUSSIVE AND CINEMATIC CLIMAX INCLUDING A DISTANT VOCAL CRY. PERFECT FOR SETTING AN OTHERWORLDLY MOOD, THRILL AND GROWING SUSPENSE.

23. DON'T CALL ME BACK C 00:01:56 INTRIGUING AND ENIGMATIC, THIS INVESTIGATIVE TRACK FEATURES MYSTERIOUS PIANO AND HAUNTING PADS THAT CREATE A SENSE OF MYSTERY AND SUSPENSE. PERFECT FOR DEVELOPING AN ENIGMATIC AND OTHERWORLDLY MOOD.

24. DON'T CALL ME BACK D 00:00:32 LIGHT VERSION WITHOUT RHYTHMIC PERCUSSION. EERIE AND ATMOSPHERIC SUSPENSE IS CREATING WITH WITH PULSATING GUITAR, SYNTHS PATTERNS, ENIGMATIC PADS AND MYSTERIOUS PIANO MOTIFS BUILD UP INTO A RICHLY PERCUSSIVE AND CINEMATIC CLIMAX. PERFECT FOR SETTING AN OTHERWORLDLY MOOD, THRILL AND GROWING SUSPENSE.

25. DON'T CALL ME BACK E 00:02:28 UNDERSCORE VERSION WITHOUT MELODIC GUITAR, PIANO AND STRING ELEMENTS. INTRIGUING AND ENIGMATIC, THIS INVESTIGATIVE TRACK FEATURES MYSTERIOUS PIANO AND HAUNTING PADS THAT CREATE A SENSE OF MYSTERY AND SUSPENSE. PERFECT FOR DEVELOPING AN ENIGMATIC AND OTHERWORLDLY MOOD.

26. HOLD THE GUN A 00:03:55 THIS MOODY AND ATMOSPHERIC INVESTIGATIVE TRACK FEATURES MELANCHOLIC PIANO AND AMBIENT TEXTURES THAT CREATE A HAUNTING AND INTROSPECTIVE MOOD. PERFECT FOR DRAMATIC AND EMOTIONAL SCENES INCLUDING THRILL AND ACTION.

27. HOLD THE GUN B 00:00:31 THIS MOODY AND ATMOSPHERIC INVESTIGATIVE TRACK FEATURES MELANCHOLIC PIANO AND AMBIENT TEXTURES THAT CREATE A HAUNTING AND INTROSPECTIVE MOOD. PERFECT FOR DRAMATIC AND EMOTIONAL SCENES INCLUDING THRILL AND ACTION.

28. HOLD THE GUN C 00:02:04 UNDERSCORE VERSION WITHOUT ACOUSTIC INSTRUMENTS. THIS MOODY AND ATMOSPHERIC INVESTIGATIVE TRACK FEATURES MELANCHOLIC PIANO AND AMBIENT TEXTURES THAT CREATE A HAUNTING AND INTROSPECTIVE MOOD. PERFECT FOR DRAMATIC AND EMOTIONAL SCENES.

29. HOLD THE GUN D 00:00:31 LIGHT VERSION WITHOUT PERCUSSION. THIS MOODY AND ATMOSPHERIC INVESTIGATIVE TRACK FEATURES MELANCHOLIC PIANO AND AMBIENT TEXTURES THAT CREATE A HAUNTING AND INTROSPECTIVE MOOD. PERFECT FOR DRAMATIC AND EMOTIONAL SCENES.

30. HOLD THE GUN E 00:02:46 UNDERSCORE VERSION WITHOUT ACOUSTIC INSTRUMENTS. THIS MOODY AND ATMOSPHERIC INVESTIGATIVE TRACK FEATURES MELANCHOLIC PIANO AND AMBIENT TEXTURES THAT CREATE A HAUNTING AND INTROSPECTIVE MOOD. PERFECT FOR DRAMATIC AND EMOTIONAL SCENES.

31. NOT THE RIGHT PLACE A 00:03:01 DISTORTED, PULSATING ARPEGGIO SYNTHS AND SHIFTING SOUNDSCAPES CREATE AN INTENSE SENSE OF FOREBODING AND UNEASE. IDEAL FOR INVESTIGATIVE SEQUENCES WITH A HIGH LEVEL OF TENSION AND SUSPENSE.

32. NOT THE RIGHT PLACE B 00:00:33 DISTORTED, PULSATING SYNTHS AND SHIFTING SOUNDSCAPES CREATE AN INTENSE SENSE OF FOREBODING AND UNEASE. IDEAL FOR INVESTIGATIVE SEQUENCES WITH A HIGH LEVEL OF TENSION AND SUSPENSE.

33. NOT THE RIGHT PLACE C 00:02:24 UNDERSCORE VERSION WITHOUT LEAD SYNTHS. DISTORTED, PULSATING SYNTHS AND SHIFTING SOUNDSCAPES CREATE AN INTENSE SENSE OF FOREBODING AND UNEASE. IDEAL FOR INVESTIGATIVE SEQUENCES WITH A HIGH LEVEL OF TENSION AND DARKNESS.

34. NOT THE RIGHT PLACE D 00:00:33 LIGHT VERSION WITHOUT POUNDING BASS PERCUSSION. DISTORTED, PULSATING SYNTH STRINGS AND SHIFTING SOUNDSCAPES CREATE AN INTENSE SENSE OF FOREBODING AND UNEASE. IDEAL FOR INVESTIGATIVE SEQUENCES WITH A HIGH LEVEL OF TENSION AND TENSION.

35. NOT THE RIGHT PLACE E 00:02:33 UNDERSCORE VERSION WITHOUT LEAD SYNTHS. DISTORTED, PULSATING SYNTHS AND SHIFTING SOUNDSCAPES CREATE AN INTENSE SENSE OF FOREBODING AND UNEASE. IDEAL FOR INVESTIGATIVE SEQUENCES WITH A HIGH LEVEL OF TENSION AND DARKNESS.

36. DARK CINEMATIC TENSION A 00:02:52 SLOWLY BROODING STRINGS PUNCTUATED BY INTERMITTENT PIANO NOTES, BELLOWING SYNTH PULSES AND FX SOUNDSCAPES EXPRESS A DARK AND ENIGMATIC MOOD. PERFECT FOR TENSE INTRIGUING MOMENTS IN CRIME AND INVESTIGATION SCENES.

37. DARK CINEMATIC TENSION B 00:00:33 SLOWLY BROODING STRINGS PUNCTUATED BY INTERMITTENT PIANO NOTES, BELLOWING SYNTH PULSES AND FX SOUNDSCAPES EXPRESS A DARK AND ENIGMATIC MOOD. PERFECT FOR TENSE INTRIGUING MOMENTS IN CRIME AND INVESTIGATION SCENES.

38. DARK CINEMATIC TENSION C 00:02:13 UNDERSCORE VERSION WITHOUT PIANO LEAD AND STRINGS. BELLOWING SYNTH PULSES AND FX SOUNDSCAPES EXPRESS A DARK AND ENIGMATIC MOOD. PERFECT FOR TENSE INTRIGUING MOMENTS IN CRIME AND INVESTIGATION SCENES.

39. DARK CINEMATIC TENSION D 00:00:33 LIGHT VERSION WITHOUT PERCUSSION. DARK AND ENIGMATIC, THIS TRACK FEATURES SLOW AND BROODING STRINGS PUNCTUATED BY INTERMITTENT PIANO NOTES THAT BUILD TENSION AND INTRIGUE WITH BELLOWING SYNTH PULSES AND FX SOUNDSCAPES.

40. DARK CINEMATIC TENSION E 00:02:50 UNDERSCORE VERSION WITHOUT PIANO LEAD AND STRINGS. BELLOWING SYNTH PULSES AND FX SOUNDSCAPES EXPRESS A DARK AND ENIGMATIC MOOD. PERFECT FOR TENSE INTRIGUING MOMENTS IN CRIME AND INVESTIGATION SCENES.

41. THE FEDERAL A 00:02:50 DARK, INTENSE AND UNSETTLING AMBIENCE OF STRINGS AND EERIE DRONES AND DRIVING PERCUSSION THAT CREATE A SENSE OF UNEASE AND FOREBODING. IDEAL FOR BUILDING TENSION AND SUSPENSE.

42. THE FEDERAL B 00:00:32 DARK, INTENSE AND UNSETTLING AMBIENCE OF STRINGS AND EERIE DRONES AND DRIVING PERCUSSION THAT CREATE A SENSE OF UNEASE AND FOREBODING. IDEAL FOR BUILDING TENSION AND SUSPENSE.

43. THE FEDERAL C 00:01:21 UNDERSCORE VERSION WITH LESS MELODIC ELEMENTS. A DARK, INTENSE AND UNSETTLING AMBIENCE IS CREATED BY EERIE DRONES, DRIVING AND LAYERED PERCUSSION BUILDING A SENSE OF UNEASE AND FOREBODING. IDEAL FOR BUILDING TENSION AND SUSPENSE.

44. THE FEDERAL D 00:00:32 LIGHT VERSION WITHOUT PERCUSSION. A DARK, INTENSE AND UNSETTLING AMBIENCE IS CREATED BY EERIE DRONES, DRIVING AND LAYERED PERCUSSION THAT GIVE A SENSE OF UNEASE AND FOREBODING. IDEAL FOR BUILDING TENSION AND SUSPENSE.

45. THE FEDERAL E 00:02:51 UNDERSCORE VERSION WITH LESS MELODIC ELEMENTS. A DARK, INTENSE AND UNSETTLING AMBIENCE IS CREATED BY EERIE DRONES, DRIVING AND LAYERED PERCUSSION BUILDING A SENSE OF UNEASE AND FOREBODING. IDEAL FOR BUILDING TENSION AND SUSPENSE.

46. MIND SPUN A 00:02:29 INDUSTRIAL PERCUSSION, JITTERING STRINGS, ECHOING WIND FX AND EERIE SOUNDSCAPES CREATE A NERVOUS AND AGITATED ENERGY. IDEAL FOR BUILDING TENSION AND CREATING AN OMINOUS AND ENIGMATIC MOOD.

47. MIND SPUN B 00:00:32 INDUSTRIAL PERCUSSION AND EERIE SOUNDSCAPES CREATE A NERVOUS AND AGITATED ENERGY. IDEAL FOR BUILDING TENSION AND CREATING AN OMINOUS AND ENIGMATIC MOOD.

48. MIND SPUN C 00:01:48 UNDERSCORE VERSION WITHOUT SYNTH LEADS. INDUSTRIAL PERCUSSION AND EERIE SOUNDSCAPES CREATE A NERVOUS AND AGITATED ENERGY. IDEAL FOR BUILDING TENSION AND CREATING AN OMINOUS AND ENIGMATIC MOOD.

49. MIND SPUN D 00:00:33 LIGHT VERSION WITH LESS PERCUSSION AND BASS SYNTHS. JITTERING STRINGS, HAUNTING WIND FX, DRUM HITS AND EERIE SOUNDSCAPES CREATE A NERVOUS AND AGITATED ENERGY. IDEAL FOR BUILDING TENSION AND CREATING AN OMINOUS AND ENIGMATIC MOOD.

50. MIND SPUN E 00:02:29 UNDERSCORE VERSION WITHOUT SYNTH LEAD ELEMENTS. INDUSTRIAL PERCUSSION AND EERIE SOUNDSCAPES CREATE A NERVOUS AND AGITATED ENERGY. IDEAL FOR BUILDING TENSION AND CREATING AN OMINOUS AND ENIGMATIC MOOD.