![]() |
SCDV1356
SONOTON SONOTON VANGUARD - SCDV THE ART OF DECEPTIONUpscale, high-stakes crime: breaking and entering music with a touch of class, featuring piano and / or cello over electronic instrumentation. |
-
2. HABITUAL TEMPTATION B 00:01:00 COMMERCIAL
3. HABITUAL TEMPTATION C 00:00:30 COMMERCIAL
4. HABITUAL TEMPTATION D 00:00:15
5. HABITUAL TEMPTATION E 00:02:08 GENERAL_UNDERSCORE
6. HABITUAL TEMPTATION F 00:01:18 GENERAL_UNDERSCORE
7. HABITUAL TEMPTATION G 00:01:18 RYTHMIC_UNDERSCORE
-
9. DECEPTIVE TACTICS B 00:01:00 COMMERCIAL
10. DECEPTIVE TACTICS C 00:00:30 COMMERCIAL
11. DECEPTIVE TACTICS D 00:00:15
12. DECEPTIVE TACTICS E 00:01:53 GENERAL_UNDERSCORE
13. DECEPTIVE TACTICS F 00:02:03 GENERAL_UNDERSCORE
14. DECEPTIVE TACTICS G 00:00:53 RYTHMIC_UNDERSCORE
-
16. BREAKING THE ENCRYPTION B 00:01:00 COMMERCIAL
17. BREAKING THE ENCRYPTION C 00:00:30 COMMERCIAL
18. BREAKING THE ENCRYPTION D 00:00:15
19. BREAKING THE ENCRYPTION E 00:02:18 GENERAL_UNDERSCORE
20. BREAKING THE ENCRYPTION F 00:02:23 GENERAL_UNDERSCORE
21. BREAKING THE ENCRYPTION G 00:01:19 RYTHMIC_UNDERSCORE
-
23. GAINING ACCESS B 00:01:00 COMMERCIAL
24. GAINING ACCESS C 00:00:30 COMMERCIAL
25. GAINING ACCESS D 00:00:15
26. GAINING ACCESS E 00:02:50 GENERAL_UNDERSCORE
27. GAINING ACCESS F 00:02:50 GENERAL_UNDERSCORE
28. GAINING ACCESS G 00:02:50 GENERAL_UNDERSCORE
29. GAINING ACCESS H 00:01:28 RYTHMIC_UNDERSCORE
-
31. THE ART OF DECEPTION B 00:01:00 COMMERCIAL
32. THE ART OF DECEPTION C 00:00:30 COMMERCIAL
33. THE ART OF DECEPTION D 00:00:15
34. THE ART OF DECEPTION E 00:01:54 GENERAL_UNDERSCORE
35. THE ART OF DECEPTION F 00:02:04 GENERAL_UNDERSCORE
36. THE ART OF DECEPTION G 00:01:49 RYTHMIC_UNDERSCORE
-
38. CUT THE WIRE B 00:01:00 COMMERCIAL
39. CUT THE WIRE C 00:00:30 COMMERCIAL
40. CUT THE WIRE D 00:00:15
41. CUT THE WIRE E 00:02:11 GENERAL_UNDERSCORE
42. CUT THE WIRE F 00:02:10 GENERAL_UNDERSCORE
43. CUT THE WIRE G 00:01:38 RYTHMIC_UNDERSCORE
-
45. LEAVING LITTLE CLUES B 00:01:00 COMMERCIAL
46. LEAVING LITTLE CLUES C 00:00:30 COMMERCIAL
47. LEAVING LITTLE CLUES D 00:00:15
48. LEAVING LITTLE CLUES E 00:02:19 GENERAL_UNDERSCORE
49. LEAVING LITTLE CLUES F 00:01:47 GENERAL_UNDERSCORE
50. LEAVING LITTLE CLUES G 00:01:52 RYTHMIC_UNDERSCORE
-
51. WAIT FOR THE SIGNAL A 00:02:23 QUESTIONING, EXPECTANT PIANO ARPEGGIO BUILDING TO STRING PULSE AND PERCUSSION. WHITE COLLAR CRIME, CORRUPTION OR KICKBACK WITH A TOUCH OF CLASS. 97 BPM (FMIN)
52. WAIT FOR THE SIGNAL B 00:01:00 COMMERCIAL
53. WAIT FOR THE SIGNAL C 00:00:30 COMMERCIAL
54. WAIT FOR THE SIGNAL D 00:00:15
55. WAIT FOR THE SIGNAL E 00:02:22 GENERAL_UNDERSCORE
56. WAIT FOR THE SIGNAL F 00:02:22 GENERAL_UNDERSCORE
57. WAIT FOR THE SIGNAL G 00:01:23 RYTHMIC_UNDERSCORE
-
59. LEAVE NO TRACE B 00:01:00 COMMERCIAL
60. LEAVE NO TRACE C 00:00:30 COMMERCIAL
61. LEAVE NO TRACE D 00:00:15
62. LEAVE NO TRACE E 00:02:29 GENERAL_UNDERSCORE
63. LEAVE NO TRACE F 00:02:32 GENERAL_UNDERSCORE
64. LEAVE NO TRACE G 00:01:40 RYTHMIC_UNDERSCORE
-
65. WITHOUT SUSPICION A 00:02:44 DARK, TENSE PULSING WITH MYSTERIOUS PIANO AND EMOTIONAL CELLO. WHITE COLLAR CRIME, CORRUPTION OR KICKBACK WITH A TOUCH OF CLASS. 82 BPM (EMIN)
66. WITHOUT SUSPICION B 00:01:00 COMMERCIAL
67. WITHOUT SUSPICION C 00:00:30 COMMERCIAL
68. WITHOUT SUSPICION D 00:00:15
69. WITHOUT SUSPICION E 00:02:29 GENERAL_UNDERSCORE
70. WITHOUT SUSPICION F 00:02:41 GENERAL_UNDERSCORE