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 Authentic Blues SFL1177 WARNER CHAPPELL PM    615 PLATINUM SERIES

Authentic Blues

Real Blues from the roadhouse to the back porch.
  • 1. WHEN THE TRAIN LEAVES THE STATION 00:01:44 A VINTAGE RECORDING OF A SOLO BLUES GUITAR, AS AUTHENTIC AS IT GETS. RECORD CRACKLES CREEP IN WITH A DIRT COVERED BLUES LICK LEADING INTO A SOLO ACOUSTIC GROOVE. THE ALT MIX HAS MALE VOCALS.

     

    13. WHEN THE TRAIN LEAVES THE STATION 00:01:00 FULL MIX

     

    25. WHEN THE TRAIN LEAVES THE STATION 00:00:30 FULL MIX

     

    37. WHEN THE TRAIN LEAVES THE STATION 00:00:15 FULL MIX

     

    49. WHEN THE TRAIN LEAVES THE STATION 00:01:44 WITH VOCALS

    Tempo
    Slow
    Genre
    Blues, Blues: Chicago, Blues:Chicago
    Instruments
    Guitar, Guitar: Acoustic, Guitar: Electric
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Lindsey Williams (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    A vintage recording of a solo Blues guitar, as authentic as it gets, Record crackles creep in with a dirt covered blues lick leading into a solo acoustic groove, The Alt mix has male vocals, Contained, Cool, Desperate, Foreboding, Introspective, Mellow, Melancholy, Retro, Sparse, Smoky, Bluesy
  • 2. HIP SHAKIN' MAMA 00:01:47 AN UPBEAT BLUES JAM THAT WILL GET YOUR HIPS SHAKIN' LIKE A MAGIC 8 BALL! DRUMS AND BASS POUND UNDERNEATH WITH SLIDE AND ELECTRIC GUITAR PLAYING A UNISON MELODY LEADING INTO A CALL AND ANSWER GUITAR SOLO OVER A BLUES PROGRESSION. THE GROOVE REPEATS WITH BOTH THE SLIDE AND LEAD GUITAR GETTING THEIR MOMENTS TO SHINE, ALONG WITH A LITTLE ROOM FOR PIANO.

     

    14. HIP SHAKIN' MAMA 00:01:00 FULL MIX

     

    26. HIP SHAKIN' MAMA 00:00:30 FULL MIX

     

    38. HIP SHAKIN' MAMA 00:00:15 FULL MIX

     

    50. HIP SHAKIN' MAMA 00:01:47 NO LEADS

    Tempo
    Medium Fast
    Genre
    Blues, Blues: Chicago, Blues:Chicago, Blues: Electric, Blues:Electric
    Instruments
    Bass: Electric, Drums, Guitar, Guitar: Electric, Guitar: Slide, Piano
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Lindsey Williams (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    An upbeat Blues jam that will get your hips shakin' like a magic 8 ball! Drums and bass pound underneath with slide and electric guitar playing a unison melody leading into a call and answer guitar solo over a Blues progression, The groove repeats with both the slide and lead guitar getting their moments to shine, along with a little room for piano, Bright, Cool, Driving, Dynamic, Feelgood, Fun, Groovy, Lively, Pounding, Punchy, Rhythmic, Bluesy
  • 3. IT'S A MEAN OLD WORLD 00:01:59 AN "OLD AS TIME" BLUES TUNE PLAYED ON SOLO HUBCAP GUITAR. THE GUITAR STARTS IT OFF WITH A WALK DOWN BEFORE MOVING INTO A STEADY MODERATE GROOVE. SHORT GUITAR LICKS AND TAPE HISS GIVE THE TRACK AN "OLD SCHOOL" BLUES VIBE.

     

    15. IT'S A MEAN OLD WORLD 00:01:00 FULL MIX

     

    27. IT'S A MEAN OLD WORLD 00:00:30 FULL MIX

     

    39. IT'S A MEAN OLD WORLD 00:00:15 FULL MIX

     

    51. IT'S A MEAN OLD WORLD 00:01:59 WITH VOCALS

    Tempo
    Slow
    Genre
    Blues, Blues: Chicago, Blues:Chicago
    Instruments
    Guitar, Guitar: Acoustic, Guitar: Electric
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Lindsey Williams (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    An "old as time" Blues tune played on solo hubcap guitar, The guitar starts it off with a walk down before moving into a steady moderate groove, Short guitar licks and tape hiss give the track an "old school" Blues vibe, Campy, Contained, Cool, Desperate, Foreboding, Introspective, Mellow, Melancholy, Retro, Sparse, Smoky, Bluesy
  • 4. I GOT TROUBLE 00:01:42 CLASSIC TRADITIONAL ELECTRIC GUITAR AND HARMONICA LEAD LAMENT OVER SOME HARD TIMES AND SOME SOLID BLUES. THE ELECTRIC GUITAR STARTS OFF WITH A SIMPLE RIFF THEN LEADS TO SOME IMPROVISED SOLO MOMENTS BETWEEN ELECTRIC GUITAR AND CLEAN HARMONICA. THE ALT MIX HAS MALE VOCALS.

     

    16. I GOT TROUBLE 00:01:00 FULL MIX

     

    28. I GOT TROUBLE 00:00:30 FULL MIX

     

    40. I GOT TROUBLE 00:00:15 FULL MIX

     

    52. I GOT TROUBLE 00:01:42 WITH VOCALS

    Tempo
    Medium
    Genre
    Blues, Blues: Chicago, Blues:Chicago, Blues: Electric, Blues:Electric
    Instruments
    Bass: Electric, Drums, Guitar, Guitar: Electric, Guitar: Slide, Piano, Harmonica
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Lindsey Williams (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    Classic traditional electric guitar and harmonica lead lament over some hard times and some solid Blues, The electric guitar starts off with a simple riff then leads to some improvised solo moments between electric guitar and clean harmonica, The Alt mix has male vocals, Bright, Cool, Dynamic, Fun, Groovy, Punchy, Rhythmic, Bluesy, Late Night
  • 5. EVERY OTHER DAY 00:01:44 A SLOW, MELLOW BLUES GROOVE WITH DRUMS, BASS AND PIANO CREATING A BED FOR SLIDE GUITAR. THE DRUMS LEAD INTO A SLOW RHYTHM WITH DIRTY SLIDE GUITAR SOLOING RIGHT FROM THE BEGINNING. THE PATTERNS REPEAT WITH A SLIGHT BUILD IN PIANO AS THE SLIDE GUITAR LAYS IT DOWN!

     

    17. EVERY OTHER DAY 00:01:00 FULL MIX

     

    29. EVERY OTHER DAY 00:00:30 FULL MIX

     

    41. EVERY OTHER DAY 00:00:15 FULL MIX

     

    53. EVERY OTHER DAY 00:01:44 NO SLIDE GUITAR

    Tempo
    Medium Slow
    Genre
    Blues, Blues: Chicago, Blues:Chicago, Blues: Electric, Blues:Electric
    Instruments
    Bass: Electric, Drums, Guitar, Guitar: Electric, Guitar: Slide, Piano
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Lindsey Williams (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    A slow, mellow Blues groove with drums, bass and piano creating a bed for slide guitar, The drums lead into a slow rhythm with dirty slide guitar soloing right from the beginning, The patterns repeat with a slight build in piano as the slide guitar lays it down! Cool, Contained, Dangerous, Edgy, Laid Back, Mellow, Moody, Soulful, Bluesy, Smoky
  • 6. BLUE DAWG 00:01:44 A STRAIGHT AHEAD BLUES SLIDE GUITAR TUNE WITH MULTIPLE ACOUSTIC DOBRO GUITARS, DRUMS AND BASS. TWO BIG HITS IN THE FRONT LEAD TO A BROKEN DOWN DRUM BEAT WITH LONG NOTES IN THE BASS, A RHYTHM DOBRO GUITAR AND A LEAD DOBRO HUBCAP GUITAR. THE B SECTIONS BUILD WITH QUICKER BASS LINES AND A SLIGHT BUILD IN THE DRUMS.

     

    18. BLUE DAWG 00:01:00 FULL MIX

     

    30. BLUE DAWG 00:00:30 FULL MIX

     

    42. BLUE DAWG 00:00:15 FULL MIX

     

    54. BLUE DAWG 00:01:44 NO LEADS

    Tempo
    Medium Slow
    Genre
    Blues, Blues: Chicago, Blues:Chicago, Blues: Electric, Blues:Electric
    Instruments
    Bass: Electric, Drums, Guitar, Guitar: Electric, Guitar: Slide, Piano, Dobro
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Lindsey Williams (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    A straight ahead Blues slide guitar tune with multiple acoustic dobro guitars, drums and bass, Two big hits in the front lead to a broken down drum beat with long notes in the bass, a rhythm dobro guitar and a lead dobro hubcap guitar, The B sections build with quicker bass lines and a slight build in the drums, Cool, Dynamic, Groovy, Rhythmic, Laid Back, Simple, Bluesy, Moody, Smoky
  • 7. RAMBLIN' BLUES 00:01:47 A FAST PACED HARMONICA BASED BLUES TUNE WITH DRUM RIMS, UPRIGHT BASS, ACOUSTIC GUITAR THROUGH AN AMP AND TWO HARMONICAS! A SHORT GUITAR INTRO LEADS INTO A FUN, FAST BEAT WITH DRUMS PLAYING RIMS AS HARMONICA TEARS IT UP OVERTOP. AN ADDITIONAL HARMONICA ADDS TEXTURE PLAYING QUICK STABS AS THE DRUMS BUILD UP TO A FULL BEAT.

     

    19. RAMBLIN' BLUES 00:01:00 FULL MIX

     

    31. RAMBLIN' BLUES 00:00:30 FULL MIX

     

    43. RAMBLIN' BLUES 00:00:15 FULL MIX

     

    55. RAMBLIN' BLUES 00:01:47 NO HARMONICA LEAD

    Tempo
    Medium Fast
    Genre
    Blues, Blues: Chicago, Blues:Chicago, Blues: Electric, Blues:Electric, Blues:Delta, Blues: Delta
    Instruments
    Bass: Electric, Drums, Guitar, Guitar: Electric, Guitar: Slide, Harmonica
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Jason Eskridge (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    A fast paced harmonica based Blues tune with drum rims, upright bass, acoustic guitar through an amp and TWO harmonicas! A short guitar intro leads into a fun, fast beat with drums playing rims as harmonica tears it up overtop, An additional harmonica adds texture playing quick stabs as the drums build up to a full beat, Bouncy, Bright, Carefree, Cool, Driving, Dynamic, Feelgood, Fun, Lively, Punchy, Rhythmic, Bluesy, Upbeat
  • 8. LAST CALL 00:02:15 A SLOW BLUES JAM WITH RHODES PIANO, ORGAN, BASS, DRUMS, ELECTRIC AND SLIDE GUITAR. TOM HITS LEAD INTO A DIRTY RHODES RIFF AS DRUMS, SLIDE GUITAR AND ORGAN SLOWLY CREEP IN FOR ONE MORE ROUND. THE DRUMS EVENTUALLY OPEN UP MAKING ROOM FOR A BLOWN-OUT SLIDE GUITAR SOLO.

     

    20. LAST CALL 00:01:00 FULL MIX

     

    32. LAST CALL 00:00:30 FULL MIX

     

    44. LAST CALL 00:00:15 FULL MIX

     

    56. LAST CALL 00:02:15 NO SLIDE

    Tempo
    Medium Slow
    Genre
    Blues, Blues: Chicago, Blues:Chicago, Blues: Electric, Blues:Electric
    Instruments
    Bass: Electric, Drums, Guitar, Guitar: Electric, Guitar: Slide, Organ
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Jason Eskridge (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    A slow Blues jam with rhodes piano, organ, bass, drums, electric and slide guitar, Tom hits lead into a dirty rhodes riff as drums, slide guitar and organ slowly creep in for one more round, The drums eventually open up making room for a blown-out slide guitar solo, Cool, Dynamic, Groovy, Contemplative, Contained, Dark, Dangerous, Laid Back, Mellow, Bluesy, Late Night, Smoky
  • 9. RAZOR TOTIN' BLUES 00:01:42 TWO BLUESY DOBRO GUITARS BATTLE IT OUT FOR CONTROL WITH AN EDGY, SHARP SOUND. STRUMMED DOBRO LAYS DOWN THE GROUNDWORK FIRST WITH A SLIDE DOBRO PLAYING SHORT FILLS. THE RHYTHMS INTENSIFY LEADING TO SHORT OCCASIONAL UNISON MELODIES AGAINST A TON OF SLIDE SOLOS. THE ALT MIX HAS MALE VOCALS.

     

    21. RAZOR TOTIN' BLUES 00:01:00 FULL MIX

     

    33. RAZOR TOTIN' BLUES 00:00:30 FULL MIX

     

    45. RAZOR TOTIN' BLUES 00:00:15 FULL MIX

     

    57. RAZOR TOTIN' BLUES 00:01:42 WITH VOCALS

    Tempo
    Slow
    Genre
    Blues, Blues: Chicago, Blues:Chicago
    Instruments
    Guitar, Guitar: Acoustic, Guitar: Electric, Dobro
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Lindsey Williams (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    Two Bluesy dobro guitars battle it out for control with an edgy, sharp sound, Strummed dobro lays down the groundwork first with a slide dobro playing short fills, The rhythms intensify leading to short occasional unison melodies against a ton of slide solos, The Alt mix has male vocals, Contained, Desperate, Foreboding, Introspective, Late Night, Retro, Sparse, Smoky, Bluesy
  • 10. HOW MANY MORE DAYS 00:01:59 A PEPPY PIANO BASED BLUES SONG WITH DIRTY HARMONICA AND ELECTRIC GUITAR SOLOS THROWN IN. PIANO PLAYS FAST CHOPPY NOTES LEADING INTO A MODERATE GROOVE. ELECTRIC GUITAR TAKES THE MELODY AND LEADS INTO A DIRTY HARMONICA SOLO. GUITAR TAKES BACK OVER, WITH A LITTLE ADDED EDGE, FOLLOWED BY A BREAKDOWN PIANO SOLO.

     

    22. HOW MANY MORE DAYS 00:01:00 FULL MIX

     

    34. HOW MANY MORE DAYS 00:00:30 FULL MIX

     

    46. HOW MANY MORE DAYS 00:00:15 FULL MIX

     

    58. HOW MANY MORE DAYS 00:01:59 NO LEADS

    Tempo
    Medium Fast
    Genre
    Blues, Blues: Chicago, Blues:Chicago, Blues: Electric, Blues:Electric, Blues:Delta, Blues: Delta
    Instruments
    Bass: Electric, Drums, Guitar, Guitar: Electric, Guitar: Slide, Harmonica, Piano
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Lindsey Williams (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    A peppy piano based Blues song with dirty harmonica and electric guitar solos thrown in, Piano plays fast choppy notes leading into a moderate groove, Electric guitar takes the melody and leads into a dirty harmonica solo, Guitar takes back over, with a little added edge, followed by a breakdown piano solo, Bouncy, Bright, Carefree, Cool, Driving, Dynamic, Feelgood, Fun, Groovy, Lively, Punchy, Rhythmic, Campy, Anxious, Bluesy
  • 11. SLOW AND LOW 00:02:15 FOR THOSE WHO REALLY HAVE THE BLUES, WE OFFER THIS TRADITIONAL SLOW, SLINKY BLUES ANTHEM. ELECTRIC GUITAR, RHODES, SLIDE GUITAR AND HARMONICA PLAY SHORT LITTLE LICKS OVER A BREAK DOWN DRUM AND BASS INTRO. EVENTUALLY, THE DRUMS BUILD UP FOR A MORE STEADY BEAT, WITH DIRTY HARMONICA, ELECTRIC AND SLIDE GUITAR TAKING ADVANTAGE OF THE SPACE.

     

    23. SLOW AND LOW 00:01:00 FULL MIX

     

    35. SLOW AND LOW 00:00:30 FULL MIX

     

    47. SLOW AND LOW 00:00:15 FULL MIX

     

    59. SLOW AND LOW 00:02:15 NO SLIDE GUITAR

    Tempo
    Slow
    Genre
    Blues, Blues: Chicago, Blues:Chicago, Blues: Electric, Blues:Electric, Blues:Delta, Blues: Delta
    Instruments
    Bass: Electric, Drums, Guitar, Guitar: Electric, Guitar: Slide, Harmonica, Piano, Keyboard, Organ
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Jason Eskridge (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    For those who really have the blues, we offer this traditional slow, slinky Blues anthem, Electric guitar, rhodes, slide guitar and harmonica play short little licks over a break down drum and bass intro, Eventually, the drums build up for a more steady beat, with dirty harmonica, electric and slide guitar taking advantage of the space, Cool, Groovy, Dark, Dangerous, Laid Back, Mellow, Bluesy, Edgy, Late Night, Moody, Smoky
  • 12. BOTTLENECK BILLY 00:01:57 A SLINKY ELECTRIC GUITAR BLUES RIFF SHIFTS INTO A DRIVING TUNE WITH SLIDE GUITAR AND ORGAN LEADING THE WAY. DIRTY ELECTRIC GUITAR LAYS DOWN THE LAW WITH ORGAN SNEAKING IT'S WAY IN BEFORE LAUNCHING INTO A MODERATE, BUT HEAVY, DRUM BEAT. THE BAND CONTINUES ON EVENTUALLY MAKING SOME ROOM FOR THE ORGAN TO TURN UP THE HEAT WITH A SOLO.

     

    24. BOTTLENECK BILLY 00:01:00 FULL MIX

     

    36. BOTTLENECK BILLY 00:00:30 FULL MIX

     

    48. BOTTLENECK BILLY 00:00:15 FULL MIX

     

    60. BOTTLENECK BILLY 00:01:57 NO SLIDE GUITAR

    Tempo
    Medium
    Genre
    Blues, Blues: Chicago, Blues:Chicago, Blues: Electric, Blues:Electric, Blues:Delta, Blues: Delta
    Instruments
    Bass: Electric, Drums, Guitar, Guitar: Electric, Guitar: Slide, Keyboard, Organ
     
     
    Label
    WARNER CHAPPELL PM
    Sub-label
    615 PLATINUM SERIES
    Album
    Authentic Blues
    Album code
    SFL1177
    Composers
    Jason Eskridge (SESAC) 100%
    Publishers
    DHH Music Co, (SESAC) 100%
    Tags
    A slinky electric guitar Blues riff shifts into a driving tune with slide guitar and organ leading the way, Dirty electric guitar lays down the law with organ sneaking it's way in before launching into a moderate, but heavy, drum beat, The band continues on eventually making some room for the organ to turn up the heat with a solo, Cool, Dynamic, Groovy, Pounding, Punchy, Rhythmic, Smooth, Contained, Forceful, Bluesy
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