Interface - Underscores For Technology & Business

1. ASCENDING NO. 3 00:02:26 ELECTRONIC - CORPORATE. LOTS OF FLOATY, EFFECTED SYNTHS ARE TIED TOGETHER BY A BUBBLY PERCUSSION. MOMENTS OF REVELATION KEEP POPPING UP AMIDST THE PULSE AND THROB OF AN ENGINEERS WORKSHOP. SUBTLE WEIRDNESS ABOUNDS, BUT NEVER GETS IN THE WAY.

11. ASCENDING NO. 3 00:01:03 60 SECOND

21. ASCENDING NO. 3 00:00:33 30 SECOND

31. ASCENDING NO. 3 00:01:52 NARRATION

40. ASCENDING NO. 3 00:01:03 60 SECOND NARRATION

49. ASCENDING NO. 3 00:00:33 30 SECOND NARRATION

Genre: Electronic
Instruments: Synth, Percussion


Label: WARNER CHAPPELL PM
Sub-label: GRAVITY
Album: Interface - Underscores For Technology & Business
Album code: GV1008
Composers: Eliot Pulse (ASCAP) 34%, Jim Reith (BMI) 33%, Warren Wiegratz (BMI) 33%
Publishers: Groove Addicts Outrageous Music Publishing (ASCAP) 50%, Groove Addicts International Music Publishing (BMI) 50%

Tags: Electronic - Corporate, Lots of floaty, effected synths are tied together by a bubbly percussion, Moments of revelation keep popping up amidst the pulse and throb of an engineers workshop, Subtle weirdness abounds, but never gets in the way, Full Mix, New Age, Dreamy, Atmospheric, Ethereal

2. FIREFLY 00:02:24 ELECTRONIC - CORPORATE. LIGHT AND AIRY OPEN GIVES WAY TO A MORE INDUSTRIOUS RHYTHM. THINGS BUILD AND GAIN IN SLIGHT INTENSITY, EVENTUALLY ADDING ORECHESTRAL TIDBITS TO THE DRAMATIC ENDING SEQUENCE.

12. FIREFLY 00:01:03 60 SECOND

22. FIREFLY 00:00:33 30 SECOND

32. FIREFLY 00:02:25 NARRATION

41. FIREFLY 00:01:03 60 SECOND NARRATION

50. FIREFLY 00:00:33 30 SECOND NARRATION

Genre: Electronic
Instruments: Synth, Percussion


Label: WARNER CHAPPELL PM
Sub-label: GRAVITY
Album: Interface - Underscores For Technology & Business
Album code: GV1008
Composers: Eliot Pulse (ASCAP) 34%, Jim Reith (BMI) 33%, Warren Wiegratz (BMI) 33%
Publishers: Groove Addicts Outrageous Music Publishing (ASCAP) 50%, Groove Addicts International Music Publishing (BMI) 50%

Tags: Electronic - Corporate, Light and airy open gives way to a more industrious rhythm, Things build and gain in slight intensity, eventually adding orechestral tidbits to the dramatic ending sequence, Full Mix, New Age, Dreamy, Atmospheric, Ethereal, Airy

3. ODD WORLD 00:02:20 ELECTRONIC - CORPORATE. FOR ALL YOUR INTERNATIONAL BUSINESS IMAGE NEEDS, WE TRIED TO INCLUDE A LITTLE TEXTURE FROM EVERY CONTINENT. WE HAVE GOT VOCAL HITS, ORGAN, SITAR, KOTO, EVEN A LAWNMOWER (AND OF COURSE, EVERY TYPE OF PERCUSSION KNOWN TO MAN). TONS OF TURNAROUNDS AND EAR CANDY HITS TO EDIT TO, ALL DONE IN ODD TIME TO KEEP IT INTERESTING AND GROOVY.

13. ODD WORLD 00:01:03 60 SECOND

23. ODD WORLD 00:00:33 30 SECOND

33. ODD WORLD 00:01:52 NARRATION

42. ODD WORLD 00:01:03 60 SECOND NARRATION

51. ODD WORLD 00:00:33 30 SECOND NARRATION

Genre: Electronic
Instruments: Synth, Percussion, Organ, Sitar, Koto


Label: WARNER CHAPPELL PM
Sub-label: GRAVITY
Album: Interface - Underscores For Technology & Business
Album code: GV1008
Composers: Eliot Pulse (ASCAP) 34%, Jim Reith (BMI) 33%, Warren Wiegratz (BMI) 33%
Publishers: Groove Addicts Outrageous Music Publishing (ASCAP) 50%, Groove Addicts International Music Publishing (BMI) 50%

Tags: Electronic - Corporate, For all your international business image needs, we tried to include a little texture from every continent, We have got vocal hits, organ, sitar, koto, even a lawnmower (and of course, every type of percussion known to man), Tons of turnarounds and ear candy hits to edit to, all done in odd time to keep it interesting and groovy, Full Mix, New Age, Atmospheric, Ethereal, Airy, Dreamy

4. OFFICE SQUELCH 00:02:14 ELECTRONIC - DANCE. ALL THESE AND MORE ARE COVERED WITH THIS MENACING UNDERSCORE. WE HAVE EVEN INCLUDED MANGLED OFFICE AMBIENCE IN THE BACKGROUND. MIXED WITH PERSISTENT SYNTH WORK AND PLENTY OF SOUND DESIGN, YOU CAN REALLY AFFECT PEOPLE WITH YOUR NEXT IN HOUSE SENSITIVITY TRAINING VIDEO.

14. OFFICE SQUELCH 00:01:03 60 SECOND

24. OFFICE SQUELCH 00:00:33 30 SECOND

34. OFFICE SQUELCH 00:01:41 NARRATION

43. OFFICE SQUELCH 00:01:03 60 SECOND NARRATION

52. OFFICE SQUELCH 00:00:33 30 SECOND NARRATION

Genre: Electronic
Instruments: Synth, Percussion


Label: WARNER CHAPPELL PM
Sub-label: GRAVITY
Album: Interface - Underscores For Technology & Business
Album code: GV1008
Composers: Eliot Pulse (ASCAP) 34%, Jim Reith (BMI) 33%, Warren Wiegratz (BMI) 33%
Publishers: Groove Addicts Outrageous Music Publishing (ASCAP) 50%, Groove Addicts International Music Publishing (BMI) 50%

Tags: Electronic - Dance, All these and more are covered with this menacing underscore, We have even included mangled office ambience in the background, Mixed with persistent synth work and plenty of sound design, you can really affect people with your next in house sensitivity training video, Full Mix, Edgy, Driving, Electronic, Dance

5. SERVO 00:02:09 ELECTRONIC - TECHNO. SHOULD MAKE ROBOTICS AND INDUSTRIAL ANIMATION COMPANIES SIT UP AND TAKE NOTE. THE OPENING IS PUSHED ALONG BY SERVO MOTORS AND OTHER MACHINERY UNDERNEATH WASHY SYNTHS AND ATMOSPHERES. A DISTORTED PIANO TAKES OVER AND THINGS GRIND ALONG, WHERE WE GET LIGHTHEADED AGAIN.

15. SERVO 00:01:03 60 SECOND

25. SERVO 00:00:33 30 SECOND

35. SERVO 00:01:49 NARRATION

44. SERVO 00:01:03 60 SECOND NARRATION

53. SERVO 00:00:33 30 SECOND NARRATION

Genre: Electronic
Instruments: Synth, Percussion


Label: WARNER CHAPPELL PM
Sub-label: GRAVITY
Album: Interface - Underscores For Technology & Business
Album code: GV1008
Composers: Eliot Pulse (ASCAP) 34%, Jim Reith (BMI) 33%, Warren Wiegratz (BMI) 33%
Publishers: Groove Addicts Outrageous Music Publishing (ASCAP) 50%, Groove Addicts International Music Publishing (BMI) 50%

Tags: Electronic - Techno, Should make robotics and industrial animation companies sit up and take note, The opening is pushed along by servo motors and other machinery underneath washy synths and atmospheres, A distorted piano takes over and things grind along, where we get lightheaded again, Full Mix, Edgy, Driving, Electronic, Dance

6. STARPARTS 00:02:25 ELECTRONIC - CORPORATE. IT IS LATE AT NIGHT AND EVERYONE ELSE HAS LEFT THE LAB. ALONE SCIENTIST WORKS HARD ON THE FORMULA THAT HAS ELUDED HIM FOR YEARS, AND WILL CONTINUE TO ELUDE HIM THROUGH THIS WHOLE BED. THE ENDING COMES SUDDENLY FOR HIM WITH A SINGLE SHOT TO THE HEAD, TOPPLING HIS CART ON THE WAY TO THE FLOOR. NOT A HAPPY PIECE, BUT HEY - IT AINT EASY BEING A GENIUS.

16. STARPARTS 00:01:03 60 SECOND

26. STARPARTS 00:00:33 30 SECOND

36. STARPARTS 00:01:48 NARRATION

45. STARPARTS 00:01:03 60 SECOND NARRATION

54. STARPARTS 00:00:33 30 SECOND NARRATION

Genre: Electronic
Instruments: Synth, Percussion


Label: WARNER CHAPPELL PM
Sub-label: GRAVITY
Album: Interface - Underscores For Technology & Business
Album code: GV1008
Composers: Eliot Pulse (ASCAP) 34%, Jim Reith (BMI) 33%, Warren Wiegratz (BMI) 33%
Publishers: Groove Addicts Outrageous Music Publishing (ASCAP) 50%, Groove Addicts International Music Publishing (BMI) 50%

Tags: Electronic - Corporate, It is late at night and everyone else has left the lab, Alone scientist works hard on the formula that has eluded him for years, and will continue to elude him through this whole bed, The ending comes suddenly for him with a single shot to the head, toppling his cart on the way to the floor, Not a happy piece, but hey - it aint easy being a genius, Full Mix, New Age, Dreamy, Mysterious, Edgy, Dark

7. SURREAL DIGITS 00:02:12 ELECTRONIC - CORPORATE. DRAMATIC BED FEATURES CHORUSED GUITAR AND LOTS OF TECHNOLOGY INFLUENCED SOUND DESIGN. A DULCIMER MAKES THINGS REALLY GRAND (TRUST US - IT IS COOL TO LIKE DULCIMERS). THEN IT IS BACK TO BUSINESS.

17. SURREAL DIGITS 00:01:03 60 SECOND

27. SURREAL DIGITS 00:00:33 30 SECOND

37. SURREAL DIGITS 00:01:52 NARRATION

46. SURREAL DIGITS 00:01:03 60 SECOND NARRATION

55. SURREAL DIGITS 00:00:33 30 SECOND NARRATION

Genre: Electronic
Instruments: Synth, Percussion, Dulcimer


Label: WARNER CHAPPELL PM
Sub-label: GRAVITY
Album: Interface - Underscores For Technology & Business
Album code: GV1008
Composers: Eliot Pulse (ASCAP) 34%, Jim Reith (BMI) 33%, Warren Wiegratz (BMI) 33%
Publishers: Groove Addicts Outrageous Music Publishing (ASCAP) 50%, Groove Addicts International Music Publishing (BMI) 50%

Tags: Electronic - Corporate, Dramatic bed features chorused guitar and lots of technology influenced sound design, A dulcimer makes things really grand (trust us - it is cool to like dulcimers), Then it is back to business, Full Mix, Hi Tech, Dreamy, Mysterious, Edgy

8. VIBE CEO 00:02:18 ELECTRONIC - CORPORATE. EVER HEARD HIP HOP MIXED WITH PRAYER BOWLS? YOU HAVE NOW, AND WE THINK IT IS A PERFECT BLEND FOR FORWARD THINKING BUSINESS USES AND INDUSTRIALS. WE EVEN THREW IN SOME GUITAR AND RHODES PIANO TO MAKE IT STILL MORE SCHIZOPHRENIC.

18. VIBE CEO 00:01:03 60 SECOND

28. VIBE CEO 00:00:33 30 SECOND

38. VIBE CEO 00:01:48 NARRATION

47. VIBE CEO 00:01:03 60 SECOND NARRATION

56. VIBE CEO 00:00:33 30 SECOND NARRATION

Genre: Electronic
Instruments: Synth, Percussion, Guitar, Piano


Label: WARNER CHAPPELL PM
Sub-label: GRAVITY
Album: Interface - Underscores For Technology & Business
Album code: GV1008
Composers: Eliot Pulse (ASCAP) 34%, Jim Reith (BMI) 33%, Warren Wiegratz (BMI) 33%
Publishers: Groove Addicts Outrageous Music Publishing (ASCAP) 50%, Groove Addicts International Music Publishing (BMI) 50%

Tags: Electronic - Corporate, Ever heard hip hop mixed with prayer bowls? You have now, and we think it is a perfect blend for forward thinking business uses and industrials, We even threw in some guitar and rhodes piano to make it still more schizophrenic, Full Mix, Driving, Edgy, Dreamy, Groovy

9. LABCOATS 00:02:34 ELECTRONIC - CORPORATE. QUINTESSENTIAL GO-ALMOST-NOWHERE TRACK. PULSING SYNTH PADS AND VERY SUBTLE BACKGROUND PERCUSSION, WHERE THE PERCUSSION GETS A BIT MORE FOREGROUND AND THE CHORDS FILTER AND SLIDE AROUND - STILL VERY SUBTLE UNTIL THE DRAMATIC RESOLUTION.

19. LABCOATS 00:01:03 60 SECOND

29. LABCOATS 00:00:33 30 SECOND

39. LABCOATS 00:02:33 NARRATION

48. LABCOATS 00:01:03 60 SECOND NARRATION

57. LABCOATS 00:00:33 30 SECOND NARRATION

Genre: Electronic
Instruments: Synth, Percussion


Label: WARNER CHAPPELL PM
Sub-label: GRAVITY
Album: Interface - Underscores For Technology & Business
Album code: GV1008
Composers: Chris Mosher (ASCAP) 50%, Eliot Pulse (ASCAP) 50%
Publishers: Groove Addicts Outrageous Music Publishing (ASCAP) 100%

Tags: Electronic - Corporate, Quintessential go-almost-nowhere track, Pulsing synth pads and very subtle background percussion, where the percussion gets a bit more foreground and the chords filter and slide around - still very subtle until the dramatic resolution, Full Mix, New Age, Driving, Edgy, Dreamy, Ethereal

10. GIA 00:01:58 ELECTRONIC - TECHNO. THIS TECHNO TRACK IS THE PERFECT THEME FOR COMMUNICATION USES, TECHNOLOGY IMAGE BITS, OR SCI-FI FILM FESTIVALS. NOT MUCH MELODY, AND IT STAYS ON COURSE THROUGHOUT WITH BOUNCY BLIPS AND HITS. A GOOD AUTOMATED FEEL, BUT NOT TOO COLD - THE LEAD INSTRUMENT IS A CONSTRUCTED FROM A HUMAN VOICE BIT.

20. GIA 00:01:03 60 SECOND

30. GIA 00:00:33 30 SECOND

58. GIA 00:02:13 ALTERNATE MIX

Genre: Electronic
Instruments: Synth, Percussion


Label: WARNER CHAPPELL PM
Sub-label: GRAVITY
Album: Interface - Underscores For Technology & Business
Album code: GV1008
Composers: Brian Gocher (ASCAP) 50%, Eliot Pulse (ASCAP) 50%
Publishers: Groove Addicts Outrageous Music Publishing (ASCAP) 100%

Tags: Electronic - Techno, This techno track is the perfect theme for communication uses, technology image bits, or sci-fi film festivals, Not much melody, and it stays on course throughout with bouncy blips and hits, A good automated feel, but not too cold - the lead instrument is a constructed from a human voice bit, Full Mix, Driving, Edgy, Dreamy, Upbeat