21. BLEEPING NAUGHTY 00:01:00 CHIRPING ELECTRONIC TONES SCALE WALLS OF CLUB-STYLE PROGRAMMED DRUMS AND DIRTY; EROTIC SYNTH BASS; AN AVANT-GARDE; EXOTIC FEEL WITH A STYLISH HEDONISTIC OVERTONE AND AN ATMOSPHERIC GLOW; VERSION - 60 SECOND

41. BLEEPING NAUGHTY 00:00:30 CHIRPING ELECTRONIC TONES SCALE WALLS OF CLUB-STYLE PROGRAMMED DRUMS AND DIRTY; EROTIC SYNTH BASS; AN AVANT-GARDE; EXOTIC FEEL WITH A STYLISH HEDONISTIC OVERTONE AND AN ATMOSPHERIC GLOW; VERSION - 30 SECOND

61. BLEEPING NAUGHTY 00:00:20 CHIRPING ELECTRONIC TONES SCALE WALLS OF CLUB-STYLE PROGRAMMED DRUMS AND DIRTY; EROTIC SYNTH BASS; AN AVANT-GARDE; EXOTIC FEEL WITH A STYLISH HEDONISTIC OVERTONE AND AN ATMOSPHERIC GLOW; VERSION - 20 SECOND

81. BLEEPING NAUGHTY 00:00:15 CHIRPING ELECTRONIC TONES SCALE WALLS OF CLUB-STYLE PROGRAMMED DRUMS AND DIRTY; EROTIC SYNTH BASS; AN AVANT-GARDE; EXOTIC FEEL WITH A STYLISH HEDONISTIC OVERTONE AND AN ATMOSPHERIC GLOW; VERSION - 15 SECOND

101. BLEEPING NAUGHTY 00:02:18 CHIRPING ELECTRONIC TONES SCALE WALLS OF CLUB-STYLE PROGRAMMED DRUMS AND DIRTY; EROTIC SYNTH BASS; AN AVANT-GARDE; EXOTIC FEEL WITH A STYLISH HEDONISTIC OVERTONE AND AN ATMOSPHERIC GLOW; VERSION - NO LOW SYNTH

121. BLEEPING NAUGHTY 00:01:00 CHIRPING ELECTRONIC TONES SCALE WALLS OF CLUB-STYLE PROGRAMMED DRUMS AND DIRTY; EROTIC SYNTH BASS; AN AVANT-GARDE; EXOTIC FEEL WITH A STYLISH HEDONISTIC OVERTONE AND AN ATMOSPHERIC GLOW; VERSION - NO LOW SYNTH 60 SECOND

141. BLEEPING NAUGHTY 00:00:30 CHIRPING ELECTRONIC TONES SCALE WALLS OF CLUB-STYLE PROGRAMMED DRUMS AND DIRTY; EROTIC SYNTH BASS; AN AVANT-GARDE; EXOTIC FEEL WITH A STYLISH HEDONISTIC OVERTONE AND AN ATMOSPHERIC GLOW; VERSION - NO LOW SYNTH 30 SECOND

161. BLEEPING NAUGHTY 00:00:20 CHIRPING ELECTRONIC TONES SCALE WALLS OF CLUB-STYLE PROGRAMMED DRUMS AND DIRTY; EROTIC SYNTH BASS; AN AVANT-GARDE; EXOTIC FEEL WITH A STYLISH HEDONISTIC OVERTONE AND AN ATMOSPHERIC GLOW; VERSION - NO LOW SYNTH 20 SECOND

181. BLEEPING NAUGHTY 00:00:15 CHIRPING ELECTRONIC TONES SCALE WALLS OF CLUB-STYLE PROGRAMMED DRUMS AND DIRTY; EROTIC SYNTH BASS; AN AVANT-GARDE; EXOTIC FEEL WITH A STYLISH HEDONISTIC OVERTONE AND AN ATMOSPHERIC GLOW; VERSION - NO LOW SYNTH 15 SECOND

22. GRITTY GIRLS 00:01:00 FUTURISTIC AND MODERN SOUNDING WITH CUTTING-EDGE ELECTRONIC TREATMENTS AND A CRISP; UNAPOLOGETIC ATTITUDE; DISTORTED SYNTH BASS COMBINES WITH BOMBASTIC DRUM PROGRAMMING WHILE FIERCE; HEAVILY ALTERED SYNTH TONES WALK THE CATWALK; VERSION - 60 SECOND

42. GRITTY GIRLS 00:00:30 FUTURISTIC AND MODERN SOUNDING WITH CUTTING-EDGE ELECTRONIC TREATMENTS AND A CRISP; UNAPOLOGETIC ATTITUDE; DISTORTED SYNTH BASS COMBINES WITH BOMBASTIC DRUM PROGRAMMING WHILE FIERCE; HEAVILY ALTERED SYNTH TONES WALK THE CATWALK; VERSION - 30 SECOND

62. GRITTY GIRLS 00:00:20 FUTURISTIC AND MODERN SOUNDING WITH CUTTING-EDGE ELECTRONIC TREATMENTS AND A CRISP; UNAPOLOGETIC ATTITUDE; DISTORTED SYNTH BASS COMBINES WITH BOMBASTIC DRUM PROGRAMMING WHILE FIERCE; HEAVILY ALTERED SYNTH TONES WALK THE CATWALK; VERSION - 20 SECOND

82. GRITTY GIRLS 00:00:15 FUTURISTIC AND MODERN SOUNDING WITH CUTTING-EDGE ELECTRONIC TREATMENTS AND A CRISP; UNAPOLOGETIC ATTITUDE; DISTORTED SYNTH BASS COMBINES WITH BOMBASTIC DRUM PROGRAMMING WHILE FIERCE; HEAVILY ALTERED SYNTH TONES WALK THE CATWALK; VERSION - 15 SECOND

102. GRITTY GIRLS 00:01:32 FUTURISTIC AND MODERN SOUNDING WITH CUTTING-EDGE ELECTRONIC TREATMENTS AND A CRISP; UNAPOLOGETIC ATTITUDE; DISTORTED SYNTH BASS COMBINES WITH BOMBASTIC DRUM PROGRAMMING WHILE FIERCE; HEAVILY ALTERED SYNTH TONES WALK THE CATWALK; VERSION - NO VOCALS

122. GRITTY GIRLS 00:01:00 FUTURISTIC AND MODERN SOUNDING WITH CUTTING-EDGE ELECTRONIC TREATMENTS AND A CRISP; UNAPOLOGETIC ATTITUDE; DISTORTED SYNTH BASS COMBINES WITH BOMBASTIC DRUM PROGRAMMING WHILE FIERCE; HEAVILY ALTERED SYNTH TONES WALK THE CATWALK; VERSION - NO VOCALS 60 SECOND

142. GRITTY GIRLS 00:00:30 FUTURISTIC AND MODERN SOUNDING WITH CUTTING-EDGE ELECTRONIC TREATMENTS AND A CRISP; UNAPOLOGETIC ATTITUDE; DISTORTED SYNTH BASS COMBINES WITH BOMBASTIC DRUM PROGRAMMING WHILE FIERCE; HEAVILY ALTERED SYNTH TONES WALK THE CATWALK; VERSION - NO VOCALS 30 SECOND

162. GRITTY GIRLS 00:00:20 FUTURISTIC AND MODERN SOUNDING WITH CUTTING-EDGE ELECTRONIC TREATMENTS AND A CRISP; UNAPOLOGETIC ATTITUDE; DISTORTED SYNTH BASS COMBINES WITH BOMBASTIC DRUM PROGRAMMING WHILE FIERCE; HEAVILY ALTERED SYNTH TONES WALK THE CATWALK; VERSION - NO VOCALS 20 SECOND

182. GRITTY GIRLS 00:00:15 FUTURISTIC AND MODERN SOUNDING WITH CUTTING-EDGE ELECTRONIC TREATMENTS AND A CRISP; UNAPOLOGETIC ATTITUDE; DISTORTED SYNTH BASS COMBINES WITH BOMBASTIC DRUM PROGRAMMING WHILE FIERCE; HEAVILY ALTERED SYNTH TONES WALK THE CATWALK; VERSION - NO VOCALS 15 SECOND

23. STRUMMER ROCK SUMMER 00:01:00 A NEW TAKE ON RETRO-ROCK GUITAR; CLEAN GUITAR PHRASES COVERED IN DELAY AND EFFECTS ECHO OVER COLOSSAL BEATS WITH FUZZ SYNTH BASS AND SYNTH TEXTURES LAUNCHING INTO A SPACEY; OTHERWORLDLY FEEL; FUN; CHAOTIC; AND FREE-SPIRITED WITH A STYLIZED SOUND BEFITTI; VERSION - 60 SECOND

43. STRUMMER ROCK SUMMER 00:00:30 A NEW TAKE ON RETRO-ROCK GUITAR; CLEAN GUITAR PHRASES COVERED IN DELAY AND EFFECTS ECHO OVER COLOSSAL BEATS WITH FUZZ SYNTH BASS AND SYNTH TEXTURES LAUNCHING INTO A SPACEY; OTHERWORLDLY FEEL; FUN; CHAOTIC; AND FREE-SPIRITED WITH A STYLIZED SOUND BEFITTI; VERSION - 30 SECOND

63. STRUMMER ROCK SUMMER 00:00:20 A NEW TAKE ON RETRO-ROCK GUITAR; CLEAN GUITAR PHRASES COVERED IN DELAY AND EFFECTS ECHO OVER COLOSSAL BEATS WITH FUZZ SYNTH BASS AND SYNTH TEXTURES LAUNCHING INTO A SPACEY; OTHERWORLDLY FEEL; FUN; CHAOTIC; AND FREE-SPIRITED WITH A STYLIZED SOUND BEFITTI; VERSION - 20 SECOND

83. STRUMMER ROCK SUMMER 00:00:15 A NEW TAKE ON RETRO-ROCK GUITAR; CLEAN GUITAR PHRASES COVERED IN DELAY AND EFFECTS ECHO OVER COLOSSAL BEATS WITH FUZZ SYNTH BASS AND SYNTH TEXTURES LAUNCHING INTO A SPACEY; OTHERWORLDLY FEEL; FUN; CHAOTIC; AND FREE-SPIRITED WITH A STYLIZED SOUND BEFITTI; VERSION - 15 SECOND

103. STRUMMER ROCK SUMMER 00:02:16 A NEW TAKE ON RETRO-ROCK GUITAR; CLEAN GUITAR PHRASES COVERED IN DELAY AND EFFECTS ECHO OVER COLOSSAL BEATS WITH FUZZ SYNTH BASS AND SYNTH TEXTURES LAUNCHING INTO A SPACEY; OTHERWORLDLY FEEL; FUN; CHAOTIC; AND FREE-SPIRITED WITH A STYLIZED SOUND BEFITTI; VERSION - NO SYNTH

123. STRUMMER ROCK SUMMER 00:01:00 A NEW TAKE ON RETRO-ROCK GUITAR; CLEAN GUITAR PHRASES COVERED IN DELAY AND EFFECTS ECHO OVER COLOSSAL BEATS WITH FUZZ SYNTH BASS AND SYNTH TEXTURES LAUNCHING INTO A SPACEY; OTHERWORLDLY FEEL; FUN; CHAOTIC; AND FREE-SPIRITED WITH A STYLIZED SOUND BEFITTI; VERSION - NO SYNTH 60 SECOND

143. STRUMMER ROCK SUMMER 00:00:30 A NEW TAKE ON RETRO-ROCK GUITAR; CLEAN GUITAR PHRASES COVERED IN DELAY AND EFFECTS ECHO OVER COLOSSAL BEATS WITH FUZZ SYNTH BASS AND SYNTH TEXTURES LAUNCHING INTO A SPACEY; OTHERWORLDLY FEEL; FUN; CHAOTIC; AND FREE-SPIRITED WITH A STYLIZED SOUND BEFITTI; VERSION - NO SYNTH 30 SECOND

163. STRUMMER ROCK SUMMER 00:00:20 A NEW TAKE ON RETRO-ROCK GUITAR; CLEAN GUITAR PHRASES COVERED IN DELAY AND EFFECTS ECHO OVER COLOSSAL BEATS WITH FUZZ SYNTH BASS AND SYNTH TEXTURES LAUNCHING INTO A SPACEY; OTHERWORLDLY FEEL; FUN; CHAOTIC; AND FREE-SPIRITED WITH A STYLIZED SOUND BEFITTI; VERSION - NO SYNTH 20 SECOND

183. STRUMMER ROCK SUMMER 00:00:15 A NEW TAKE ON RETRO-ROCK GUITAR; CLEAN GUITAR PHRASES COVERED IN DELAY AND EFFECTS ECHO OVER COLOSSAL BEATS WITH FUZZ SYNTH BASS AND SYNTH TEXTURES LAUNCHING INTO A SPACEY; OTHERWORLDLY FEEL; FUN; CHAOTIC; AND FREE-SPIRITED WITH A STYLIZED SOUND BEFITTI; VERSION - NO SYNTH 15 SECOND

24. KEYTAR HERO 00:01:00 EDGY SYNTHS FUZZ OUT AND PERCOLATE OVER A DRIVING PROGRAMMED DRUM AND BASS BED FOR A STYLISH; FASHIONABLE SOUND; SPACEY TEXTURES GLOW IN THE BACKGROUND AS POPPING SYNTH LEADS MORPH AND SHIFT CONTINUOUSLY BETWEEN ULTRA-FUZZ AND CELESTIAL SOUNDING SYNTH PO; VERSION - 60 SECOND

44. KEYTAR HERO 00:00:30 EDGY SYNTHS FUZZ OUT AND PERCOLATE OVER A DRIVING PROGRAMMED DRUM AND BASS BED FOR A STYLISH; FASHIONABLE SOUND; SPACEY TEXTURES GLOW IN THE BACKGROUND AS POPPING SYNTH LEADS MORPH AND SHIFT CONTINUOUSLY BETWEEN ULTRA-FUZZ AND CELESTIAL SOUNDING SYNTH PO; VERSION - 30 SECOND

64. KEYTAR HERO 00:00:20 EDGY SYNTHS FUZZ OUT AND PERCOLATE OVER A DRIVING PROGRAMMED DRUM AND BASS BED FOR A STYLISH; FASHIONABLE SOUND; SPACEY TEXTURES GLOW IN THE BACKGROUND AS POPPING SYNTH LEADS MORPH AND SHIFT CONTINUOUSLY BETWEEN ULTRA-FUZZ AND CELESTIAL SOUNDING SYNTH PO; VERSION - 20 SECOND

84. KEYTAR HERO 00:00:15 EDGY SYNTHS FUZZ OUT AND PERCOLATE OVER A DRIVING PROGRAMMED DRUM AND BASS BED FOR A STYLISH; FASHIONABLE SOUND; SPACEY TEXTURES GLOW IN THE BACKGROUND AS POPPING SYNTH LEADS MORPH AND SHIFT CONTINUOUSLY BETWEEN ULTRA-FUZZ AND CELESTIAL SOUNDING SYNTH PO; VERSION - 15 SECOND

104. KEYTAR HERO 00:02:04 EDGY SYNTHS FUZZ OUT AND PERCOLATE OVER A DRIVING PROGRAMMED DRUM AND BASS BED FOR A STYLISH; FASHIONABLE SOUND; SPACEY TEXTURES GLOW IN THE BACKGROUND AS POPPING SYNTH LEADS MORPH AND SHIFT CONTINUOUSLY BETWEEN ULTRA-FUZZ AND CELESTIAL SOUNDING SYNTH PO; VERSION - NO HIGH SYNTH

124. KEYTAR HERO 00:01:00 EDGY SYNTHS FUZZ OUT AND PERCOLATE OVER A DRIVING PROGRAMMED DRUM AND BASS BED FOR A STYLISH; FASHIONABLE SOUND; SPACEY TEXTURES GLOW IN THE BACKGROUND AS POPPING SYNTH LEADS MORPH AND SHIFT CONTINUOUSLY BETWEEN ULTRA-FUZZ AND CELESTIAL SOUNDING SYNTH PO; VERSION - NO HIGH SYNTH 60 SECOND

144. KEYTAR HERO 00:00:30 EDGY SYNTHS FUZZ OUT AND PERCOLATE OVER A DRIVING PROGRAMMED DRUM AND BASS BED FOR A STYLISH; FASHIONABLE SOUND; SPACEY TEXTURES GLOW IN THE BACKGROUND AS POPPING SYNTH LEADS MORPH AND SHIFT CONTINUOUSLY BETWEEN ULTRA-FUZZ AND CELESTIAL SOUNDING SYNTH PO; VERSION - NO HIGH SYNTH 30 SECOND

164. KEYTAR HERO 00:00:20 EDGY SYNTHS FUZZ OUT AND PERCOLATE OVER A DRIVING PROGRAMMED DRUM AND BASS BED FOR A STYLISH; FASHIONABLE SOUND; SPACEY TEXTURES GLOW IN THE BACKGROUND AS POPPING SYNTH LEADS MORPH AND SHIFT CONTINUOUSLY BETWEEN ULTRA-FUZZ AND CELESTIAL SOUNDING SYNTH PO; VERSION - NO HIGH SYNTH 20 SECOND

184. KEYTAR HERO 00:00:15 EDGY SYNTHS FUZZ OUT AND PERCOLATE OVER A DRIVING PROGRAMMED DRUM AND BASS BED FOR A STYLISH; FASHIONABLE SOUND; SPACEY TEXTURES GLOW IN THE BACKGROUND AS POPPING SYNTH LEADS MORPH AND SHIFT CONTINUOUSLY BETWEEN ULTRA-FUZZ AND CELESTIAL SOUNDING SYNTH PO; VERSION - NO HIGH SYNTH 15 SECOND

25. SPOOKY 00:01:00 AIRY SYNTH SOUNDSCAPES; NOISES AND VOCAL EFFECTS FLOAT THROUGH THE HALLS OF A SPARSE; YET STURDY FOUNDATION OF PROGRAMMED DRUMS AND BASS WITH AN AIRY RESULT; A CONTEMPORARY ATMOSPHERIC; MODERN SOUNDING BACKGROUND TRACK WITH AN ICY COOL FEEL THAT IS UNOBT; VERSION - 60 SECOND

45. SPOOKY 00:00:30 AIRY SYNTH SOUNDSCAPES; NOISES AND VOCAL EFFECTS FLOAT THROUGH THE HALLS OF A SPARSE; YET STURDY FOUNDATION OF PROGRAMMED DRUMS AND BASS WITH AN AIRY RESULT; A CONTEMPORARY ATMOSPHERIC; MODERN SOUNDING BACKGROUND TRACK WITH AN ICY COOL FEEL THAT IS UNOBT; VERSION - 30 SECOND

65. SPOOKY 00:00:20 AIRY SYNTH SOUNDSCAPES; NOISES AND VOCAL EFFECTS FLOAT THROUGH THE HALLS OF A SPARSE; YET STURDY FOUNDATION OF PROGRAMMED DRUMS AND BASS WITH AN AIRY RESULT; A CONTEMPORARY ATMOSPHERIC; MODERN SOUNDING BACKGROUND TRACK WITH AN ICY COOL FEEL THAT IS UNOBT; VERSION - 20 SECOND

85. SPOOKY 00:00:15 AIRY SYNTH SOUNDSCAPES; NOISES AND VOCAL EFFECTS FLOAT THROUGH THE HALLS OF A SPARSE; YET STURDY FOUNDATION OF PROGRAMMED DRUMS AND BASS WITH AN AIRY RESULT; A CONTEMPORARY ATMOSPHERIC; MODERN SOUNDING BACKGROUND TRACK WITH AN ICY COOL FEEL THAT IS UNOBT; VERSION - 15 SECOND

105. SPOOKY 00:01:44 AIRY SYNTH SOUNDSCAPES; NOISES AND VOCAL EFFECTS FLOAT THROUGH THE HALLS OF A SPARSE; YET STURDY FOUNDATION OF PROGRAMMED DRUMS AND BASS WITH AN AIRY RESULT; A CONTEMPORARY ATMOSPHERIC; MODERN SOUNDING BACKGROUND TRACK WITH AN ICY COOL FEEL THAT IS UNOBT; VERSION - NO VOCALS

125. SPOOKY 00:01:00 AIRY SYNTH SOUNDSCAPES; NOISES AND VOCAL EFFECTS FLOAT THROUGH THE HALLS OF A SPARSE; YET STURDY FOUNDATION OF PROGRAMMED DRUMS AND BASS WITH AN AIRY RESULT; A CONTEMPORARY ATMOSPHERIC; MODERN SOUNDING BACKGROUND TRACK WITH AN ICY COOL FEEL THAT IS UNOBT; VERSION - NO VOCALS 60 SECOND

145. SPOOKY 00:00:30 AIRY SYNTH SOUNDSCAPES; NOISES AND VOCAL EFFECTS FLOAT THROUGH THE HALLS OF A SPARSE; YET STURDY FOUNDATION OF PROGRAMMED DRUMS AND BASS WITH AN AIRY RESULT; A CONTEMPORARY ATMOSPHERIC; MODERN SOUNDING BACKGROUND TRACK WITH AN ICY COOL FEEL THAT IS UNOBT; VERSION - NO VOCALS 30 SECOND

165. SPOOKY 00:00:20 AIRY SYNTH SOUNDSCAPES; NOISES AND VOCAL EFFECTS FLOAT THROUGH THE HALLS OF A SPARSE; YET STURDY FOUNDATION OF PROGRAMMED DRUMS AND BASS WITH AN AIRY RESULT; A CONTEMPORARY ATMOSPHERIC; MODERN SOUNDING BACKGROUND TRACK WITH AN ICY COOL FEEL THAT IS UNOBT; VERSION - NO VOCALS 20 SECOND

185. SPOOKY 00:00:15 AIRY SYNTH SOUNDSCAPES; NOISES AND VOCAL EFFECTS FLOAT THROUGH THE HALLS OF A SPARSE; YET STURDY FOUNDATION OF PROGRAMMED DRUMS AND BASS WITH AN AIRY RESULT; A CONTEMPORARY ATMOSPHERIC; MODERN SOUNDING BACKGROUND TRACK WITH AN ICY COOL FEEL THAT IS UNOBT; VERSION - NO VOCALS 15 SECOND

26. LASER KISS 00:01:00 SWIRLING SYNTHS AND SYNCOPATED PROGRAMMED DRUMS MIXED WITH SHORT ORCHESTRAL PHRASES CREATE A SLEEK AND ELEGANT MUSIC BED WITH A FRESH; ELECTRONIC SOUND BEFITTING THE CATWALK; BRIGHT; ENERGETIC AND INVIGORATING; VERSION - 60 SECOND

46. LASER KISS 00:00:30 SWIRLING SYNTHS AND SYNCOPATED PROGRAMMED DRUMS MIXED WITH SHORT ORCHESTRAL PHRASES CREATE A SLEEK AND ELEGANT MUSIC BED WITH A FRESH; ELECTRONIC SOUND BEFITTING THE CATWALK; BRIGHT; ENERGETIC AND INVIGORATING; VERSION - 30 SECOND

66. LASER KISS 00:00:20 SWIRLING SYNTHS AND SYNCOPATED PROGRAMMED DRUMS MIXED WITH SHORT ORCHESTRAL PHRASES CREATE A SLEEK AND ELEGANT MUSIC BED WITH A FRESH; ELECTRONIC SOUND BEFITTING THE CATWALK; BRIGHT; ENERGETIC AND INVIGORATING; VERSION - 20 SECOND

86. LASER KISS 00:00:15 SWIRLING SYNTHS AND SYNCOPATED PROGRAMMED DRUMS MIXED WITH SHORT ORCHESTRAL PHRASES CREATE A SLEEK AND ELEGANT MUSIC BED WITH A FRESH; ELECTRONIC SOUND BEFITTING THE CATWALK; BRIGHT; ENERGETIC AND INVIGORATING; VERSION - 15 SECOND

106. LASER KISS 00:01:32 SWIRLING SYNTHS AND SYNCOPATED PROGRAMMED DRUMS MIXED WITH SHORT ORCHESTRAL PHRASES CREATE A SLEEK AND ELEGANT MUSIC BED WITH A FRESH; ELECTRONIC SOUND BEFITTING THE CATWALK; BRIGHT; ENERGETIC AND INVIGORATING; VERSION - NO ORCHESTRA

126. LASER KISS 00:01:00 SWIRLING SYNTHS AND SYNCOPATED PROGRAMMED DRUMS MIXED WITH SHORT ORCHESTRAL PHRASES CREATE A SLEEK AND ELEGANT MUSIC BED WITH A FRESH; ELECTRONIC SOUND BEFITTING THE CATWALK; BRIGHT; ENERGETIC AND INVIGORATING; VERSION - NO ORCHESTRA 60 SECOND

146. LASER KISS 00:00:30 SWIRLING SYNTHS AND SYNCOPATED PROGRAMMED DRUMS MIXED WITH SHORT ORCHESTRAL PHRASES CREATE A SLEEK AND ELEGANT MUSIC BED WITH A FRESH; ELECTRONIC SOUND BEFITTING THE CATWALK; BRIGHT; ENERGETIC AND INVIGORATING; VERSION - NO ORCHESTRA 30 SECOND

166. LASER KISS 00:00:20 SWIRLING SYNTHS AND SYNCOPATED PROGRAMMED DRUMS MIXED WITH SHORT ORCHESTRAL PHRASES CREATE A SLEEK AND ELEGANT MUSIC BED WITH A FRESH; ELECTRONIC SOUND BEFITTING THE CATWALK; BRIGHT; ENERGETIC AND INVIGORATING; VERSION - NO ORCHESTRA 20 SECOND

186. LASER KISS 00:00:15 SWIRLING SYNTHS AND SYNCOPATED PROGRAMMED DRUMS MIXED WITH SHORT ORCHESTRAL PHRASES CREATE A SLEEK AND ELEGANT MUSIC BED WITH A FRESH; ELECTRONIC SOUND BEFITTING THE CATWALK; BRIGHT; ENERGETIC AND INVIGORATING; VERSION - NO ORCHESTRA 15 SECOND

27. BOMB DAT FUKKA 00:01:00 SLIGHTLY BENT SOUNDING WITH PURPOSEFULLY OUT OF TUNE GUITAR EFFECTS OVER TRIBAL SOUNDING HAND PERCUSSION; DRUM PROGRAMMING AND SYNTH TREATMENTS; A CHIC; LEFT-OF-CENTER SOUNDING MUSIC BED THAT DRAWS YOU IN WITH ITS ULTRA-MODERN FLAIR; VERSION - 60 SECOND

47. BOMB DAT FUKKA 00:00:30 SLIGHTLY BENT SOUNDING WITH PURPOSEFULLY OUT OF TUNE GUITAR EFFECTS OVER TRIBAL SOUNDING HAND PERCUSSION; DRUM PROGRAMMING AND SYNTH TREATMENTS; A CHIC; LEFT-OF-CENTER SOUNDING MUSIC BED THAT DRAWS YOU IN WITH ITS ULTRA-MODERN FLAIR; VERSION - 30 SECOND

67. BOMB DAT FUKKA 00:00:20 SLIGHTLY BENT SOUNDING WITH PURPOSEFULLY OUT OF TUNE GUITAR EFFECTS OVER TRIBAL SOUNDING HAND PERCUSSION; DRUM PROGRAMMING AND SYNTH TREATMENTS; A CHIC; LEFT-OF-CENTER SOUNDING MUSIC BED THAT DRAWS YOU IN WITH ITS ULTRA-MODERN FLAIR; VERSION - 20 SECOND

87. BOMB DAT FUKKA 00:00:15 SLIGHTLY BENT SOUNDING WITH PURPOSEFULLY OUT OF TUNE GUITAR EFFECTS OVER TRIBAL SOUNDING HAND PERCUSSION; DRUM PROGRAMMING AND SYNTH TREATMENTS; A CHIC; LEFT-OF-CENTER SOUNDING MUSIC BED THAT DRAWS YOU IN WITH ITS ULTRA-MODERN FLAIR; VERSION - 15 SECOND

107. BOMB DAT FUKKA 00:01:39 SLIGHTLY BENT SOUNDING WITH PURPOSEFULLY OUT OF TUNE GUITAR EFFECTS OVER TRIBAL SOUNDING HAND PERCUSSION; DRUM PROGRAMMING AND SYNTH TREATMENTS; A CHIC; LEFT-OF-CENTER SOUNDING MUSIC BED THAT DRAWS YOU IN WITH ITS ULTRA-MODERN FLAIR; VERSION - NO GUITAR NO VOX

127. BOMB DAT FUKKA 00:01:00 SLIGHTLY BENT SOUNDING WITH PURPOSEFULLY OUT OF TUNE GUITAR EFFECTS OVER TRIBAL SOUNDING HAND PERCUSSION; DRUM PROGRAMMING AND SYNTH TREATMENTS; A CHIC; LEFT-OF-CENTER SOUNDING MUSIC BED THAT DRAWS YOU IN WITH ITS ULTRA-MODERN FLAIR; VERSION - NO GUITAR NO VOX 60 SECOND

147. BOMB DAT FUKKA 00:00:30 SLIGHTLY BENT SOUNDING WITH PURPOSEFULLY OUT OF TUNE GUITAR EFFECTS OVER TRIBAL SOUNDING HAND PERCUSSION; DRUM PROGRAMMING AND SYNTH TREATMENTS; A CHIC; LEFT-OF-CENTER SOUNDING MUSIC BED THAT DRAWS YOU IN WITH ITS ULTRA-MODERN FLAIR; VERSION - NO GUITAR NO VOX 30 SECOND

167. BOMB DAT FUKKA 00:00:20 SLIGHTLY BENT SOUNDING WITH PURPOSEFULLY OUT OF TUNE GUITAR EFFECTS OVER TRIBAL SOUNDING HAND PERCUSSION; DRUM PROGRAMMING AND SYNTH TREATMENTS; A CHIC; LEFT-OF-CENTER SOUNDING MUSIC BED THAT DRAWS YOU IN WITH ITS ULTRA-MODERN FLAIR; VERSION - NO GUITAR NO VOX 20 SECOND

187. BOMB DAT FUKKA 00:00:15 SLIGHTLY BENT SOUNDING WITH PURPOSEFULLY OUT OF TUNE GUITAR EFFECTS OVER TRIBAL SOUNDING HAND PERCUSSION; DRUM PROGRAMMING AND SYNTH TREATMENTS; A CHIC; LEFT-OF-CENTER SOUNDING MUSIC BED THAT DRAWS YOU IN WITH ITS ULTRA-MODERN FLAIR; VERSION - NO GUITAR NO VOX 15 SECOND

28. STREET KINGS 00:01:00 FILTERED; BIG-CITY BRASS OVER URBAN BEATS; BELL TONES AND HUGE HAND CLAPS JOIN FORCES WITH BOLD; METROPOLITAN SOUNDING RESULT; CONTEMPORARY AND FRESH WITH MODERN STUTTERING INSTRUMENTAL EFFECTS; STRONG-WILLED; DETERMINED SOUNDING WITH AN UNCOMPROMISING; VERSION - 60 SECOND

48. STREET KINGS 00:00:30 FILTERED; BIG-CITY BRASS OVER URBAN BEATS; BELL TONES AND HUGE HAND CLAPS JOIN FORCES WITH BOLD; METROPOLITAN SOUNDING RESULT; CONTEMPORARY AND FRESH WITH MODERN STUTTERING INSTRUMENTAL EFFECTS; STRONG-WILLED; DETERMINED SOUNDING WITH AN UNCOMPROMISING; VERSION - 30 SECOND

68. STREET KINGS 00:00:20 FILTERED; BIG-CITY BRASS OVER URBAN BEATS; BELL TONES AND HUGE HAND CLAPS JOIN FORCES WITH BOLD; METROPOLITAN SOUNDING RESULT; CONTEMPORARY AND FRESH WITH MODERN STUTTERING INSTRUMENTAL EFFECTS; STRONG-WILLED; DETERMINED SOUNDING WITH AN UNCOMPROMISING; VERSION - 20 SECOND

88. STREET KINGS 00:00:15 FILTERED; BIG-CITY BRASS OVER URBAN BEATS; BELL TONES AND HUGE HAND CLAPS JOIN FORCES WITH BOLD; METROPOLITAN SOUNDING RESULT; CONTEMPORARY AND FRESH WITH MODERN STUTTERING INSTRUMENTAL EFFECTS; STRONG-WILLED; DETERMINED SOUNDING WITH AN UNCOMPROMISING; VERSION - 15 SECOND

108. STREET KINGS 00:02:33 FILTERED; BIG-CITY BRASS OVER URBAN BEATS; BELL TONES AND HUGE HAND CLAPS JOIN FORCES WITH BOLD; METROPOLITAN SOUNDING RESULT; CONTEMPORARY AND FRESH WITH MODERN STUTTERING INSTRUMENTAL EFFECTS; STRONG-WILLED; DETERMINED SOUNDING WITH AN UNCOMPROMISING; VERSION - NO CLAPS NO BRASS

128. STREET KINGS 00:01:00 FILTERED; BIG-CITY BRASS OVER URBAN BEATS; BELL TONES AND HUGE HAND CLAPS JOIN FORCES WITH BOLD; METROPOLITAN SOUNDING RESULT; CONTEMPORARY AND FRESH WITH MODERN STUTTERING INSTRUMENTAL EFFECTS; STRONG-WILLED; DETERMINED SOUNDING WITH AN UNCOMPROMISING; VERSION - NO CLAPS NO BRASS 60 SECOND

148. STREET KINGS 00:00:30 FILTERED; BIG-CITY BRASS OVER URBAN BEATS; BELL TONES AND HUGE HAND CLAPS JOIN FORCES WITH BOLD; METROPOLITAN SOUNDING RESULT; CONTEMPORARY AND FRESH WITH MODERN STUTTERING INSTRUMENTAL EFFECTS; STRONG-WILLED; DETERMINED SOUNDING WITH AN UNCOMPROMISING; VERSION - NO CLAPS NO BRASS 30 SECOND

168. STREET KINGS 00:00:20 FILTERED; BIG-CITY BRASS OVER URBAN BEATS; BELL TONES AND HUGE HAND CLAPS JOIN FORCES WITH BOLD; METROPOLITAN SOUNDING RESULT; CONTEMPORARY AND FRESH WITH MODERN STUTTERING INSTRUMENTAL EFFECTS; STRONG-WILLED; DETERMINED SOUNDING WITH AN UNCOMPROMISING; VERSION - NO CLAPS NO BRASS 20 SECOND

188. STREET KINGS 00:00:15 FILTERED; BIG-CITY BRASS OVER URBAN BEATS; BELL TONES AND HUGE HAND CLAPS JOIN FORCES WITH BOLD; METROPOLITAN SOUNDING RESULT; CONTEMPORARY AND FRESH WITH MODERN STUTTERING INSTRUMENTAL EFFECTS; STRONG-WILLED; DETERMINED SOUNDING WITH AN UNCOMPROMISING; VERSION - NO CLAPS NO BRASS 15 SECOND

29. DOWNTOWN SCUFFLE 00:01:00 A MODERNISTIC APPROACH TO URBAN JAZZ; WITH BOMBASTIC ELECTRONIC DRUM PROGRAMMING; ECHOING SYNTH BRASS; AND AMBIENT SOUNDING SYNTH CHORDS; AN INNER-CITY FEEL MEETS THE MIND OF A MAD SCIENTIST TO CREATE CRAZY; SYNCOPATED RHYTHMS AND COUTURE TEXTURES; VERSION - 60 SECOND

49. DOWNTOWN SCUFFLE 00:00:30 A MODERNISTIC APPROACH TO URBAN JAZZ; WITH BOMBASTIC ELECTRONIC DRUM PROGRAMMING; ECHOING SYNTH BRASS; AND AMBIENT SOUNDING SYNTH CHORDS; AN INNER-CITY FEEL MEETS THE MIND OF A MAD SCIENTIST TO CREATE CRAZY; SYNCOPATED RHYTHMS AND COUTURE TEXTURES; VERSION - 30 SECOND

69. DOWNTOWN SCUFFLE 00:00:20 A MODERNISTIC APPROACH TO URBAN JAZZ; WITH BOMBASTIC ELECTRONIC DRUM PROGRAMMING; ECHOING SYNTH BRASS; AND AMBIENT SOUNDING SYNTH CHORDS; AN INNER-CITY FEEL MEETS THE MIND OF A MAD SCIENTIST TO CREATE CRAZY; SYNCOPATED RHYTHMS AND COUTURE TEXTURES; VERSION - 20 SECOND

89. DOWNTOWN SCUFFLE 00:00:15 A MODERNISTIC APPROACH TO URBAN JAZZ; WITH BOMBASTIC ELECTRONIC DRUM PROGRAMMING; ECHOING SYNTH BRASS; AND AMBIENT SOUNDING SYNTH CHORDS; AN INNER-CITY FEEL MEETS THE MIND OF A MAD SCIENTIST TO CREATE CRAZY; SYNCOPATED RHYTHMS AND COUTURE TEXTURES; VERSION - 15 SECOND

109. DOWNTOWN SCUFFLE 00:01:48 A MODERNISTIC APPROACH TO URBAN JAZZ; WITH BOMBASTIC ELECTRONIC DRUM PROGRAMMING; ECHOING SYNTH BRASS; AND AMBIENT SOUNDING SYNTH CHORDS; AN INNER-CITY FEEL MEETS THE MIND OF A MAD SCIENTIST TO CREATE CRAZY; SYNCOPATED RHYTHMS AND COUTURE TEXTURES; VERSION - NO SYNTH NO ORGAN

129. DOWNTOWN SCUFFLE 00:01:00 A MODERNISTIC APPROACH TO URBAN JAZZ; WITH BOMBASTIC ELECTRONIC DRUM PROGRAMMING; ECHOING SYNTH BRASS; AND AMBIENT SOUNDING SYNTH CHORDS; AN INNER-CITY FEEL MEETS THE MIND OF A MAD SCIENTIST TO CREATE CRAZY; SYNCOPATED RHYTHMS AND COUTURE TEXTURES; VERSION - NO SYNTH NO ORGAN 60 SECOND

149. DOWNTOWN SCUFFLE 00:00:30 A MODERNISTIC APPROACH TO URBAN JAZZ; WITH BOMBASTIC ELECTRONIC DRUM PROGRAMMING; ECHOING SYNTH BRASS; AND AMBIENT SOUNDING SYNTH CHORDS; AN INNER-CITY FEEL MEETS THE MIND OF A MAD SCIENTIST TO CREATE CRAZY; SYNCOPATED RHYTHMS AND COUTURE TEXTURES; VERSION - NO SYNTH NO ORGAN 30 SECOND

169. DOWNTOWN SCUFFLE 00:00:20 A MODERNISTIC APPROACH TO URBAN JAZZ; WITH BOMBASTIC ELECTRONIC DRUM PROGRAMMING; ECHOING SYNTH BRASS; AND AMBIENT SOUNDING SYNTH CHORDS; AN INNER-CITY FEEL MEETS THE MIND OF A MAD SCIENTIST TO CREATE CRAZY; SYNCOPATED RHYTHMS AND COUTURE TEXTURES; VERSION - NO SYNTH NO ORGAN 20 SECOND

189. DOWNTOWN SCUFFLE 00:00:15 A MODERNISTIC APPROACH TO URBAN JAZZ; WITH BOMBASTIC ELECTRONIC DRUM PROGRAMMING; ECHOING SYNTH BRASS; AND AMBIENT SOUNDING SYNTH CHORDS; AN INNER-CITY FEEL MEETS THE MIND OF A MAD SCIENTIST TO CREATE CRAZY; SYNCOPATED RHYTHMS AND COUTURE TEXTURES; VERSION - NO SYNTH NO ORGAN 15 SECOND

30. CELEBRITY TANTRUMS 00:01:00 DANCE ROCK WITH PUSHY; CLEAN TAILOR-MADE GUITAR RHYTHMS; ELECTRONIC TEXTURES AND AN UPBEAT ATTITUDE; TIGHT ELECTRIC GUITAR RHYTHMS CREATE A POSITIVE SOUND WHILE EDGY SYNTHS; DRUMS AND BASS FUEL THE FIRE WITH AN INFECTIOUS; AGGRESSIVE OVERTONE; VERSION - 60 SECOND

50. CELEBRITY TANTRUMS 00:00:30 DANCE ROCK WITH PUSHY; CLEAN TAILOR-MADE GUITAR RHYTHMS; ELECTRONIC TEXTURES AND AN UPBEAT ATTITUDE; TIGHT ELECTRIC GUITAR RHYTHMS CREATE A POSITIVE SOUND WHILE EDGY SYNTHS; DRUMS AND BASS FUEL THE FIRE WITH AN INFECTIOUS; AGGRESSIVE OVERTONE; VERSION - 30 SECOND

70. CELEBRITY TANTRUMS 00:00:20 DANCE ROCK WITH PUSHY; CLEAN TAILOR-MADE GUITAR RHYTHMS; ELECTRONIC TEXTURES AND AN UPBEAT ATTITUDE; TIGHT ELECTRIC GUITAR RHYTHMS CREATE A POSITIVE SOUND WHILE EDGY SYNTHS; DRUMS AND BASS FUEL THE FIRE WITH AN INFECTIOUS; AGGRESSIVE OVERTONE; VERSION - 20 SECOND

90. CELEBRITY TANTRUMS 00:00:15 DANCE ROCK WITH PUSHY; CLEAN TAILOR-MADE GUITAR RHYTHMS; ELECTRONIC TEXTURES AND AN UPBEAT ATTITUDE; TIGHT ELECTRIC GUITAR RHYTHMS CREATE A POSITIVE SOUND WHILE EDGY SYNTHS; DRUMS AND BASS FUEL THE FIRE WITH AN INFECTIOUS; AGGRESSIVE OVERTONE; VERSION - 15 SECOND

110. CELEBRITY TANTRUMS 00:02:23 DANCE ROCK WITH PUSHY; CLEAN TAILOR-MADE GUITAR RHYTHMS; ELECTRONIC TEXTURES AND AN UPBEAT ATTITUDE; TIGHT ELECTRIC GUITAR RHYTHMS CREATE A POSITIVE SOUND WHILE EDGY SYNTHS; DRUMS AND BASS FUEL THE FIRE WITH AN INFECTIOUS; AGGRESSIVE OVERTONE; VERSION - NO HEAVY GUITAR

130. CELEBRITY TANTRUMS 00:01:00 DANCE ROCK WITH PUSHY; CLEAN TAILOR-MADE GUITAR RHYTHMS; ELECTRONIC TEXTURES AND AN UPBEAT ATTITUDE; TIGHT ELECTRIC GUITAR RHYTHMS CREATE A POSITIVE SOUND WHILE EDGY SYNTHS; DRUMS AND BASS FUEL THE FIRE WITH AN INFECTIOUS; AGGRESSIVE OVERTONE; VERSION - NO HEAVY GUITAR 60 SECOND

150. CELEBRITY TANTRUMS 00:00:30 DANCE ROCK WITH PUSHY; CLEAN TAILOR-MADE GUITAR RHYTHMS; ELECTRONIC TEXTURES AND AN UPBEAT ATTITUDE; TIGHT ELECTRIC GUITAR RHYTHMS CREATE A POSITIVE SOUND WHILE EDGY SYNTHS; DRUMS AND BASS FUEL THE FIRE WITH AN INFECTIOUS; AGGRESSIVE OVERTONE; VERSION - NO HEAVY GUITAR 30 SECOND

170. CELEBRITY TANTRUMS 00:00:20 DANCE ROCK WITH PUSHY; CLEAN TAILOR-MADE GUITAR RHYTHMS; ELECTRONIC TEXTURES AND AN UPBEAT ATTITUDE; TIGHT ELECTRIC GUITAR RHYTHMS CREATE A POSITIVE SOUND WHILE EDGY SYNTHS; DRUMS AND BASS FUEL THE FIRE WITH AN INFECTIOUS; AGGRESSIVE OVERTONE; VERSION - NO HEAVY GUITAR 20 SECOND

190. CELEBRITY TANTRUMS 00:00:15 DANCE ROCK WITH PUSHY; CLEAN TAILOR-MADE GUITAR RHYTHMS; ELECTRONIC TEXTURES AND AN UPBEAT ATTITUDE; TIGHT ELECTRIC GUITAR RHYTHMS CREATE A POSITIVE SOUND WHILE EDGY SYNTHS; DRUMS AND BASS FUEL THE FIRE WITH AN INFECTIOUS; AGGRESSIVE OVERTONE; VERSION - NO HEAVY GUITAR 15 SECOND

31. CARNAVAL 00:01:00 AN ETHNIC SOUNDING TRACK WITH NYLON GUITAR SAMPLES; WORLD PERCUSSION LOOPS AND A DRIVING SYNTH BASS; A LIGHT; CONTEMPORARY DANCE FEEL STEMS THROUGH WITH INTRICATE SYNTH PROGRAMMING; ELECTRONIC BEATS; AND ALTERED TREATMENTS ON TRADITIONAL INSTRUMENTS; VERSION - 60 SECOND

51. CARNAVAL 00:00:30 AN ETHNIC SOUNDING TRACK WITH NYLON GUITAR SAMPLES; WORLD PERCUSSION LOOPS AND A DRIVING SYNTH BASS; A LIGHT; CONTEMPORARY DANCE FEEL STEMS THROUGH WITH INTRICATE SYNTH PROGRAMMING; ELECTRONIC BEATS; AND ALTERED TREATMENTS ON TRADITIONAL INSTRUMENTS; VERSION - 30 SECOND

71. CARNAVAL 00:00:20 AN ETHNIC SOUNDING TRACK WITH NYLON GUITAR SAMPLES; WORLD PERCUSSION LOOPS AND A DRIVING SYNTH BASS; A LIGHT; CONTEMPORARY DANCE FEEL STEMS THROUGH WITH INTRICATE SYNTH PROGRAMMING; ELECTRONIC BEATS; AND ALTERED TREATMENTS ON TRADITIONAL INSTRUMENTS; VERSION - 20 SECOND

91. CARNAVAL 00:00:15 AN ETHNIC SOUNDING TRACK WITH NYLON GUITAR SAMPLES; WORLD PERCUSSION LOOPS AND A DRIVING SYNTH BASS; A LIGHT; CONTEMPORARY DANCE FEEL STEMS THROUGH WITH INTRICATE SYNTH PROGRAMMING; ELECTRONIC BEATS; AND ALTERED TREATMENTS ON TRADITIONAL INSTRUMENTS; VERSION - 15 SECOND

111. CARNAVAL 00:02:25 AN ETHNIC SOUNDING TRACK WITH NYLON GUITAR SAMPLES; WORLD PERCUSSION LOOPS AND A DRIVING SYNTH BASS; A LIGHT; CONTEMPORARY DANCE FEEL STEMS THROUGH WITH INTRICATE SYNTH PROGRAMMING; ELECTRONIC BEATS; AND ALTERED TREATMENTS ON TRADITIONAL INSTRUMENTS; VERSION - NO SYNTH LINE

131. CARNAVAL 00:01:00 AN ETHNIC SOUNDING TRACK WITH NYLON GUITAR SAMPLES; WORLD PERCUSSION LOOPS AND A DRIVING SYNTH BASS; A LIGHT; CONTEMPORARY DANCE FEEL STEMS THROUGH WITH INTRICATE SYNTH PROGRAMMING; ELECTRONIC BEATS; AND ALTERED TREATMENTS ON TRADITIONAL INSTRUMENTS; VERSION - NO SYNTH LINE 60 SECOND

151. CARNAVAL 00:00:30 AN ETHNIC SOUNDING TRACK WITH NYLON GUITAR SAMPLES; WORLD PERCUSSION LOOPS AND A DRIVING SYNTH BASS; A LIGHT; CONTEMPORARY DANCE FEEL STEMS THROUGH WITH INTRICATE SYNTH PROGRAMMING; ELECTRONIC BEATS; AND ALTERED TREATMENTS ON TRADITIONAL INSTRUMENTS; VERSION - NO SYNTH LINE 30 SECOND

171. CARNAVAL 00:00:20 AN ETHNIC SOUNDING TRACK WITH NYLON GUITAR SAMPLES; WORLD PERCUSSION LOOPS AND A DRIVING SYNTH BASS; A LIGHT; CONTEMPORARY DANCE FEEL STEMS THROUGH WITH INTRICATE SYNTH PROGRAMMING; ELECTRONIC BEATS; AND ALTERED TREATMENTS ON TRADITIONAL INSTRUMENTS; VERSION - NO SYNTH LINE 20 SECOND

191. CARNAVAL 00:00:15 AN ETHNIC SOUNDING TRACK WITH NYLON GUITAR SAMPLES; WORLD PERCUSSION LOOPS AND A DRIVING SYNTH BASS; A LIGHT; CONTEMPORARY DANCE FEEL STEMS THROUGH WITH INTRICATE SYNTH PROGRAMMING; ELECTRONIC BEATS; AND ALTERED TREATMENTS ON TRADITIONAL INSTRUMENTS; VERSION - NO SYNTH LINE 15 SECOND

32. SHARE THE DREAM 00:01:00 FLOWING AND ATMOSPHERIC; EASY-GOING PROGRAMMED DRUMS CREATE SIMPLE RHYTHMS UNDER ECHOING SYNTHS AND MORPHING BASS LINES; LIGHT AND AIRY IN FEEL WITH FUTURISTIC; SPACEY SOUNDING HIGH STUTTERING SYNTH LINES; BREEZY AND SOFT WITH A MODERNISTIC DESIGN AND A; VERSION - 60 SECOND

52. SHARE THE DREAM 00:00:30 FLOWING AND ATMOSPHERIC; EASY-GOING PROGRAMMED DRUMS CREATE SIMPLE RHYTHMS UNDER ECHOING SYNTHS AND MORPHING BASS LINES; LIGHT AND AIRY IN FEEL WITH FUTURISTIC; SPACEY SOUNDING HIGH STUTTERING SYNTH LINES; BREEZY AND SOFT WITH A MODERNISTIC DESIGN AND A; VERSION - 30 SECOND

72. SHARE THE DREAM 00:00:20 FLOWING AND ATMOSPHERIC; EASY-GOING PROGRAMMED DRUMS CREATE SIMPLE RHYTHMS UNDER ECHOING SYNTHS AND MORPHING BASS LINES; LIGHT AND AIRY IN FEEL WITH FUTURISTIC; SPACEY SOUNDING HIGH STUTTERING SYNTH LINES; BREEZY AND SOFT WITH A MODERNISTIC DESIGN AND A; VERSION - 20 SECOND

92. SHARE THE DREAM 00:00:15 FLOWING AND ATMOSPHERIC; EASY-GOING PROGRAMMED DRUMS CREATE SIMPLE RHYTHMS UNDER ECHOING SYNTHS AND MORPHING BASS LINES; LIGHT AND AIRY IN FEEL WITH FUTURISTIC; SPACEY SOUNDING HIGH STUTTERING SYNTH LINES; BREEZY AND SOFT WITH A MODERNISTIC DESIGN AND A; VERSION - 15 SECOND

112. SHARE THE DREAM 00:02:18 FLOWING AND ATMOSPHERIC; EASY-GOING PROGRAMMED DRUMS CREATE SIMPLE RHYTHMS UNDER ECHOING SYNTHS AND MORPHING BASS LINES; LIGHT AND AIRY IN FEEL WITH FUTURISTIC; SPACEY SOUNDING HIGH STUTTERING SYNTH LINES; BREEZY AND SOFT WITH A MODERNISTIC DESIGN AND A; VERSION - NO HIGH SYNTH

132. SHARE THE DREAM 00:01:00 FLOWING AND ATMOSPHERIC; EASY-GOING PROGRAMMED DRUMS CREATE SIMPLE RHYTHMS UNDER ECHOING SYNTHS AND MORPHING BASS LINES; LIGHT AND AIRY IN FEEL WITH FUTURISTIC; SPACEY SOUNDING HIGH STUTTERING SYNTH LINES; BREEZY AND SOFT WITH A MODERNISTIC DESIGN AND A; VERSION - NO HIGH SYNTH 60 SECOND

152. SHARE THE DREAM 00:00:30 FLOWING AND ATMOSPHERIC; EASY-GOING PROGRAMMED DRUMS CREATE SIMPLE RHYTHMS UNDER ECHOING SYNTHS AND MORPHING BASS LINES; LIGHT AND AIRY IN FEEL WITH FUTURISTIC; SPACEY SOUNDING HIGH STUTTERING SYNTH LINES; BREEZY AND SOFT WITH A MODERNISTIC DESIGN AND A; VERSION - NO HIGH SYNTH 30 SECOND

172. SHARE THE DREAM 00:00:20 FLOWING AND ATMOSPHERIC; EASY-GOING PROGRAMMED DRUMS CREATE SIMPLE RHYTHMS UNDER ECHOING SYNTHS AND MORPHING BASS LINES; LIGHT AND AIRY IN FEEL WITH FUTURISTIC; SPACEY SOUNDING HIGH STUTTERING SYNTH LINES; BREEZY AND SOFT WITH A MODERNISTIC DESIGN AND A; VERSION - NO HIGH SYNTH 20 SECOND

192. SHARE THE DREAM 00:00:15 FLOWING AND ATMOSPHERIC; EASY-GOING PROGRAMMED DRUMS CREATE SIMPLE RHYTHMS UNDER ECHOING SYNTHS AND MORPHING BASS LINES; LIGHT AND AIRY IN FEEL WITH FUTURISTIC; SPACEY SOUNDING HIGH STUTTERING SYNTH LINES; BREEZY AND SOFT WITH A MODERNISTIC DESIGN AND A; VERSION - NO HIGH SYNTH 15 SECOND

33. ELECTRO MOTOR SOUL 00:01:00 ENERGETIC; UPBEAT WITH FILTERED; CHOPPED UP HORN BLASTS AND ELECTRIC GUITARS; PUNCHY; SYNCOPATED BEATS ACCENTUATE QUICK; ECHOING GUITAR PHRASES WITH RETRO SOUNDING; REMIXED HORNS FILLING IN THE CRACKS; A HOT MESS OF FUN AND FRESH ELEMENTS WITH A TON OF; VERSION - 60 SECOND

53. ELECTRO MOTOR SOUL 00:00:30 ENERGETIC; UPBEAT WITH FILTERED; CHOPPED UP HORN BLASTS AND ELECTRIC GUITARS; PUNCHY; SYNCOPATED BEATS ACCENTUATE QUICK; ECHOING GUITAR PHRASES WITH RETRO SOUNDING; REMIXED HORNS FILLING IN THE CRACKS; A HOT MESS OF FUN AND FRESH ELEMENTS WITH A TON OF; VERSION - 30 SECOND

73. ELECTRO MOTOR SOUL 00:00:20 ENERGETIC; UPBEAT WITH FILTERED; CHOPPED UP HORN BLASTS AND ELECTRIC GUITARS; PUNCHY; SYNCOPATED BEATS ACCENTUATE QUICK; ECHOING GUITAR PHRASES WITH RETRO SOUNDING; REMIXED HORNS FILLING IN THE CRACKS; A HOT MESS OF FUN AND FRESH ELEMENTS WITH A TON OF; VERSION - 20 SECOND

93. ELECTRO MOTOR SOUL 00:00:15 ENERGETIC; UPBEAT WITH FILTERED; CHOPPED UP HORN BLASTS AND ELECTRIC GUITARS; PUNCHY; SYNCOPATED BEATS ACCENTUATE QUICK; ECHOING GUITAR PHRASES WITH RETRO SOUNDING; REMIXED HORNS FILLING IN THE CRACKS; A HOT MESS OF FUN AND FRESH ELEMENTS WITH A TON OF; VERSION - 15 SECOND

113. ELECTRO MOTOR SOUL 00:02:37 ENERGETIC; UPBEAT WITH FILTERED; CHOPPED UP HORN BLASTS AND ELECTRIC GUITARS; PUNCHY; SYNCOPATED BEATS ACCENTUATE QUICK; ECHOING GUITAR PHRASES WITH RETRO SOUNDING; REMIXED HORNS FILLING IN THE CRACKS; A HOT MESS OF FUN AND FRESH ELEMENTS WITH A TON OF; VERSION - NO HORN BLASTS

133. ELECTRO MOTOR SOUL 00:01:00 ENERGETIC; UPBEAT WITH FILTERED; CHOPPED UP HORN BLASTS AND ELECTRIC GUITARS; PUNCHY; SYNCOPATED BEATS ACCENTUATE QUICK; ECHOING GUITAR PHRASES WITH RETRO SOUNDING; REMIXED HORNS FILLING IN THE CRACKS; A HOT MESS OF FUN AND FRESH ELEMENTS WITH A TON OF; VERSION - NO HORN BLASTS 60 SECOND

153. ELECTRO MOTOR SOUL 00:00:30 ENERGETIC; UPBEAT WITH FILTERED; CHOPPED UP HORN BLASTS AND ELECTRIC GUITARS; PUNCHY; SYNCOPATED BEATS ACCENTUATE QUICK; ECHOING GUITAR PHRASES WITH RETRO SOUNDING; REMIXED HORNS FILLING IN THE CRACKS; A HOT MESS OF FUN AND FRESH ELEMENTS WITH A TON OF; VERSION - NO HORN BLASTS 30 SECOND

173. ELECTRO MOTOR SOUL 00:00:20 ENERGETIC; UPBEAT WITH FILTERED; CHOPPED UP HORN BLASTS AND ELECTRIC GUITARS; PUNCHY; SYNCOPATED BEATS ACCENTUATE QUICK; ECHOING GUITAR PHRASES WITH RETRO SOUNDING; REMIXED HORNS FILLING IN THE CRACKS; A HOT MESS OF FUN AND FRESH ELEMENTS WITH A TON OF; VERSION - NO HORN BLASTS 20 SECOND

193. ELECTRO MOTOR SOUL 00:00:15 ENERGETIC; UPBEAT WITH FILTERED; CHOPPED UP HORN BLASTS AND ELECTRIC GUITARS; PUNCHY; SYNCOPATED BEATS ACCENTUATE QUICK; ECHOING GUITAR PHRASES WITH RETRO SOUNDING; REMIXED HORNS FILLING IN THE CRACKS; A HOT MESS OF FUN AND FRESH ELEMENTS WITH A TON OF; VERSION - NO HORN BLASTS 15 SECOND

34. KILLIN' IT 00:01:00 ATMOSPHERIC; STYLISH AND CLEAN SOUNDING WITH AN INNOVATIVE APPROACH; LUSH SOUNDING STRINGS AND SYNTHS PLAY SHORT; DREAMY CHORDS WITH HIGH SYNTH LINES PERCOLATING IN THE BACKGROUND; TREATED DRUMS AND SWELLING BASS ADD A STROKE OF "FABULOUS" TO THIS BREEZ; VERSION - 60 SECOND

54. KILLIN' IT 00:00:30 ATMOSPHERIC; STYLISH AND CLEAN SOUNDING WITH AN INNOVATIVE APPROACH; LUSH SOUNDING STRINGS AND SYNTHS PLAY SHORT; DREAMY CHORDS WITH HIGH SYNTH LINES PERCOLATING IN THE BACKGROUND; TREATED DRUMS AND SWELLING BASS ADD A STROKE OF "FABULOUS" TO THIS BREEZ; VERSION - 30 SECOND

74. KILLIN' IT 00:00:20 ATMOSPHERIC; STYLISH AND CLEAN SOUNDING WITH AN INNOVATIVE APPROACH; LUSH SOUNDING STRINGS AND SYNTHS PLAY SHORT; DREAMY CHORDS WITH HIGH SYNTH LINES PERCOLATING IN THE BACKGROUND; TREATED DRUMS AND SWELLING BASS ADD A STROKE OF "FABULOUS" TO THIS BREEZ; VERSION - 20 SECOND

94. KILLIN' IT 00:00:15 ATMOSPHERIC; STYLISH AND CLEAN SOUNDING WITH AN INNOVATIVE APPROACH; LUSH SOUNDING STRINGS AND SYNTHS PLAY SHORT; DREAMY CHORDS WITH HIGH SYNTH LINES PERCOLATING IN THE BACKGROUND; TREATED DRUMS AND SWELLING BASS ADD A STROKE OF "FABULOUS" TO THIS BREEZ; VERSION - 15 SECOND

114. KILLIN' IT 00:01:53 ATMOSPHERIC; STYLISH AND CLEAN SOUNDING WITH AN INNOVATIVE APPROACH; LUSH SOUNDING STRINGS AND SYNTHS PLAY SHORT; DREAMY CHORDS WITH HIGH SYNTH LINES PERCOLATING IN THE BACKGROUND; TREATED DRUMS AND SWELLING BASS ADD A STROKE OF "FABULOUS" TO THIS BREEZ; VERSION - NO ORCHESTRA

134. KILLIN' IT 00:01:00 ATMOSPHERIC; STYLISH AND CLEAN SOUNDING WITH AN INNOVATIVE APPROACH; LUSH SOUNDING STRINGS AND SYNTHS PLAY SHORT; DREAMY CHORDS WITH HIGH SYNTH LINES PERCOLATING IN THE BACKGROUND; TREATED DRUMS AND SWELLING BASS ADD A STROKE OF "FABULOUS" TO THIS BREEZ; VERSION - NO ORCHESTRA 60 SECOND

154. KILLIN' IT 00:00:30 ATMOSPHERIC; STYLISH AND CLEAN SOUNDING WITH AN INNOVATIVE APPROACH; LUSH SOUNDING STRINGS AND SYNTHS PLAY SHORT; DREAMY CHORDS WITH HIGH SYNTH LINES PERCOLATING IN THE BACKGROUND; TREATED DRUMS AND SWELLING BASS ADD A STROKE OF "FABULOUS" TO THIS BREEZ; VERSION - NO ORCHESTRA 30 SECOND

174. KILLIN' IT 00:00:20 ATMOSPHERIC; STYLISH AND CLEAN SOUNDING WITH AN INNOVATIVE APPROACH; LUSH SOUNDING STRINGS AND SYNTHS PLAY SHORT; DREAMY CHORDS WITH HIGH SYNTH LINES PERCOLATING IN THE BACKGROUND; TREATED DRUMS AND SWELLING BASS ADD A STROKE OF "FABULOUS" TO THIS BREEZ; VERSION - NO ORCHESTRA 20 SECOND

194. KILLIN' IT 00:00:15 ATMOSPHERIC; STYLISH AND CLEAN SOUNDING WITH AN INNOVATIVE APPROACH; LUSH SOUNDING STRINGS AND SYNTHS PLAY SHORT; DREAMY CHORDS WITH HIGH SYNTH LINES PERCOLATING IN THE BACKGROUND; TREATED DRUMS AND SWELLING BASS ADD A STROKE OF "FABULOUS" TO THIS BREEZ; VERSION - NO ORCHESTRA 15 SECOND

35. UNBROKEN 00:01:00 TRASHY SOUNDING DRUMS AND CLEAN PIANO LEAD INTO A THUG-LIFE BEAT THAT'S LARGER THAN LIFE; ECHOING PIANO ADDS A SULLEN VIBE COUNTERED BY JAZZY ELECTRIC GUITAR LINES; DARK AND SOMBER SOUNDING WITH ELECTRONIC BASS LINES AND DRUMS GIVING AN URBAN FEEL; VERSION - 60 SECOND

55. UNBROKEN 00:00:30 TRASHY SOUNDING DRUMS AND CLEAN PIANO LEAD INTO A THUG-LIFE BEAT THAT'S LARGER THAN LIFE; ECHOING PIANO ADDS A SULLEN VIBE COUNTERED BY JAZZY ELECTRIC GUITAR LINES; DARK AND SOMBER SOUNDING WITH ELECTRONIC BASS LINES AND DRUMS GIVING AN URBAN FEEL; VERSION - 30 SECOND

75. UNBROKEN 00:00:20 TRASHY SOUNDING DRUMS AND CLEAN PIANO LEAD INTO A THUG-LIFE BEAT THAT'S LARGER THAN LIFE; ECHOING PIANO ADDS A SULLEN VIBE COUNTERED BY JAZZY ELECTRIC GUITAR LINES; DARK AND SOMBER SOUNDING WITH ELECTRONIC BASS LINES AND DRUMS GIVING AN URBAN FEEL; VERSION - 20 SECOND

95. UNBROKEN 00:00:15 TRASHY SOUNDING DRUMS AND CLEAN PIANO LEAD INTO A THUG-LIFE BEAT THAT'S LARGER THAN LIFE; ECHOING PIANO ADDS A SULLEN VIBE COUNTERED BY JAZZY ELECTRIC GUITAR LINES; DARK AND SOMBER SOUNDING WITH ELECTRONIC BASS LINES AND DRUMS GIVING AN URBAN FEEL; VERSION - 15 SECOND

115. UNBROKEN 00:02:08 TRASHY SOUNDING DRUMS AND CLEAN PIANO LEAD INTO A THUG-LIFE BEAT THAT'S LARGER THAN LIFE; ECHOING PIANO ADDS A SULLEN VIBE COUNTERED BY JAZZY ELECTRIC GUITAR LINES; DARK AND SOMBER SOUNDING WITH ELECTRONIC BASS LINES AND DRUMS GIVING AN URBAN FEEL; VERSION - NO PIANO

135. UNBROKEN 00:01:00 TRASHY SOUNDING DRUMS AND CLEAN PIANO LEAD INTO A THUG-LIFE BEAT THAT'S LARGER THAN LIFE; ECHOING PIANO ADDS A SULLEN VIBE COUNTERED BY JAZZY ELECTRIC GUITAR LINES; DARK AND SOMBER SOUNDING WITH ELECTRONIC BASS LINES AND DRUMS GIVING AN URBAN FEEL; VERSION - NO PIANO 60 SECOND

155. UNBROKEN 00:00:30 TRASHY SOUNDING DRUMS AND CLEAN PIANO LEAD INTO A THUG-LIFE BEAT THAT'S LARGER THAN LIFE; ECHOING PIANO ADDS A SULLEN VIBE COUNTERED BY JAZZY ELECTRIC GUITAR LINES; DARK AND SOMBER SOUNDING WITH ELECTRONIC BASS LINES AND DRUMS GIVING AN URBAN FEEL; VERSION - NO PIANO 30 SECOND

175. UNBROKEN 00:00:20 TRASHY SOUNDING DRUMS AND CLEAN PIANO LEAD INTO A THUG-LIFE BEAT THAT'S LARGER THAN LIFE; ECHOING PIANO ADDS A SULLEN VIBE COUNTERED BY JAZZY ELECTRIC GUITAR LINES; DARK AND SOMBER SOUNDING WITH ELECTRONIC BASS LINES AND DRUMS GIVING AN URBAN FEEL; VERSION - NO PIANO 20 SECOND

195. UNBROKEN 00:00:15 TRASHY SOUNDING DRUMS AND CLEAN PIANO LEAD INTO A THUG-LIFE BEAT THAT'S LARGER THAN LIFE; ECHOING PIANO ADDS A SULLEN VIBE COUNTERED BY JAZZY ELECTRIC GUITAR LINES; DARK AND SOMBER SOUNDING WITH ELECTRONIC BASS LINES AND DRUMS GIVING AN URBAN FEEL; VERSION - NO PIANO 15 SECOND

36. LAS CALLES 00:01:00 TURN ON THE LIGHTS AND GET READY FOR THE CAMERA FLASHES; A HIGH-VOLTAGE ELECTRONIC DANCE TRACK WITH LATIN FLAIR PERFECT FOR AN ENERGETIC RUNWAY SHOW; ECHOING; EFFECTED BRASS MORPHS; TWISTS AND TURNS OVER UPBEAT; ROWDY DRUMS; LATIN PERCUSSION; AND SYNTH;;VERSION - 60 SECOND

56. LAS CALLES 00:00:30 TURN ON THE LIGHTS AND GET READY FOR THE CAMERA FLASHES; A HIGH-VOLTAGE ELECTRONIC DANCE TRACK WITH LATIN FLAIR PERFECT FOR AN ENERGETIC RUNWAY SHOW; ECHOING; EFFECTED BRASS MORPHS; TWISTS AND TURNS OVER UPBEAT; ROWDY DRUMS; LATIN PERCUSSION; AND SYNTH;;VERSION - 30 SECOND

76. LAS CALLES 00:00:20 TURN ON THE LIGHTS AND GET READY FOR THE CAMERA FLASHES; A HIGH-VOLTAGE ELECTRONIC DANCE TRACK WITH LATIN FLAIR PERFECT FOR AN ENERGETIC RUNWAY SHOW; ECHOING; EFFECTED BRASS MORPHS; TWISTS AND TURNS OVER UPBEAT; ROWDY DRUMS; LATIN PERCUSSION; AND SYNTH;;VERSION - 20 SECOND

96. LAS CALLES 00:00:15 TURN ON THE LIGHTS AND GET READY FOR THE CAMERA FLASHES; A HIGH-VOLTAGE ELECTRONIC DANCE TRACK WITH LATIN FLAIR PERFECT FOR AN ENERGETIC RUNWAY SHOW; ECHOING; EFFECTED BRASS MORPHS; TWISTS AND TURNS OVER UPBEAT; ROWDY DRUMS; LATIN PERCUSSION; AND SYNTH;;VERSION - 15 SECOND

116. LAS CALLES 00:02:19 TURN ON THE LIGHTS AND GET READY FOR THE CAMERA FLASHES; A HIGH-VOLTAGE ELECTRONIC DANCE TRACK WITH LATIN FLAIR PERFECT FOR AN ENERGETIC RUNWAY SHOW; ECHOING; EFFECTED BRASS MORPHS; TWISTS AND TURNS OVER UPBEAT; ROWDY DRUMS; LATIN PERCUSSION; AND SYNTH;;VERSION - NO HORNS

136. LAS CALLES 00:01:00 TURN ON THE LIGHTS AND GET READY FOR THE CAMERA FLASHES; A HIGH-VOLTAGE ELECTRONIC DANCE TRACK WITH LATIN FLAIR PERFECT FOR AN ENERGETIC RUNWAY SHOW; ECHOING; EFFECTED BRASS MORPHS; TWISTS AND TURNS OVER UPBEAT; ROWDY DRUMS; LATIN PERCUSSION; AND SYNTH;;VERSION - NO HORNS 60 SECOND

156. LAS CALLES 00:00:30 TURN ON THE LIGHTS AND GET READY FOR THE CAMERA FLASHES; A HIGH-VOLTAGE ELECTRONIC DANCE TRACK WITH LATIN FLAIR PERFECT FOR AN ENERGETIC RUNWAY SHOW; ECHOING; EFFECTED BRASS MORPHS; TWISTS AND TURNS OVER UPBEAT; ROWDY DRUMS; LATIN PERCUSSION; AND SYNTH;;VERSION - NO HORNS 30 SECOND

176. LAS CALLES 00:00:20 TURN ON THE LIGHTS AND GET READY FOR THE CAMERA FLASHES; A HIGH-VOLTAGE ELECTRONIC DANCE TRACK WITH LATIN FLAIR PERFECT FOR AN ENERGETIC RUNWAY SHOW; ECHOING; EFFECTED BRASS MORPHS; TWISTS AND TURNS OVER UPBEAT; ROWDY DRUMS; LATIN PERCUSSION; AND SYNTH;;VERSION - NO HORNS 20 SECOND

196. LAS CALLES 00:00:15 TURN ON THE LIGHTS AND GET READY FOR THE CAMERA FLASHES; A HIGH-VOLTAGE ELECTRONIC DANCE TRACK WITH LATIN FLAIR PERFECT FOR AN ENERGETIC RUNWAY SHOW; ECHOING; EFFECTED BRASS MORPHS; TWISTS AND TURNS OVER UPBEAT; ROWDY DRUMS; LATIN PERCUSSION; AND SYNTH;;VERSION - NO HORNS 15 SECOND

37. SACRIFICE 00:01:00 SPACEY AND TREND SETTING; FUTURISTIC AND CUTTING-EDGE WITH A COOL; HAUNTING ENERGY; NOISES GALORE; FROM HIGH; BELL-LIKE SYNTH LEADS TO ATMOSPHERIC SOUNDSCAPES TO GHOSTLY VOCALS; ALL COMBINE TO CREATE A DREAM-LIKE SENSATION OF AMBIGUITY AND EXCITEMENT; VERSION - 60 SECOND

57. SACRIFICE 00:00:30 SPACEY AND TREND SETTING; FUTURISTIC AND CUTTING-EDGE WITH A COOL; HAUNTING ENERGY; NOISES GALORE; FROM HIGH; BELL-LIKE SYNTH LEADS TO ATMOSPHERIC SOUNDSCAPES TO GHOSTLY VOCALS; ALL COMBINE TO CREATE A DREAM-LIKE SENSATION OF AMBIGUITY AND EXCITEMENT; VERSION - 30 SECOND

77. SACRIFICE 00:00:20 SPACEY AND TREND SETTING; FUTURISTIC AND CUTTING-EDGE WITH A COOL; HAUNTING ENERGY; NOISES GALORE; FROM HIGH; BELL-LIKE SYNTH LEADS TO ATMOSPHERIC SOUNDSCAPES TO GHOSTLY VOCALS; ALL COMBINE TO CREATE A DREAM-LIKE SENSATION OF AMBIGUITY AND EXCITEMENT; VERSION - 20 SECOND

97. SACRIFICE 00:00:15 SPACEY AND TREND SETTING; FUTURISTIC AND CUTTING-EDGE WITH A COOL; HAUNTING ENERGY; NOISES GALORE; FROM HIGH; BELL-LIKE SYNTH LEADS TO ATMOSPHERIC SOUNDSCAPES TO GHOSTLY VOCALS; ALL COMBINE TO CREATE A DREAM-LIKE SENSATION OF AMBIGUITY AND EXCITEMENT; VERSION - 15 SECOND

117. SACRIFICE 00:01:58 SPACEY AND TREND SETTING; FUTURISTIC AND CUTTING-EDGE WITH A COOL; HAUNTING ENERGY; NOISES GALORE; FROM HIGH; BELL-LIKE SYNTH LEADS TO ATMOSPHERIC SOUNDSCAPES TO GHOSTLY VOCALS; ALL COMBINE TO CREATE A DREAM-LIKE SENSATION OF AMBIGUITY AND EXCITEMENT; VERSION - NO VOCAL

137. SACRIFICE 00:01:00 SPACEY AND TREND SETTING; FUTURISTIC AND CUTTING-EDGE WITH A COOL; HAUNTING ENERGY; NOISES GALORE; FROM HIGH; BELL-LIKE SYNTH LEADS TO ATMOSPHERIC SOUNDSCAPES TO GHOSTLY VOCALS; ALL COMBINE TO CREATE A DREAM-LIKE SENSATION OF AMBIGUITY AND EXCITEMENT; VERSION - NO VOCAL 60 SECOND

157. SACRIFICE 00:00:30 SPACEY AND TREND SETTING; FUTURISTIC AND CUTTING-EDGE WITH A COOL; HAUNTING ENERGY; NOISES GALORE; FROM HIGH; BELL-LIKE SYNTH LEADS TO ATMOSPHERIC SOUNDSCAPES TO GHOSTLY VOCALS; ALL COMBINE TO CREATE A DREAM-LIKE SENSATION OF AMBIGUITY AND EXCITEMENT; VERSION - NO VOCAL 30 SECOND

177. SACRIFICE 00:00:20 SPACEY AND TREND SETTING; FUTURISTIC AND CUTTING-EDGE WITH A COOL; HAUNTING ENERGY; NOISES GALORE; FROM HIGH; BELL-LIKE SYNTH LEADS TO ATMOSPHERIC SOUNDSCAPES TO GHOSTLY VOCALS; ALL COMBINE TO CREATE A DREAM-LIKE SENSATION OF AMBIGUITY AND EXCITEMENT; VERSION - NO VOCAL 20 SECOND

197. SACRIFICE 00:00:15 SPACEY AND TREND SETTING; FUTURISTIC AND CUTTING-EDGE WITH A COOL; HAUNTING ENERGY; NOISES GALORE; FROM HIGH; BELL-LIKE SYNTH LEADS TO ATMOSPHERIC SOUNDSCAPES TO GHOSTLY VOCALS; ALL COMBINE TO CREATE A DREAM-LIKE SENSATION OF AMBIGUITY AND EXCITEMENT; VERSION - NO VOCAL 15 SECOND

38. EVERYBODY CLAP 00:01:00 OLD-SCHOOL HORNS AND RHYTHM SECTION JOIN FORCES WITH MODERNISTIC DRUM APPROACHES; SYNTH TEXTURES AND HUGE HANDCLAPS; UPBEAT AND CLEAN SOUNDING WITH FUN; RETRO INFLUENCES; VERSION - 60 SECOND

58. EVERYBODY CLAP 00:00:30 OLD-SCHOOL HORNS AND RHYTHM SECTION JOIN FORCES WITH MODERNISTIC DRUM APPROACHES; SYNTH TEXTURES AND HUGE HANDCLAPS; UPBEAT AND CLEAN SOUNDING WITH FUN; RETRO INFLUENCES; VERSION - 30 SECOND

78. EVERYBODY CLAP 00:00:20 OLD-SCHOOL HORNS AND RHYTHM SECTION JOIN FORCES WITH MODERNISTIC DRUM APPROACHES; SYNTH TEXTURES AND HUGE HANDCLAPS; UPBEAT AND CLEAN SOUNDING WITH FUN; RETRO INFLUENCES; VERSION - 20 SECOND

98. EVERYBODY CLAP 00:00:15 OLD-SCHOOL HORNS AND RHYTHM SECTION JOIN FORCES WITH MODERNISTIC DRUM APPROACHES; SYNTH TEXTURES AND HUGE HANDCLAPS; UPBEAT AND CLEAN SOUNDING WITH FUN; RETRO INFLUENCES; VERSION - 15 SECOND

118. EVERYBODY CLAP 00:01:41 OLD-SCHOOL HORNS AND RHYTHM SECTION JOIN FORCES WITH MODERNISTIC DRUM APPROACHES; SYNTH TEXTURES AND HUGE HANDCLAPS; UPBEAT AND CLEAN SOUNDING WITH FUN; RETRO INFLUENCES; VERSION - NO BRASS

138. EVERYBODY CLAP 00:01:00 OLD-SCHOOL HORNS AND RHYTHM SECTION JOIN FORCES WITH MODERNISTIC DRUM APPROACHES; SYNTH TEXTURES AND HUGE HANDCLAPS; UPBEAT AND CLEAN SOUNDING WITH FUN; RETRO INFLUENCES; VERSION - NO BRASS 60 SECOND

158. EVERYBODY CLAP 00:00:30 OLD-SCHOOL HORNS AND RHYTHM SECTION JOIN FORCES WITH MODERNISTIC DRUM APPROACHES; SYNTH TEXTURES AND HUGE HANDCLAPS; UPBEAT AND CLEAN SOUNDING WITH FUN; RETRO INFLUENCES; VERSION - NO BRASS 30 SECOND

178. EVERYBODY CLAP 00:00:20 OLD-SCHOOL HORNS AND RHYTHM SECTION JOIN FORCES WITH MODERNISTIC DRUM APPROACHES; SYNTH TEXTURES AND HUGE HANDCLAPS; UPBEAT AND CLEAN SOUNDING WITH FUN; RETRO INFLUENCES; VERSION - NO BRASS 20 SECOND

198. EVERYBODY CLAP 00:00:15 OLD-SCHOOL HORNS AND RHYTHM SECTION JOIN FORCES WITH MODERNISTIC DRUM APPROACHES; SYNTH TEXTURES AND HUGE HANDCLAPS; UPBEAT AND CLEAN SOUNDING WITH FUN; RETRO INFLUENCES; VERSION - NO BRASS 15 SECOND

39. SUNNY GLOW 00:01:00 THIS UPBEAT; ELECTRONIC TUNE SOUNDS LIKE A MODERN DAY CAROUSEL TRACK; LIGHT; PLAYFUL MELODIES MEET SYNTH TEXTURES AND BIG; SYNCOPATED ELECTRONIC DRUM; HAPPY AND BRIGHT SOUNDING WITH SHIMMERING SYNTH EFFECTS AND LOTS OF HIDDEN SURPRISES TUCKED AWAY; HI-;VERSION - 60 SECOND

59. SUNNY GLOW 00:00:30 THIS UPBEAT; ELECTRONIC TUNE SOUNDS LIKE A MODERN DAY CAROUSEL TRACK; LIGHT; PLAYFUL MELODIES MEET SYNTH TEXTURES AND BIG; SYNCOPATED ELECTRONIC DRUM; HAPPY AND BRIGHT SOUNDING WITH SHIMMERING SYNTH EFFECTS AND LOTS OF HIDDEN SURPRISES TUCKED AWAY; HI-;VERSION - 30 SECOND

79. SUNNY GLOW 00:00:20 THIS UPBEAT; ELECTRONIC TUNE SOUNDS LIKE A MODERN DAY CAROUSEL TRACK; LIGHT; PLAYFUL MELODIES MEET SYNTH TEXTURES AND BIG; SYNCOPATED ELECTRONIC DRUM; HAPPY AND BRIGHT SOUNDING WITH SHIMMERING SYNTH EFFECTS AND LOTS OF HIDDEN SURPRISES TUCKED AWAY; HI-;VERSION - 20 SECOND

99. SUNNY GLOW 00:00:15 THIS UPBEAT; ELECTRONIC TUNE SOUNDS LIKE A MODERN DAY CAROUSEL TRACK; LIGHT; PLAYFUL MELODIES MEET SYNTH TEXTURES AND BIG; SYNCOPATED ELECTRONIC DRUM; HAPPY AND BRIGHT SOUNDING WITH SHIMMERING SYNTH EFFECTS AND LOTS OF HIDDEN SURPRISES TUCKED AWAY; HI-;VERSION - 15 SECOND

119. SUNNY GLOW 00:02:18 THIS UPBEAT; ELECTRONIC TUNE SOUNDS LIKE A MODERN DAY CAROUSEL TRACK; LIGHT; PLAYFUL MELODIES MEET SYNTH TEXTURES AND BIG; SYNCOPATED ELECTRONIC DRUM; HAPPY AND BRIGHT SOUNDING WITH SHIMMERING SYNTH EFFECTS AND LOTS OF HIDDEN SURPRISES TUCKED AWAY; HI-;VERSION - NO HARP

139. SUNNY GLOW 00:01:00 THIS UPBEAT; ELECTRONIC TUNE SOUNDS LIKE A MODERN DAY CAROUSEL TRACK; LIGHT; PLAYFUL MELODIES MEET SYNTH TEXTURES AND BIG; SYNCOPATED ELECTRONIC DRUM; HAPPY AND BRIGHT SOUNDING WITH SHIMMERING SYNTH EFFECTS AND LOTS OF HIDDEN SURPRISES TUCKED AWAY; HI-;VERSION - NO HARP 60 SECOND

159. SUNNY GLOW 00:00:30 THIS UPBEAT; ELECTRONIC TUNE SOUNDS LIKE A MODERN DAY CAROUSEL TRACK; LIGHT; PLAYFUL MELODIES MEET SYNTH TEXTURES AND BIG; SYNCOPATED ELECTRONIC DRUM; HAPPY AND BRIGHT SOUNDING WITH SHIMMERING SYNTH EFFECTS AND LOTS OF HIDDEN SURPRISES TUCKED AWAY; HI-;VERSION - NO HARP 30 SECOND

179. SUNNY GLOW 00:00:20 THIS UPBEAT; ELECTRONIC TUNE SOUNDS LIKE A MODERN DAY CAROUSEL TRACK; LIGHT; PLAYFUL MELODIES MEET SYNTH TEXTURES AND BIG; SYNCOPATED ELECTRONIC DRUM; HAPPY AND BRIGHT SOUNDING WITH SHIMMERING SYNTH EFFECTS AND LOTS OF HIDDEN SURPRISES TUCKED AWAY; HI-;VERSION - NO HARP 20 SECOND

199. SUNNY GLOW 00:00:15 THIS UPBEAT; ELECTRONIC TUNE SOUNDS LIKE A MODERN DAY CAROUSEL TRACK; LIGHT; PLAYFUL MELODIES MEET SYNTH TEXTURES AND BIG; SYNCOPATED ELECTRONIC DRUM; HAPPY AND BRIGHT SOUNDING WITH SHIMMERING SYNTH EFFECTS AND LOTS OF HIDDEN SURPRISES TUCKED AWAY; HI-;VERSION - NO HARP 15 SECOND

40. BLOCKHEAD 00:01:00 SYNCOPATED AND QUIRKY FUZZ BASS LAYS A FOUNDATION DOWN FOR A CONSTANT BUILD OF LAYERS; FROM RETRO ELECTRIC GUITAR LEADS TO AMBIENT PIANO TEXTURES TO SPACED OUT SYNTH EFFECTS; A FUNKY YET ODD COMBINATION OF SOUNDS AND INSTRUMENTS WITH POISE; POLISH; AND A; VERSION - 60 SECOND

60. BLOCKHEAD 00:00:30 SYNCOPATED AND QUIRKY FUZZ BASS LAYS A FOUNDATION DOWN FOR A CONSTANT BUILD OF LAYERS; FROM RETRO ELECTRIC GUITAR LEADS TO AMBIENT PIANO TEXTURES TO SPACED OUT SYNTH EFFECTS; A FUNKY YET ODD COMBINATION OF SOUNDS AND INSTRUMENTS WITH POISE; POLISH; AND A; VERSION - 30 SECOND

80. BLOCKHEAD 00:00:20 SYNCOPATED AND QUIRKY FUZZ BASS LAYS A FOUNDATION DOWN FOR A CONSTANT BUILD OF LAYERS; FROM RETRO ELECTRIC GUITAR LEADS TO AMBIENT PIANO TEXTURES TO SPACED OUT SYNTH EFFECTS; A FUNKY YET ODD COMBINATION OF SOUNDS AND INSTRUMENTS WITH POISE; POLISH; AND A; VERSION - 20 SECOND

100. BLOCKHEAD 00:00:15 SYNCOPATED AND QUIRKY FUZZ BASS LAYS A FOUNDATION DOWN FOR A CONSTANT BUILD OF LAYERS; FROM RETRO ELECTRIC GUITAR LEADS TO AMBIENT PIANO TEXTURES TO SPACED OUT SYNTH EFFECTS; A FUNKY YET ODD COMBINATION OF SOUNDS AND INSTRUMENTS WITH POISE; POLISH; AND A; VERSION - 15 SECOND

120. BLOCKHEAD 00:01:39 SYNCOPATED AND QUIRKY FUZZ BASS LAYS A FOUNDATION DOWN FOR A CONSTANT BUILD OF LAYERS; FROM RETRO ELECTRIC GUITAR LEADS TO AMBIENT PIANO TEXTURES TO SPACED OUT SYNTH EFFECTS; A FUNKY YET ODD COMBINATION OF SOUNDS AND INSTRUMENTS WITH POISE; POLISH; AND A; VERSION - NO LEAD GUITAR

140. BLOCKHEAD 00:01:00 SYNCOPATED AND QUIRKY FUZZ BASS LAYS A FOUNDATION DOWN FOR A CONSTANT BUILD OF LAYERS; FROM RETRO ELECTRIC GUITAR LEADS TO AMBIENT PIANO TEXTURES TO SPACED OUT SYNTH EFFECTS; A FUNKY YET ODD COMBINATION OF SOUNDS AND INSTRUMENTS WITH POISE; POLISH; AND A; VERSION - NO LEAD GUITAR 60 SECOND

160. BLOCKHEAD 00:00:30 SYNCOPATED AND QUIRKY FUZZ BASS LAYS A FOUNDATION DOWN FOR A CONSTANT BUILD OF LAYERS; FROM RETRO ELECTRIC GUITAR LEADS TO AMBIENT PIANO TEXTURES TO SPACED OUT SYNTH EFFECTS; A FUNKY YET ODD COMBINATION OF SOUNDS AND INSTRUMENTS WITH POISE; POLISH; AND A; VERSION - NO LEAD GUITAR 30 SECOND

180. BLOCKHEAD 00:00:20 SYNCOPATED AND QUIRKY FUZZ BASS LAYS A FOUNDATION DOWN FOR A CONSTANT BUILD OF LAYERS; FROM RETRO ELECTRIC GUITAR LEADS TO AMBIENT PIANO TEXTURES TO SPACED OUT SYNTH EFFECTS; A FUNKY YET ODD COMBINATION OF SOUNDS AND INSTRUMENTS WITH POISE; POLISH; AND A; VERSION - NO LEAD GUITAR 20 SECOND

200. BLOCKHEAD 00:00:15 SYNCOPATED AND QUIRKY FUZZ BASS LAYS A FOUNDATION DOWN FOR A CONSTANT BUILD OF LAYERS; FROM RETRO ELECTRIC GUITAR LEADS TO AMBIENT PIANO TEXTURES TO SPACED OUT SYNTH EFFECTS; A FUNKY YET ODD COMBINATION OF SOUNDS AND INSTRUMENTS WITH POISE; POLISH; AND A; VERSION - NO LEAD GUITAR 15 SECOND